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Slyozy kapali

  • 1983
  • 1 Std. 24 Min.
IMDb-BEWERTUNG
7,8/10
875
IHRE BEWERTUNG
Slyozy kapali (1983)
DramaFantasie

Füge eine Handlung in deiner Sprache hinzuA kind, cheerful man suddenly turns into a sullen, angry grumbler. All around begins to annoy him, and he mercilessly destroys his family, job, entire life. It was caused by an evil magic mi... Alles lesenA kind, cheerful man suddenly turns into a sullen, angry grumbler. All around begins to annoy him, and he mercilessly destroys his family, job, entire life. It was caused by an evil magic mirror, and only human tears can heal it.A kind, cheerful man suddenly turns into a sullen, angry grumbler. All around begins to annoy him, and he mercilessly destroys his family, job, entire life. It was caused by an evil magic mirror, and only human tears can heal it.

  • Regie
    • Georgiy Daneliya
  • Drehbuch
    • Georgiy Daneliya
    • Kir Bulychyov
    • Aleksandr Volodin
  • Hauptbesetzung
    • Evgeniy Leonov
    • Iya Savvina
    • Nina Grebeshkova
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    875
    IHRE BEWERTUNG
    • Regie
      • Georgiy Daneliya
    • Drehbuch
      • Georgiy Daneliya
      • Kir Bulychyov
      • Aleksandr Volodin
    • Hauptbesetzung
      • Evgeniy Leonov
      • Iya Savvina
      • Nina Grebeshkova
    • 3Benutzerrezensionen
    • 1Kritische Rezension
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos15

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    Topbesetzung34

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    Evgeniy Leonov
    Evgeniy Leonov
    • Pavel Ivanovich Vasin
    Iya Savvina
    Iya Savvina
    • Irina Kirillovna, Vasin's Wife
    Nina Grebeshkova
    Nina Grebeshkova
    • Zinaida Petrovna Galkina, Vasin's Colleague
    Olga Mashnaya
    Olga Mashnaya
    • Natasha Solovyova
    Aleksandra Yakovleva
    Aleksandra Yakovleva
    • Lyusya, Vasin's Daughter-in-Law
    Boris Andreyev
    Boris Andreyev
    • Nikolay Vanichkin
    Lev Perfilov
    Lev Perfilov
    • Piano Owner
    Boryslav Brondukov
    Boryslav Brondukov
    • Fedya
    • (as Borislav Brondukov)
    Pyotr Shcherbakov
    Pyotr Shcherbakov
    • Professor Sklyansky
    Nina Ruslanova
    Nina Ruslanova
    • Dina
    Ia Ninidze
    Ia Ninidze
    • Girl with a Piece of Mirror in Her Eye
    • (as Iya Ninidze)
    Nikolay Parfyonov
    Nikolay Parfyonov
    • Kuzyakin
    Andrey Tolubeev
    Andrey Tolubeev
    • Tolik Bobylyov
    Boris Smorchkov
    Boris Smorchkov
    • Valentin Maksimovich Sorokin, Vasin's Colleague
    Anatoliy Solovyov
    Anatoliy Solovyov
    • Fyodor Vanichkin
    Galina Novozhilova
    • Belozerskaya
    Irina Shmelyova
    Irina Shmelyova
    • Lena Novikova, Fiancée
    • (as Irina Shmeleva)
    Gennadiy Yalovich
    Gennadiy Yalovich
    • Stanislav Ptashuk, Vasin's Colleague
    • Regie
      • Georgiy Daneliya
    • Drehbuch
      • Georgiy Daneliya
      • Kir Bulychyov
      • Aleksandr Volodin
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen3

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    Empfohlene Bewertungen

    8ed-1975

    Very unusual film but essential viewing.

    I enjoy watching Soviet Cinema (including all of Daneliya's films, Mimino being my all time favourite Soviet film) but have never come across as odd movie as this (not his usual style), certainly not a happy film, and could be described as an outright gloomy narrative permeating virtually every moment (along with acute social observations, very acute).

    Incredibly haunting music, compelling performances but for me the brilliance of this film is its portrayal of average Soviet life back in the early 80's - it is like somebody has taken a slice out of the time period and bottled it, for that alone I am eternally grateful, for the insights are priceless.

    Much underrated in my opinion and a gem of late Soviet cinema, Evgeniy Leonov again shows his brilliance.
    9bigasylum

    ***

    This is probably the most unpopular film of Georgiy Daneliya. Everybody knows and loves "I step through Moscow", "Mimino", "Autumn Marathon", "Kin-dza-dza", but how many pepople have seen "Tears were falling" even nowdays when everything is publicly available and everyone can watch anything he wants? And in Soviet period, even more so: at first the picture was "put on a shelf", then it was finally released, but with a "second screen", i.e. on the periphery alone and only in the morning time.

    The movie was not liked by anyone, neither by the authorities, nor by critics, nor by the audience. And there were quite obvious reasons for that. Daneliya was always distinguished by a sharp, accurate sociological analysis, but softened it with gentle irony and a certain amount of sympathy for his characters, which made it easier for the viewers to perceive a generally gloomy picture. But not this time. The opening credits present the definition "sad fairy tale", but this is intentional deceit, a mocking trick, because sadness implies a sort of lyrical melancholy - emotion is akin to nostalgia, which has a certain degree of "pleasantness". But here there is no sadness, and there is only a merciless and completely disappointing diagnosis.

    The prologue says that the protagonist got a splinter of a broken mirror in his eye, because of which he began to see things in a distorted light noticing everything bad only. But if you face the truth, you see that he's right, that everything is as it is, that this is substantially the way we live, and this intro was introduced just as a distraction, because seeing your own reflection in the "funhouse mirror" of an incisive satire is an extremely unpleasant sight for anyone. A fresh, clear-eyed view on social reality makes the hero's life unbearable, and he, in turn, spoils and ruins the life of all his closest, just familiar and even unfamiliar people. He commits the most severe "sin" - violates the implied social convention, certain taboos on what you are not allowed to say and how you are not let to act, and such a thing is never excused anywhere.

    According to the initial script, closer to the final, the protagonist falls into paranoia and commits suicide. But in this form, the film would have probably been cut off already at the very beginning, therefore, in order to go through censorship, authors slightly softened the ending trying, however, to avoid "happy end" [which, in that case, would have looked completely ridiculous].

    Even back then, in the 82nd, the makers of the picture realized where "Our steam train flies forward" to, and had neither the slightest illusions about those who were leading it, nor about those who were putting sticks in the wheels, being aware that both cases were being basically done by the same persons.
    10WeGetIt

    Deep, Sad, Spiritual film about one man's incredible sadness

    Georgi Daneliya, a brilliant director (I Step Through Moscow, Autumn Marathon, Kin-Dza-Dza). This film is spiritual, deeply.

    Like a lot of Daneliya's films, this one has a sub-title which is a "Sad Fairytale". But aside from that this film is about a normal man's life, who has a pretty boring job in city planning (tearing down and planning building projects), a supportive wife, a son who lives with them with his wife and daughter.

    The film starts with a narration of fairytale about an evil inventor who made a mirror, "in which everything that was kind and good disappeared, and everything that was bad and obscene was reflected and seemed even worse". The students of the evil professor did a lot of evil with the mirror and finally tried to get it up to heaven, but the mirror fell and shattered into millions of tiny pieces. The person in whose eye fell a piece of the mirror began to see in everything foolishness, and life for him became unbearable". That is my shot at a literal translation, being Russian. Credits roll and then our journey begins.

    We pick up the story on our main character's bus ride home. He sits alone, looking content, trying to pass the time. Then, something seems to get in his eye, because he rubs it and then closes the buses window. Something changes about him. He looks around and feels a strange disgust in the bus filled with quiet strangers also trying to get home and minding their own business. Pavel-Ivanovich is so disgusted that he gets off the bus several stops before his home and walks, arriving at dark. From here his story begins, and we go along for his sad ride. From that evening on he sees only sadness and wrong in everything. He can't respond to kindness, and scolds those closest to him. He offends everyone. At his work he tries to go against as many people as possible, and hurt ordinary citizens too. He also feels that everyone is against him. His condition seems to worsen. How will all this end. Sure this can't be the end for Pavel-Ivanovich, a good man somewhere deep inside.

    The brilliance of this film lies in the main character's deep state of mind. His suffering. The fact that he hurts everyone around him, feels horrible about it but still does it until he almost loses everything. If you like film's where you feel that you can relate or feel the character's emotions, you might like this film. An incredible pressure is built up throughout the film, and the last scene, for me at least, magically lifts it, if only for a couple of seconds.

    This is a strange film, and I don't say that a lot. It is very hard to describe, but the main elements that drive the feel of this film are the main character's state of mind and the music (more than half of the film has incredible original music playing in the background). Daneliya's films have incredible music like in Autumn Marathon, Kin-Dza-Dza, and Thirty-Three. Daneliyaa was into jazz and played drums in a band way back before he started making film so his films are very rich in music. Also this film is sad, but is also a comedy. All these elements mix to make an incredible movie. 10/10

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    • Wissenswertes
      Starting with the comedy "Don't Cry!", the credits of the director's films include a certain Rene Khobua who was involved in the episodes, but there was no real actor with that name. In reality, Rene Khobua was a Georgian builder whom Georgiy Danelia and Rezo Gabriadze met in a hotel while working on the film. They tried to "test" their script on him, while at the same time taking him to feasts with friends. Khobua listened to them obediently until it became clear that he did not know Russian well (the script was written in Russian), but out of politeness he did not mention this and simply praised everything that Gabriadze and Danelia wrote. Gabriadze suggested inserting Khobua's name into the credits of the film, and thereby thank the builder. From Wikipedia.
    • Soundtracks
      Lyudey teryayut tolko raz
      (uncredited)

      Music by Giya Kancheli

      Lyrics by Gennady Shpalikov

      Performed by Georgiy Daneliya

      [Played when Vasin is in a hotel]

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    Details

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    • Erscheinungsdatum
      • 15. Januar 1983 (Sowjetunion)
    • Herkunftsland
      • Sowjetunion
    • Sprachen
      • Russisch
      • Englisch
    • Auch bekannt als
      • Слёзы капали
    • Produktionsfirma
      • Mosfilm
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    Technische Daten

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    • Laufzeit
      1 Stunde 24 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono

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