Zwei irre Typen auf heißer Spur

Done with a much lighter touch than Cruising, Partners operates on the same plot premise with the police looking for a serial killer of gay men. Only it's two undercovers that are sent in by the chief played by Kenneth McMillan. One is Detective Sergeant Ryan O'Neal from LAPD homicide. The other is an officer down in records played by John Hurt.

I recently wrote an article about a man I knew back in the 80s who had been a McCarthyite victim because he was gay and fit all the stereotypes. Hurt's character is the same, he operates quietly and unobtrusively no doubt seething inside over the stupid homophobic comments made in front of him. When McMillan picks him for the assignment he feigns surprise.

So the two go undercover in a gay area as a couple and start to mix and mingle. It's actually O'Neal who discovers there's a serial killer that the regular homicide cops missed. That's because he is a cop first and foremost as hard as he is trying to overcome his preconceived notions about gays.

O'Neal and Hurt are fine in the leads. O'Neal looks every bit the hunk he plays. Hurt has the more difficult role and carries it off beautifully.

I was very moved by the other reviewer who identified himself as coming from Bible Belt America and how he saw Partners much differently than LGBT people from the coasts. Sometimes the stereotypes might have been over the top in this and other films, but they validated his existence. I can truly relate to that because in the 60s when I was growing up I had even fewer entertainment role models than he probably had.

Some of the gags misfire and some of the stereotypes are over the top. But Partners is a film with some real relevancy.

Eccentric misfire comedy about a macho cop teamed with a meek desk-bound police officer and sent undercover as a gay couple to find the murderer of gay male models. O'Neal's subsequent appearance in full leathers while Hurt's character fusses around the apartment in pink T-shirt and cargo pants provides endless mirth.

Fans of O'Neal's manly physique will not be disappointed, but the coy jokes built on his character's awkwardness at being thrust into the gay scene are not very funny. The murder mystery aspect of the plot is the best thing about the film but it is constantly undermined by the film's habit of switching back into comedy mode whenever the suspense starts the build. And then as if that isn't bad enough, they slot in some cute and thoughtful scenes just to show us that O'Neal's character really is a caring guy after all. Then, despite the fact we have already met his girlfriend, he is straight to bed with whatever woman happens to cross his path.

The general story is also quite sloppy. Characters are introduced then disappear having fulfilled no greater function than to be the butt of a joke. The effeminate motel owner, Benson's original girlfriend, and the caftan-wearing landlord are given big introductions and then disappear.

Since Australian TV soap operas like 'Number 96', 'The Box', 'Prisoner' had been filled with positive gay and lesbian characters in the preceding decade this film wasn't even that groundbreaking at the time.

PARTNERS (3+ outta 5 stars) Very funny movie... I guess you could basically call it the situation comedy version of "Cruising". In the Al Pacino role of the reluctant undercover cop who has to pretend to be gay is Ryan O'Neal. He is teamed up with Kerwin, an actual gay man (John Hurt) who will help them gain legitimacy as they move into LA's gay community to search for a killer. O'Neal does a nice, light comedy job (and even gets to show off some naked tush) but Hurt really gives this movie some heart as it becomes more and more obvious that he is starting to have tender feelings for his hetero partner. For the life of me I can't understand how people have gotten the idea that this is an ANTI-gay movie? Sure, some the attitudes towards homosexuals and the jokes directed at them are offensive at times... but the movie makes it clear that the people making those remarks are in the wrong! The film's sympathies are definitely with Hurt and not with the gay-bashing cops and their snide comments. As a police story or a mystery the movie is only so-so... but as a smile-inducing buddy movie it hits the bullseye. Scripted and produced by Francis Veber, who created "La Cage Aux Folles" and many other similarly-themed movies in France. The direction might be a little crude and uninspired, but the movie's heart is in the right place.

I would like to point out to all the people who felt it necessary to take offence at this movie: It was pretty groundbreaking for the time it was released. Speaking as a lone gay teenager in the Bible Belt, it was very informative to see people such as the "caftan clad landlord" and realize that there were places in the world where men could live together as couples. The landlords story of his relationship was very touching.This movie holds a special place in my heart because it was the FIRST movie that let me know I was not alone in the world. If you are not gay, you don't understand what I am pointing out.If you are gay, and you are that offended at the gay stereotyping in the movie, then you were born in California, New York or somewhere else progressive and should consider yourself fortunate you didn't have to rely on movies such as this one for acceptance.This movie was presented from the point of view of Ryan's character which is to be expected since he was the bigger star at the time.

Stereotypes, how does anyone get them. I've met men and women throughout my life and around the world whom were either shy closet types you'd never know existed, or standing up waving a flag obvious, and everything in between. Some have noted the movie is anti-gay, guess it depends on your attitude and who's watching it, just like anything else. I didn't think it was. To me the movie was a comedy about two reluctant cops balking at crossing orientation lines. And they find out they can work together just fine, co- exist, and the orientation lines blur a bit. I'd tell you my favorite scenes but that would ruin the movie. And except for a guy who's flamboyancy preceded him (funny as hell too), and the guy that used to come to the grocery store in paint, heels, and purse, most of the obvious stereotype stuff is kept indoors in my opinion.

This is a funny and entertaining movie that I went looking for again to add to my collection. If your not afraid of the flamboyant stereotypes and have an open mind you're going to love this movie.