Personal Best

As flawed as it might seem, and as much as Mariel Hemingway's body may have been exploited in the interest of box office sales... This was a very important movie for me and many girls my age. It was the first movie we ever saw that let us know that we weren't the only girls in the world who liked other girls. And it showed us that this could be beautiful and that we weren't freaks. For that it will always hold a special place in my heart. And the same goes for many other lesbians around my age.

I wish to argue against the fact that the film exploits the bodies of women. It is true that the movie was billed, in pressbook releases, as a sports movie featuring toned, "sexual" female bodies (not an exact quote). In this way, the makers may have attempted to make a film that was pleasurable to the male viewer. I do not argue that.

I do say that the end result was a film that handled the sexual situations very well, without exploitation. You have to consider at the time this film was made, 1982, it was (arguably) the first film to have an open lesbian relationship on the screen. The only real way a film could be generally accepted by the public, at that time, would be by containing some sexual content to please the male viewer. Too many feminist groups have identified with the powerful female figures inherent in this movie to really argue that the film exploits women. I believe that it IDENTIFIES women, and how they see each other.

I thought it was an excellent film, that made an excellent social statement of the times. Yes, it is sexist by today's standards... but watching it looking for the sexism ruins the entire experience of the movie. It is a movie in which to enjoy the characters more than the story, because the characters are so vivid.

... and the culture had not changed that much at that point such that many changes had to be made other than to be sure the soundtrack was very 70s, and the film does indeed dig up some great 70s oldies.

This is the story of two athletes - Chris (Mariel Hemingway) and Tory (Patrice Donnely) - from 1976 to 1980 as they train for the 1980 Olympics, hoping to go for the gold, only to have the Russian invasion of Afghanistan in 1979 and the resulting boycott of the 1980 Olympics by the USA prevent them from training for anything but the satisfaction of personal accomplishment.

This is also probably the first film to portray a lesbian relationship in a meaningful and realistic way. It shows how Chris and Tory fall in love, how they bond over their desire to be Olympic athletes, and how the athletic competition between them as well as jealousy gradually tear the relationship apart.

But this was also 1982, so the filmmakers insert what looks like now to be gratuitous nudity to lure would be moviegoers of the day. Looking back now some of the overt sexism and even racism is rather stark. There is coach Terry Tingloff (Scott Glenn) going on and on about how he could have coached men and been a REAL coach. There is a scene in a steam room where one of the African American athletes tells a racist joke. And there is lots of weed smoking before the era of "just say no".

I'd recommend it, but just realize that the film has long stretches that are solely about competition, preparation, and the little quirks of fate that can affect performance one way or the other. If that bores you, then you are likely not going to get much out of this viewing experience.

With Larry Pennell as Chris' overbearing demanding coach/dad who just disappears after the first ten minutes, never to be heard from again, and actor/athlete Kenny Moore as Denny Stites, Chris' boyfriend after her break up with Tory, and possibly the world's oldest living college athlete since he was 38 when this film was made and 18 years older than Hemingway.

I believe this movie was the first, and best, movie to treat the relationship between sex and athletic performance in a serious and non stereotypical way. Other films treated athletes as either eunuch/priests whose only concern was their athletic performance, or as over sexed satyrs who required sex as a release and/or distraction from the rigors of training, or sexual relations were gratuitously thrown in as a prerequisite romantic line to draw in a bigger audience.In Personal Best the sexual aspect was actually integral to the plot. We see how sex gets people better opportunities, drives wedges between competitors, and induces self sacrifice--albeit in this case all for naught.I will admit that some of the nude scenes appeared to be gratuitous on the surface, but when you analyze the film you see it was really necessary to show how all those firm toned naked bodies in semi-erotic poses (necessary for maximum athletic performance, I might add) could lead someone down the path to homosexuality.Overall, this movie is a masterpiece of its genre that is interesting, stimulating, and exciting for people of all persuasions.

Personal Best is a gripping film about competition and pushing oneself to the absolute limit - what you leave behind in the process and what you build. Mariel Hemingway's character Chris is blessed with natural talent but initially lacks the drive and motivation that has taken her soon-to-be lover Tori to a higher level in women's track and field. When Chris begins training with Tori and Tori's coach takes her under his wing, Chris moves to the next level.

As Chris' and Tori's romantic relationship begins and then evolves, the competition between them intensifies. Chris' coach Scott Glen remarks to Chris, "I don't know which scares you more, beating Tori Skinner or losing to her." Her quandary culminates at the Olympic Trials where Chris and Tori compete for 2 of the 3 spots on the US Women's Pentathalon Team. And the result is unpredictable yet makes perfect sense - and it was even more meaningful given that the competition was for spots non an Olympic team that wasn't going anywhere, as the Moscow Olypics would take place without the US athletes.