Prem Rog
- 1982
- 3 Std. 3 Min.
IMDb-BEWERTUNG
7,1/10
1156
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuManorama, the daughter of a rich, orthodox family is married off, leaving her childhood friend Deodhar and his secret love for her, in despair. When tragedy befalls her, and traditions seem ... Alles lesenManorama, the daughter of a rich, orthodox family is married off, leaving her childhood friend Deodhar and his secret love for her, in despair. When tragedy befalls her, and traditions seem unfair, Deodhar must fight for what's right.Manorama, the daughter of a rich, orthodox family is married off, leaving her childhood friend Deodhar and his secret love for her, in despair. When tragedy befalls her, and traditions seem unfair, Deodhar must fight for what's right.
- Auszeichnungen
- 4 Gewinne & 1 Nominierung insgesamt
Nanda Karnataki
- Virendra's wife
- (as Nanda)
Tanuja Samarth
- Raj Rani
- (as Tanuja)
Vijayendra Ghatge
- Kunwar Narendra Pratap Singh
- (as Vijayendra Ghadge)
Bindu Desai
- Chamiya
- (as Bindu)
Rajendranath Malhotra
- Radha's husband
- (as Rajendra Nath)
Monty Nath
- Chote Thakur Vikram Singh
- (as Monty)
Praveen Paul
- Manorama's Servant
- (as Parvin Paul)
Empfohlene Bewertungen
This was one of Raj Kapoor's successful attempts at combining entertainment with social themes. The film is long but generally earns its length by dealing in some detail with the issue of widow remarriage. The film is basically a star vehicle for Padmini Kolhapure who is equal to the task. She is innocence personified in the first half and successfully shows a mature side later in the film. Rishi Kapoor is decent as usual while Shammi Kapoor is fine in a supporting role. The villains are mostly caricatures and the romantic scenes tend to drag on a bit. Some of the songs could have been cut. Still it's a good watch and one of Raj Kapoor's best films late in his career.
Overall 7/10
Overall 7/10
This movie was way ahead of the times. It requires an immense amount of intellect to appreciate the undertones. Socialism, culture, love, abuse, feminism and self respect embroiled into one stunning movie. It swept the floor at the National Awards, with a powerhouse performance from Padmini, but equally great performance from Rishi. Problem is that Rishi acts so effortlessly that he makes it look easy and always gets overlooked by Awards.
The movie is directed to utter perfection, the songs, cinematography and script is second to none. They can't make anything like this again. My favourite scene is near the finale during the village power blackout and confrontation between Rishi & Shammi, the dialogue which turns all the lights back on still gives me goosebumps.
The movie is directed to utter perfection, the songs, cinematography and script is second to none. They can't make anything like this again. My favourite scene is near the finale during the village power blackout and confrontation between Rishi & Shammi, the dialogue which turns all the lights back on still gives me goosebumps.
A very interesting film about some of the not so nice traditional customs relating to caste and culture practised in parts of India. This film features some of the most beautiful song picturisation I have ever seen. The song in the tulip farms is a must to see. It brings alive the the passion and the love. The ending may have been a bit over the top, but this movie has an important social message. All in all a very good film...
The writing on the wall is clear - "Prem Rog" qualifies to be the weakest link under the baton of the "Showman". Raj Kapoor fans will be disappointed with this outing.
The plot attempts to work on two levels namely realise true love and societal reforms, sadly it fails on both fronts. As I followed the narrative I felt that even Raj Kapoor realised that its not working and the nonchalant factor in the proceedings is apparent. The plot is preachy and clearly outdated for the time it was made.
Rishi Kapoor attempts to give his best shot to portray a idealist/ reformist but maybe some other actor without baggage would have been better. Padmini was a bad choice, again a fresh face could have given depth to the character who exuberates innocence and pain. The rest of the star-cast was adequate.
Music and lyrics are the only strong points of "Prem Rog". Raj Kapoor got Suresh Wadkar into the fold of RK banner. Lata as usual was at her melodious best.
The plot attempts to work on two levels namely realise true love and societal reforms, sadly it fails on both fronts. As I followed the narrative I felt that even Raj Kapoor realised that its not working and the nonchalant factor in the proceedings is apparent. The plot is preachy and clearly outdated for the time it was made.
Rishi Kapoor attempts to give his best shot to portray a idealist/ reformist but maybe some other actor without baggage would have been better. Padmini was a bad choice, again a fresh face could have given depth to the character who exuberates innocence and pain. The rest of the star-cast was adequate.
Music and lyrics are the only strong points of "Prem Rog". Raj Kapoor got Suresh Wadkar into the fold of RK banner. Lata as usual was at her melodious best.
Wusstest du schon
- WissenswertesRaj Kapoor traveling to Amsterdam to shoot the song and also to procure ideas for his upcoming films . Only four or five people travelled to Amsterdam including rishi Kapoor and padmini...Raj Kapoor would love to visit the red light district each day after the shoot
- VerbindungenFeatured in Bollywood Bound (2002)
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