Der erfolglose Schauspieler Michael Dorsey verkleidet sich als Frau, um eine Rolle in einer trashigen Krankenhaus-Soap zu ergattern.Der erfolglose Schauspieler Michael Dorsey verkleidet sich als Frau, um eine Rolle in einer trashigen Krankenhaus-Soap zu ergattern.Der erfolglose Schauspieler Michael Dorsey verkleidet sich als Frau, um eine Rolle in einer trashigen Krankenhaus-Soap zu ergattern.
- 1 Oscar gewonnen
- 26 Gewinne & 31 Nominierungen insgesamt
Empfohlene Bewertungen
Wow!, what a film anyone who has seen this film would definetly agree with me that this film touches you in so many different places. It's funny, sad but also appealing to so many different people. Dustin Hoffman is superb in it, so is Jessica Lange the way they act on set together is very amusing but when they are alone, it's always an emotional scene. Especially the scene in which Julie (Lange) throws a glass of champagne at him when he tries to come on to her at a party, it's so funny. Murray is also good as Hoffman's mixed-up flat mate. Sydney Pollack the director also takes a small role as Hoffman's Agent who unsuccesfully tries to find him work. The viewer sees the struggle of all the characters in their everyday life. There is also a touch of romance in the fim for the sentimentals in this world. The whole team bonds together to create a funny, imaginative film suitable for anyone who is in the mood for a laugh or a cry. I thouroughly reccomend it!!
Michael, an unemployed actor in New York, takes desperate measures by dressing up as a woman called Dorothy Michaels and gets a job at an TV soap opera, where he falls in love with Julie. But how to tell her that he is actually a man...?
Winner of 3 Golden Globes ( Best movie comedy/musical, best actors Dustin Hoffman and Jessica Lange ) and one Oscar ( Best actress Jessica Lange ), "Tootsie" is a small masterpiece of intelligent comedy, full of emotions, love and interesting observations about the relationship between women and men.
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The situations are deliciously written. Just take the scene where Dorothy is auditioning for the role in the TV soap opera but is turned down because she is "too soft". Her response is gold: "Yes, I know what you want! You want some gross caricature of a woman to prove some idiotic point, like power makes women masculine, or masculine women are ugly...! Well, shame on you, you macho sh*t a**!" When later asked from the producer if she was just acting when she said that or if she was natural, she responded: "Which answer will get me the job?" Needless to say she got the job that instant, and a special place in my heart. But the best scenes are the ones where Dorothy is constantly improvising on the set, like when she was supposed to say to a woman who was beaten up by her man to take a therapy, but instead decided to tell that she would never let a man raise his hand on her( and then she threw a vase of flowers into the wall! ). Wonderful fun! Billy Wilder would be proud!
Dustin Hoffman is pure genius, more as a woman then as a man, as are Terri Garr and Bill Murray, before his critical fame with "Lost in translation" and "Broken flowers". "Tootsie" is quite simply a classic all the way through!
Grade: 10/10
Winner of 3 Golden Globes ( Best movie comedy/musical, best actors Dustin Hoffman and Jessica Lange ) and one Oscar ( Best actress Jessica Lange ), "Tootsie" is a small masterpiece of intelligent comedy, full of emotions, love and interesting observations about the relationship between women and men.
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The situations are deliciously written. Just take the scene where Dorothy is auditioning for the role in the TV soap opera but is turned down because she is "too soft". Her response is gold: "Yes, I know what you want! You want some gross caricature of a woman to prove some idiotic point, like power makes women masculine, or masculine women are ugly...! Well, shame on you, you macho sh*t a**!" When later asked from the producer if she was just acting when she said that or if she was natural, she responded: "Which answer will get me the job?" Needless to say she got the job that instant, and a special place in my heart. But the best scenes are the ones where Dorothy is constantly improvising on the set, like when she was supposed to say to a woman who was beaten up by her man to take a therapy, but instead decided to tell that she would never let a man raise his hand on her( and then she threw a vase of flowers into the wall! ). Wonderful fun! Billy Wilder would be proud!
Dustin Hoffman is pure genius, more as a woman then as a man, as are Terri Garr and Bill Murray, before his critical fame with "Lost in translation" and "Broken flowers". "Tootsie" is quite simply a classic all the way through!
Grade: 10/10
Dustin Hoffman and director/producer Sydney Pollack played with cross-dressing, gender roles and to some degree sexism in this 1982 megahit, the second-highest grossing movie of the year in the United States (after E. T.). The film is not particularly probing or controversial - not by today's standards, and arguably not by 1982's either. At least not beyond the very sight of Dustin Hoffman dressing up as a woman. Tootsie is not an opinionated piece; it's a simple romantic comedy with a creative, fun angle. And it's rather comfortable in that skin, perhaps even complacent. Dustin Hoffman's lead performance is devoted and rather sweet. Although his Dorothy Michaels is an outdated woman from the pre-sexual revolution era, whereas his Michael Dorsey is a modern 40-something of the 1980s, Hoffman still is able to make Dorothy into some kind of throwback feminist icon, if for no other reason than that (s)he speaks up. Some detractors may of course have balked at the idea that the film suggests women needed a man to do just that, but the picture is far too gullible to be accused of such schemes or ambitions.
Remember when comedies used to be actual movies with actual stories with actual points and the funny just flowed out of them, instead of just a flimsy excuse to string together jokes and funny scenes and stock situations? Yeah, me too. What happened?
If you're in the mood for a great movie that will get you to cough up a boatload of honest laughs, then you ain't gonna do better than TOOTSIE. You are not going to find a better written, acted, and directed comedy anywhere. There are plenty as good - but none better. This is a career highpoint for all involved, and when "all" includes names such as Sydney Pollack and Dustin Hoffman, you know that's a sentiment that carries some significant weight.
And it just reaffirms the old adage that every single comedy should have Bill Murray in it.
If you're in the mood for a great movie that will get you to cough up a boatload of honest laughs, then you ain't gonna do better than TOOTSIE. You are not going to find a better written, acted, and directed comedy anywhere. There are plenty as good - but none better. This is a career highpoint for all involved, and when "all" includes names such as Sydney Pollack and Dustin Hoffman, you know that's a sentiment that carries some significant weight.
And it just reaffirms the old adage that every single comedy should have Bill Murray in it.
There is so much more to this film than Dustin Hoffman running around in a dress trying to act like a woman. Tootsie is one of the most intelligent comedies I've ever seen. It is perfectly cast, well-layered, and full of surprises.
Dustin Hoffman plays Michael Dorsey. He seems to know everything about acting except how to stay employed as an actor. In an early montage we see him auditioning for numerous plays where he is either too old, too young, too short, simply not the right guy for the part, or in some cases impossible to work with. We also see him trying to teach his craft to some young wannabe actors, and working at a restaurant to pay the bills. After a hilarious argument with his agent, he is simply told "No one will hire you!" The very next shot has Hoffman in drag walking down the street to an audition for a soap opera part his friend (Terri Garr) was unable to land. So intent is the chauvinistic director (Coleman) on casting a woman that looks tough enough for the part of a hospital administrator, Hoffman is denied without so much as a reading. He responds with a hilarious tirade that opens the door to his television career. Hoffman lands the part, and is soon winning over fans all over the country.
While Hoffman finds it wonderful to be working regularly, his personal life is understandably put to the test. He alienates Garr, is constantly made fun of by his roommate (Murray) and falls in love with one of his co-stars (Lange) who of course cannot learn his secret or he's out of a job. Things are further complicated when two older men fall in love with him. It would be pointless to try and describe some of the awkward situations he finds himself in. You must see the movie to experience them for yourself.
The film is so well-cast it's incredible. There are so many fine actors at work here that it almost becomes a contest of who can steal the scene first. Murray gets his share with his improvised lines. His lamenting of the state of his plays during a party scene will have you howling. The icing on the cake was director Sydney Pollack agreeing to play Hoffman's agent. They only have a few scenes together, but they are the film's best.
Tootsie is head and shoulders above other films I've seen that deal with men in women's clothing. Mrs. Doubtfire for example was all slapstick without much heart. In the end it tried to redeem itself in that department and just got way too sappy. Tootsie also wisely holds back in the feminism department. Although Hoffman's Dorothy Michaels is clearly a woman who inspires others to stand up for themselves, he is advised to tone it down by Pollack in one scene. Hoffman feels his Dorothy character should be doing specials and giving advice and whatnot, but Pollack reminds him, "You have NOTHING to say to women, Michael." In other words, you're lucky you've gotten away with the stunt up to this point, now you should be looking for a way to get out.
Overall Tootsie is wonderful experience. It made a fortune when released, and is still very relevant today. Don't miss it! 10 of 10 stars from the Hound.
Dustin Hoffman plays Michael Dorsey. He seems to know everything about acting except how to stay employed as an actor. In an early montage we see him auditioning for numerous plays where he is either too old, too young, too short, simply not the right guy for the part, or in some cases impossible to work with. We also see him trying to teach his craft to some young wannabe actors, and working at a restaurant to pay the bills. After a hilarious argument with his agent, he is simply told "No one will hire you!" The very next shot has Hoffman in drag walking down the street to an audition for a soap opera part his friend (Terri Garr) was unable to land. So intent is the chauvinistic director (Coleman) on casting a woman that looks tough enough for the part of a hospital administrator, Hoffman is denied without so much as a reading. He responds with a hilarious tirade that opens the door to his television career. Hoffman lands the part, and is soon winning over fans all over the country.
While Hoffman finds it wonderful to be working regularly, his personal life is understandably put to the test. He alienates Garr, is constantly made fun of by his roommate (Murray) and falls in love with one of his co-stars (Lange) who of course cannot learn his secret or he's out of a job. Things are further complicated when two older men fall in love with him. It would be pointless to try and describe some of the awkward situations he finds himself in. You must see the movie to experience them for yourself.
The film is so well-cast it's incredible. There are so many fine actors at work here that it almost becomes a contest of who can steal the scene first. Murray gets his share with his improvised lines. His lamenting of the state of his plays during a party scene will have you howling. The icing on the cake was director Sydney Pollack agreeing to play Hoffman's agent. They only have a few scenes together, but they are the film's best.
Tootsie is head and shoulders above other films I've seen that deal with men in women's clothing. Mrs. Doubtfire for example was all slapstick without much heart. In the end it tried to redeem itself in that department and just got way too sappy. Tootsie also wisely holds back in the feminism department. Although Hoffman's Dorothy Michaels is clearly a woman who inspires others to stand up for themselves, he is advised to tone it down by Pollack in one scene. Hoffman feels his Dorothy character should be doing specials and giving advice and whatnot, but Pollack reminds him, "You have NOTHING to say to women, Michael." In other words, you're lucky you've gotten away with the stunt up to this point, now you should be looking for a way to get out.
Overall Tootsie is wonderful experience. It made a fortune when released, and is still very relevant today. Don't miss it! 10 of 10 stars from the Hound.
Wusstest du schon
- WissenswertesThe character of Dorothy originally did not speak with a Southern accent, but in doing research, Dustin Hoffman discovered his voice fell more closely into the range of female pitch while doing the accent.
- PatzerSandy tells Michael to take Vitamin C "with milk only." Vitamin C should never be taken with milk, other dairy products, calcium supplements, or antacids that contain calcium. Calcium may make it harder for your body to absorb certain minerals.
- Crazy CreditsDustin Hoffman is credited twice: Dustin Hoffman .... Michael Dorsey Dustin Hoffman .... Dorothy Michaels
- Alternative VersionenOriginal UK release was cut by 6 seconds to obtain a "PG" classification. Subsequently passed uncut with a "15" certificate.
- VerbindungenFeatured in At the Movies: Tootsie/The Verdict/Sophies Choice/Airplane II (1982)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Would I Lie to You?
- Drehorte
- Hurley Mountain Inn, Hurley, New York, USA(bar scene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 21.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 177.200.000 $
- Eröffnungswochenende in den USA und in Kanada
- 5.540.470 $
- 19. Dez. 1982
- Weltweiter Bruttoertrag
- 177.200.285 $
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