Als ein aufstrebender Schriftsteller Zeit mit seinen neuen Nachbarn verbringt, erkennt er, dass diese tiefe Geheimnisse verbergen, die ihn für immer verändern werden.Als ein aufstrebender Schriftsteller Zeit mit seinen neuen Nachbarn verbringt, erkennt er, dass diese tiefe Geheimnisse verbergen, die ihn für immer verändern werden.Als ein aufstrebender Schriftsteller Zeit mit seinen neuen Nachbarn verbringt, erkennt er, dass diese tiefe Geheimnisse verbergen, die ihn für immer verändern werden.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 15 Gewinne & 14 Nominierungen insgesamt
- Dr. Blackstock
- (Synchronisation)
- Bellboy
- (as Cortez Nance)
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It's a very slow moving movie at times. It meanders and teases for the first hour. It can get tedious at times. There are some interesting bits like Dickens and Leslie Lapidus. The three actors are superb but they can only hint at the final explosive reveal. The reveals are compelling bits of the puzzle. Streep is impeccable transitioning between the various languages. Kline does a good deteriorating personality. MacNicol gives a solid performance to give the audience a voice. Of course, the climatic scene is heart wrenching iconic cinematic history. The piercing girl's scream is devastating and it shows on Streep's face.
The performance is totally naked, where you can almost feel her sorrow come right out of the screen. For all of the heart wrenching scenes in this movie, you never once feel as though Streep is going over-the-top. That says alot for someone who spends just about half of the time in her scenes with a tear in her eye. Everything about her performance just seems so effortless and natural. This especially shows when she is speaking German flawlessly, or English with a very convincing Polish accent.
The fact that Kevin Kline and Peter MacNicol are not completely lost in this movie says alot for their performances. Kline himself delivers a great performance of a man suffering from delusions and bi-polar syndrome. It is one of his greatest performances as well. Peter MacNicol plays the role of a character who pales in comparison to the other characters. MacNicol has the somewhat undesirable task of having to play the character who carries the least amount of baggage. He therefore might be overlooked, when viewing at the movie as a whole. However, MacNicol does a great job with the character, not trying to make more out of it than it is supposed to be. His role is very important to this movie.
But the real story here is Streep. Her performance would be a stand out against any other performance in history. I honestly believe that. Streep just digs down deep here - delivering lines that just put a chill down your spine.
Comments from 2013 Viewing: The scenes in Brooklyn, which take up much of the film, are repetitious and somewhat dreary. The flashback scenes are disjointed and lacking in narrative flow. Pakula's direction seems heavy-handed and too respectful of the book. Rating reduced from 8 to 7.
Wusstest du schon
- WissenswertesMeryl Streep not only learned a Polish accent but also learned how to speak German and Polish in order to have the proper accent of a Polish refugee. She reportedly learned Polish from one of the assistants working on the film who happened to speak it.
- PatzerThere was no Jewish ghetto in Cracow in 1938. Ghetto was established under German occupation in March 1941.
- Zitate
Sophie: My mother, she's very sick, you know. And I can't do anything. But I think - if only I could have got - that meat for my mother it would make her strong. So I go to the country and er... the peasants were selling ham and I buy it with the black market money and I bring it back. But it's forbidden, you know, because all the meat goes to the Germans. So I sat on the train and I hid it under my skirt, I am pretending that I am pregnant, you know? Oh I was so afraid. I was shaking. And then the German, was in front of the train and he saw me. So he come over and take under my skirt that ham and...
[pause]
Sophie: So they sent me Auschwitz.
Stingo: You were sent to Auschwitz because you stole a ham?
Sophie: No, I was sent to Auschwitz because they saw that I was afraid.
- Alternative VersionenCBS edited 12 minutes from this film for its 1986 network television premiere.
- VerbindungenFeatured in At the Movies: Tootsie/The Verdict/Sophies Choice/Airplane II (1982)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- La decisión de Sophie
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.036.000 $
- Eröffnungswochenende in den USA und in Kanada
- 202.131 $
- 12. Dez. 1982
- Weltweiter Bruttoertrag
- 30.036.166 $