Pirate Movie

when i was younger, my siblings and i wanted to rent a movie. my mother saw this in the movie store and rented. from then on its been our favorite movie of all time. its totally 80's but its awesome. the music, the dance, the story . . . its hysterical! the things they spoof . . . its total nostalgia . . . i say watch it and love it. kristy mcnichol is awesome!!! i would love to see her comeback!! and then there's christopher atkins, total 80s heartthrob, ted hamilton . . . maggie kirkpatrick . . . and who can forget bill kerr . . . its a MUST buy . . . great movie for children, great movie for the whole family to enjoy . . . thats all i have to say . .. except out of 10 starts i give it a 12.5!!

I had found the movie while searching youtube for something to watch and I found it, at first it felt like a fever dream and didn't feel like it was real but it is quite enjoyable and something I do go back to every now and again... the big dance numbers and singing make this super cheesy and I love it. From the cast and Ruth just being there for comedic value its everything you want, it may be your best princess bride and its worth watching on a rainy day.

That this film gets bombed the way it does angers me. The slamming it's gotten is just unwarranted! I like it a lot- it's a musical farce, so why SHOULDN'T it contain parody lyrics of the great Gilbert and Sullivan? The same people who hate it for that reason are very likely the sort of people who bust a gut laughing at the parody lyrics of musicals as penned in MAD Magazine™ by Frank Jacobs. What's the difference so long as it entertains?

I hate the fact that this did so poorly at the box office and impacted lovely Kristy McNichol's and gorgeous Chris Atkins's careers as negatively as it did. I think it was an excellent film for what it set out to do! It simply was too good a film to be trashed and ignored as it was!

I was a theatre snob when this film came out. I'd seen the play (operetta/light-opera) and other Gilbert and Sullivan offerings, and when this film was announced I donned my elitist hat, and wrongfully snubbed this film. At least in public.

Privately I thought it was okay, but still had misgivings. I mean, the theatre was an affair for those with true desire to see stage performances: A thing enjoyed by a certain club. To have it popularized and reworked for "the masses" felt like a jab. Like having something private torn away from you to be shared with all.

Well, like I say, I had mixed feelings regarding the film. On the one hand I found it a delightful fantasy for adults, with tons of innuendo and jokes. On the other hand it felt like a high-concept sexploitation film for teenagers, and that really outraged this viewer.

Or it did.

Through this confluence of emotions, and a few more years and screenings later, I've come to love it for what it is. A reminder of a somewhat simpler time for the youth oriented, but still ever so marginally polluted with 80's teenage sexual tension. A somewhat not-so-subtle attempt to pacify (not emasculate) the male. A heartfelt affair that actually has a lot of pleasantness to offer, but it's also rather saccharine to boot.

To me this is the kind of film you watch on a lazy weekend afternoon, or with some other friends (notably couples) you grew up with for a little romantic boost.

There's a number or two more added here from the original production, the dialog of course resembles nothing of the Victorian dictates once recited by the thespians, and there's lots of contemporary 80's references thrown in to boot.

I like the movie. I really do. Don't get me wrong. And, after a fashion I'm glad it was made, but as I say, it feels like a private world of us theatre snobs was forced out into the open without our approval. Even so it is a fun watch. Particularly Kristy McNichol's witty delivery. She's the star, and shines brightly.

Other than the superficial alterings of dialog and music, that's the real shift in this film. Kristy is the hero, not Frederick a-la the stage production. She's the one that gets things rolling, not her love interest. In retrospect, that was a logical film marketing maneuvre. So, in essence, you're watching the female version of the Pirates of Penzance.

There's tons of comedy here. Too many scenes and too many references to list. Some are delivered pretty fast, and almost whiz by if you're not on your toes. Note Mabel's expression as she rallies the police force with her final line. Or her interaction with the homage to Chief Inspector Crusoe. Really priceless comedic stuff. Other humor is a little telegraphed, some sight gags work, others not as much. Again, we're getting romance driven humor. Sex games without the sex.

Still, if you ever get a chance, go see a revival of the original "Pirates of Penzance". Or, better yet, rent or buy the televised stage production with the original 1980's cast available on DVD.

Either way give "The Pirate Movie" a shot. Me, I sure do wish I was young again, and had a woman like Mabel. It's probably the one roll in which I thought Kristy McNichole was really desirable. If you're a dude like me, and was around when this film was released, then watch it for that alone :-) Enjoy.

Cuties Chris Atkins and Kristy McNichol, he of the blonde curls and she of the blonde curls, star in this wacky version of the old chestnut, Pirates of Penzance by Gilbert & Sullivan.

Atkins plays Frederic the boy pirate who falls for McNichol's Mabel. He was 21 at the time, two years after starring in Blue Lagoon, yet he retained the perennial look of a fifteen year old teenager. McNichol was a famous star at the time, but this is her first role as a femme fatale, not as a tomboy.

This movie could be a musical version of Blue Lagoon. See Atkins and McNichol cavorting in the skimpiest of costumes designed to show their pretty legs and other bits. Surprise, both of these two cuties can sing, and even dance a bit!

The story is too well know to bear repeating. But there are a couple of wacky twists, in the best tradition of the British music halls. Except this movie is an Australian production!

Of course we get the model of the modern major-general (Bill Kerr) with his famous solo song. But we also get a light sabre from Star Wars. We get Inspector Closeau from Pink Panther with a hilarious word play on "pirate" and "parrot". We get a bit of Indiana Jones. And the stars make those asides which are British music hall tradition, stopping in mid-scene to address the audience.

There's lots of double entendre jokes, again another British music hall tradition, where simple words are used with a possible vulgar or sexual meaning. See Frederic at the mercy of the pirate's sword say "nuts". To which the pirate points his sword at Frederic's boy treasures and says "But you'd still have one left".

A jolly good movie. One for a cold winter's evening to warm the heart. Even the old Victorians would approve of this one.