Es ist die erste Woche im Winter des Jahres 1982. Eine amerikanische Forschungsstation bekommt Besuch von einer außerirdischen Kraft, die alles assimilieren kann, was sie berührt. Das Überle... Alles lesenEs ist die erste Woche im Winter des Jahres 1982. Eine amerikanische Forschungsstation bekommt Besuch von einer außerirdischen Kraft, die alles assimilieren kann, was sie berührt. Das Überleben der Forscher hängt nun ganz davon ab, zu wissen, wer noch Mensch ist oder wer schon ei... Alles lesenEs ist die erste Woche im Winter des Jahres 1982. Eine amerikanische Forschungsstation bekommt Besuch von einer außerirdischen Kraft, die alles assimilieren kann, was sie berührt. Das Überleben der Forscher hängt nun ganz davon ab, zu wissen, wer noch Mensch ist oder wer schon ein Ding aus der anderen Welt geworden ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Nominierungen insgesamt
- Blair
- (as A. Wilford Brimley)
- Windows
- (as Thomas Waites)
- Computer
- (Synchronisation)
- (Nicht genannt)
- Norwegian
- (Nicht genannt)
Zusammenfassung
Empfohlene Bewertungen
The idea that this movie was made in the early 80s and it took years to be reevaluated before being well received just tells you how ahead of his time Carpenter is. Kurt Russell is one of my favorite actors from the pre2000s and this is a good example of why.
It's one of those special movies I can't get enough of. Every viewing feels like the first. I can't be the only one who feels the same amount of dread and uncertainty every time I watch it.
With that said, WOW, I only recently saw John Carpenter's version of 'The Thing', and what a masterpiece it truly is. I have long since been a fan of John Carpenter, in particular his works from the late 70's and 80's. In 'The Thing' John Carpenter has truly crafted a paranoia inducing, perhaps gut wrenching classic.
The movie is an update of the classic 'The Thing From Outer Space', but only like it's predecessor, this film is in full color, and the characters of this film have much more to worry about than an alien veggie
The film centers around a group of Arctic Researchers you encounter an alien lifeform capable of taking the form of anything it comes into contact with, and out of for that matter. Kurt Russell stars as R.J. MacReady, an alcoholic Vietnam Vet, thrust into the role of leader of a group of relatively cold and callous men all of whom are readily plunging into manic paranoia and somewhat madness once they realize that they are up against a creature that can take any form, be any one of them.
John Carpenter, more than in any other of his films, manages to create a truly believable and incredible atmosphere. When watching this film you truly get the sense of the dark,sinister, desolate surroundings, you feel and realize that these characters have no where to go...never for one second do you not believe they are stuck on a polar ice cap. Also, this film has perhaps one of the greatest endings to any film of it's genre, or any genre for that matter. I'm not going to give it away here, but to say that it will leave you wondering would be an understatement.
Kurt Russell is superb as MacReady....truly conveying the emotions of a man thrust into a situation of unimaginable horror, forced to lead a group of men who cannot trust that the man next to them is not the creature that has driven them to the brink of paranoia and emotional meltdown.
I don't care if this movie is 20 years old by now, the special effects in this movie are gut wrenching, mind blowing, and absolutely awesome. They blow away any CGI pixel based crap out there today. The 'Thing' itself is a truly horrifying and disturbing creation...unlike any alien you have ever seen in a movie before. Those who have a low tolerance for gore and blood had best prepare themselves for watching this movie.
This movie does what any good horror/sci fi movie should do, it really thrusts you into it's character's world. It leaves you wondering, what would you do, who could you trust if anyone you knew could be the creature waiting to feed on you, and take you over as well. The images, and ideals of this movie stayed with me long after i first saw it, and today as i write this review send a chill up my spine.
It is a true shame this movie is only now getting the proper recognition it deserves. A box office flop when released, now more then ever when movies are paper thin with plot, and one dimensional in effects, this film can be appreciated as a true masterpiece of sci/fi and horror.
If possible, get the Collector's Edition DVD, and enjoy it in anamorphic widescreen..the way it is truly meant to be seen. Marvel at the incredible scenery, the taught direction, the excellent atmosphere, the sweat inducing, gag reflex activating, and everything else that makes this movie great.
Watch it with the lights out, with a group of close friends...maybe even with a dog around...if you don't what i'm talking about...you will afterwards.
Don't let a classic pass you bye
Set on an isolated base in Antarctica, this version seems almost to pick up where the original version (The Thing From Another World) left off. The American scientists discover a decimated Norwegian base some miles distant. Everyone is dead, and only the half charred remains of some unidentifiable thing left to smolder outside the compound might offer any answers to what may have happened. The Thing is brought back to the American base and, too late, the scientists realize that it is alive and lethal. The Thing thaws out and is off, not only killing anyone and anything that crosses Its path, but also absorbing them, making Itself into whoever and whatever it wants. The film then turns into a brilliant paranoia piece. Everyone is suspect, anyone can be The Thing, and no one trusts anyone anymore. Gone is the strength and security found when human beings band together in spite of their differences to battle a monster. The group splinters and fear rules supreme. Who is the Thing?
The gore effects here are absolutely amazing and messily realistic. I could have done without the dogs head splitting open like a banana peel, but that's just the animal lover in me being picky: kill all the humans you want, but leave the kitties and puppies alone. Sanity and reason disintegrate rapidly as, one by one, the humans are taken over by the shapeshifting alien. The power of this film lies in its paranoia, and although I liked the original version, I prefer this one; the real threat lies within, and is scarier for the fact that it cannot be seen or easily detected. When it is forced out of hiding, it's wrath is huge and the results are horrific.
This is one of Carpenters best films, right up there with The Fog and Halloween. All of the actors give strong, realistic performances and the special effects are so powerful that they stand as their own main character. This film has something for any lover of the horror genre. Don't miss it.
While this was made in 1981 it remains to this day one of the greatest and most engaging pieces of horror movie making that has ever been created.
Wusstest du schon
- WissenswertesJohn Carpenter has stated that of all his films, this is his personal favorite.
- Patzer(at around 1h 20 mins) Although Fuchs has told them that the alien organism is highly infective, they don't care about sharing the same knife to get their blood samples.
- Crazy CreditsThe title of the movie is revealed in the same style as in Das Ding aus einer anderen Welt (1951). The effect was achieved with a plastic bag placed on a stencil that was melted by a heat source placed below it.
- Alternative VersionenCBS edited 12 minutes from this film for its 1986 network television premiere.
- VerbindungenEdited into Deep Freeze (2001)
- SoundtracksDon't Explain
Music by Billie Holiday (uncredited)
Lyrics by Arthur Herzog Jr. (uncredited)
Performed by Billie Holiday
Courtesy of MCA Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- La cosa del otro mundo
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.063.820 $
- Eröffnungswochenende in den USA und in Kanada
- 3.107.897 $
- 27. Juni 1982
- Weltweiter Bruttoertrag
- 20.843.411 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1