Um ihren kranken Sohn zu retten, muss eine Feldmaus die Hilfe einer Rattenkolonie suchen, mit der sie eine tiefere Verbindung hat, als sie jemals vermutet hat.Um ihren kranken Sohn zu retten, muss eine Feldmaus die Hilfe einer Rattenkolonie suchen, mit der sie eine tiefere Verbindung hat, als sie jemals vermutet hat.Um ihren kranken Sohn zu retten, muss eine Feldmaus die Hilfe einer Rattenkolonie suchen, mit der sie eine tiefere Verbindung hat, als sie jemals vermutet hat.
- Auszeichnungen
- 2 Gewinne & 2 Nominierungen insgesamt
Elizabeth Hartman
- Mrs. Brisby
- (Synchronisation)
Derek Jacobi
- Nicodemus
- (Synchronisation)
Dom DeLuise
- Jeremy
- (Synchronisation)
Arthur Malet
- Mr. Ages
- (Synchronisation)
Hermione Baddeley
- Auntie Shrew
- (Synchronisation)
Shannen Doherty
- Teresa
- (Synchronisation)
Wil Wheaton
- Martin
- (Synchronisation)
Jodi Hicks
- Cynthia
- (Synchronisation)
John Carradine
- The Great Owl
- (Synchronisation)
Peter Strauss
- Justin
- (Synchronisation)
Paul Shenar
- Jenner
- (Synchronisation)
Tom Hatten
- Farmer Fitzgibbons
- (Synchronisation)
Lucille Bliss
- Mrs. Fitzgibbons
- (Synchronisation)
Norbert Auerbach
- Councilman 1
- (Synchronisation)
Dick Kleiner
- Councilman 2
- (Synchronisation)
Charles Champlin
- Councilman 3
- (Synchronisation)
Empfohlene Bewertungen
1st watched 5/13/2001 - 8 out of 10 (Dir-Don Bluth): Complicated story for kids, but extremely well-done animated tale of a group of rats who are experimented on by NIMH(National Instiute for Mental Health) and become smart. They escape and live in an underground existence stealing electricity from a farmer. The plan is to generate their own electricity and be able to move to a safer locale, but we don't exactly know how this is going to happen. Dom Deluise has a humorous role as a clumsy love-lorned crow to keep the seriousness of the story at bay. This movie is excellent from beginning to end and deserved more recognition than it got(probably because it's not Disney), but launched a series of Bluth animated movies to give animated movie fans an alternative to Disney.
I voted a 10 on this movie mostly for its hauntingly breath-taking original musical by Jerry Goldsmith. Surely this film's score has to be some of his very best work.
The awe-inspiring wisdoms of Nicodemus and The Great Owl, the comic reliefs of Mr. Ages, Jeremy and Auntie Shrew, the fascinating struggle between good and evil (Justin and Jenner), and of course the unmatchable greatness of the Brisby family name make this film one of the best animated movies ever.
The movie's ending climax is powerful and gorgeous. You are left utterly stunned. Mrs. Brisby proves once again that she is just as brave and capable as her husband, if not more so, by never giving up hope and eventually succeeding in keeping her family safe.
The awe-inspiring wisdoms of Nicodemus and The Great Owl, the comic reliefs of Mr. Ages, Jeremy and Auntie Shrew, the fascinating struggle between good and evil (Justin and Jenner), and of course the unmatchable greatness of the Brisby family name make this film one of the best animated movies ever.
The movie's ending climax is powerful and gorgeous. You are left utterly stunned. Mrs. Brisby proves once again that she is just as brave and capable as her husband, if not more so, by never giving up hope and eventually succeeding in keeping her family safe.
Gorgeously animated, smartly written and surprisingly mature for a film that's clearly geared to young audiences, this one is a real gem. Don Bluth and company really peered over new horizons with their painstaking efforts on this picture, and ultimately gave their old bosses and coworkers at Disney the kind of direct competition they needed to wake up from their late '70s slump. Bluth's unmistakable style positively seeps out of every panel of NIMH, with an expressive, gestural quality that manages to be both creatively streamlined and rich with detail. The story, so dark that Disney actually opted out of making the film themselves, remains a breath of fresh air even today, thirty years after its premiere. Its broad landscapes and diverse characters tackle some very challenging themes with succinct honesty, respecting their viewers without scaring them off. Too many kids' movies resign themselves to the opinion that children need their hands held on a stroll through happy town from start to finish, with a reassuring character always nearby whenever something remotely spooky happens. NIMH rejects that theory, cautiously, and ends up a better picture for all audiences as a result. It's a revelation.
Anybody who doesn't like this movie just doesn't love animation. How can a proclaimed fan of feature animation not be dazzled by the extravagance of Don Bluth's work seen in NIMH? Here is a perfect example of what happens when artists are given free reign to just create whatever their vivid imaginations may produce. To me, the greatest triumph of this movie is the art itself. Its greatest flaw is that it was cheapened by a sequel! Why in the name of HUMANITY was a sequel made? A masterpiece of this magnitude should not be so insulted as to be milked for every dollar that the bean counters say it can!
But I digress...
Bluth's use of highly stylized art to influence your emotions is rarely seen in others' work. The whole point of animation is that you are not limited by the bounds of reality, so thorns and cobwebs can be just that much more twisty and foreboding. Owls' eyes can glow- not because they do, but because it just plain looks cooler. The bright and sunny entrance to the rats' lair can suddenly fade to a background of blood red as Mrs. Brisby runs in terror from Brutus' electrified blade. What plot holes does using a lit electric lamp as a diving bell produce? Who cares? The concept just looks awesome on screen! The effects animation is spectacular in this movie as well. The glow of Nicodemus' eyes, the sparkling of the fairy dust ink and the flaming letters of the movie title screen are great, and the radiance emitting from Mrs. Brisby as the sheer strength of her character lifts her home from the mud is fantastic.
If the story were no more than a shabby framework to lace all of this cool art together, it would be good enough, but there's a lot going for it as well. It's not a complicated story, but its message of love, devotion, and courage shown in the meekest of people (mice?) is enough to inspire anyone! Mrs. Brisby's simple wish for the safety of her family drives her to the greatest of courage, despite her apparant simplicity and weakness. She stands as a model for all of us to aspire to.
Animation should never be considered something just for kids. It should not require the characters to burst into song at regular intervals, or the story to be sappy and condescending. NIMH does none of this. It is truly a movie for movie-lovers of all ages. Disney, take a hint!!! Don Bluth, keep making movies like this, and your field will reach an entirely new level of acceptance among older viewers in America.
But I digress...
Bluth's use of highly stylized art to influence your emotions is rarely seen in others' work. The whole point of animation is that you are not limited by the bounds of reality, so thorns and cobwebs can be just that much more twisty and foreboding. Owls' eyes can glow- not because they do, but because it just plain looks cooler. The bright and sunny entrance to the rats' lair can suddenly fade to a background of blood red as Mrs. Brisby runs in terror from Brutus' electrified blade. What plot holes does using a lit electric lamp as a diving bell produce? Who cares? The concept just looks awesome on screen! The effects animation is spectacular in this movie as well. The glow of Nicodemus' eyes, the sparkling of the fairy dust ink and the flaming letters of the movie title screen are great, and the radiance emitting from Mrs. Brisby as the sheer strength of her character lifts her home from the mud is fantastic.
If the story were no more than a shabby framework to lace all of this cool art together, it would be good enough, but there's a lot going for it as well. It's not a complicated story, but its message of love, devotion, and courage shown in the meekest of people (mice?) is enough to inspire anyone! Mrs. Brisby's simple wish for the safety of her family drives her to the greatest of courage, despite her apparant simplicity and weakness. She stands as a model for all of us to aspire to.
Animation should never be considered something just for kids. It should not require the characters to burst into song at regular intervals, or the story to be sappy and condescending. NIMH does none of this. It is truly a movie for movie-lovers of all ages. Disney, take a hint!!! Don Bluth, keep making movies like this, and your field will reach an entirely new level of acceptance among older viewers in America.
In the early '80s a group of Disney animators, headed by Don Bluth, decided to break away from the Disney studio. The Secret of NIMH was the first film they made. Based on a semi-classic children's book entitled "Mrs. Frisby And The Rats Of NIMH" by Robert C. O'Brien, the film emerges as a decent little animated feature. The story is a bit on the sombre side - probably a bit too serious and complex for really young viewers - but the animation is of a superb quality and the characters are very nicely voiced.
Field mouse Mrs Brisby needs to move her family from their home in a farmer's field, as it is almost time for the farmer to gather his crop with the combine harvester. Inevitably the Brisby home would be destroyed and anyone in it killed during the gathering of the crop. Unfortunately, one of her children, Timmy, is suffering from pneumonia and couldn't possible survive the move. Mrs Brisby is advised to contact the rats of NIMH, a group of hyper-intelligent rodents, to ask for their help. Apparently, her late husband Jonathan was a close friend of the rats and they held him in such high regard that they will do anything to help a member of the Brisby clan.
The story is told mainly through talk, with occasional bursts of action. As already pointed out, this means the film doesn't really lend itself to a very young audience. But older kids, especially those who are willing to listen with the appropriate degree of attention, will find the story interesting. There are other plus points - Jerry Goldsmith's rousing score; Dom DeLuise's amusing vocals as an accident-prone bird; and some very well-conceived "baddies" in the shape of rat conspirator Jenner and savage farm-cat Dragon. The Secret of NIMH is a moderately successful film - no masterpiece, true enough, and not really a serious challenger to the Disney dominance over the genre, but definitely a film that every child should see at least once.
Field mouse Mrs Brisby needs to move her family from their home in a farmer's field, as it is almost time for the farmer to gather his crop with the combine harvester. Inevitably the Brisby home would be destroyed and anyone in it killed during the gathering of the crop. Unfortunately, one of her children, Timmy, is suffering from pneumonia and couldn't possible survive the move. Mrs Brisby is advised to contact the rats of NIMH, a group of hyper-intelligent rodents, to ask for their help. Apparently, her late husband Jonathan was a close friend of the rats and they held him in such high regard that they will do anything to help a member of the Brisby clan.
The story is told mainly through talk, with occasional bursts of action. As already pointed out, this means the film doesn't really lend itself to a very young audience. But older kids, especially those who are willing to listen with the appropriate degree of attention, will find the story interesting. There are other plus points - Jerry Goldsmith's rousing score; Dom DeLuise's amusing vocals as an accident-prone bird; and some very well-conceived "baddies" in the shape of rat conspirator Jenner and savage farm-cat Dragon. The Secret of NIMH is a moderately successful film - no masterpiece, true enough, and not really a serious challenger to the Disney dominance over the genre, but definitely a film that every child should see at least once.
Wusstest du schon
- WissenswertesDon Bluth, John Pomeroy and Gary Goldman all left Disney to pursue this project, which had originally been rejected by their former employer as "too dark" to be a commercial success. They were followed soon after by twenty other Walt Disney Productions animators, dubbed "The Disney Defectors" by the trade press.
- PatzerDragon's bad eye switches from his right to his left throughout.
- Crazy CreditsThe production storyboards are used for background in the end credits.
- Alternative VersionenIn the late 1990s VHS and DVD prints in addition to the 2003 reissue of the DVD release, the United Artists logo is plastered with the 1994 variant.
- VerbindungenEdited into Feivel, der Mauswanderer (1986)
- SoundtracksFlying Dreams
Composed by Jerry Goldsmith
Lyrics Written and Performed by Paul Williams
Orchestrations: Arthur Morton
Arranged by Ian Fraser
Lullaby Performed by Sally Stevens
Top-Auswahl
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- How long is The Secret of NIMH?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- La ratoncita valiente
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 14.665.733 $
- Eröffnungswochenende in den USA und in Kanada
- 386.530 $
- 5. Juli 1982
- Weltweiter Bruttoertrag
- 14.665.733 $
- Laufzeit1 Stunde 22 Minuten
- Farbe
- Sound-Mix
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