IMDb-BEWERTUNG
5,3/10
1588
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA heterosexual police detective is unnerved when ordered to go undercover with a homosexual police clerk, as a couple, to solve a series of murders in the gay community.A heterosexual police detective is unnerved when ordered to go undercover with a homosexual police clerk, as a couple, to solve a series of murders in the gay community.A heterosexual police detective is unnerved when ordered to go undercover with a homosexual police clerk, as a couple, to solve a series of murders in the gay community.
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John Hurt and Ryan O'Neill as a very odd couple. Kerwin (Hurt) and Benson (O 'Neill) both cops are determined to solve a case together. So far nothing unusual... The problem is the victim is a homosexual living in a gay community and Benson and Kerwin have to investigate undercover. So all they have to do is pretend to be a happy gay couple. For Kerwin not too bad. He is gay. But for Benson... He is as straight as straight gets...
Actual the story of the movie is not the deepest. What made the movie funny for me was the problems Benson had pretending to be a gay man and the development of their "relationship" And really it has some nice gags.
Actual the story of the movie is not the deepest. What made the movie funny for me was the problems Benson had pretending to be a gay man and the development of their "relationship" And really it has some nice gags.
Eccentric misfire comedy about a macho cop teamed with a meek desk-bound police officer and sent undercover as a gay couple to find the murderer of gay male models. O'Neal's subsequent appearance in full leathers while Hurt's character fusses around the apartment in pink T-shirt and cargo pants provides endless mirth.
Fans of O'Neal's manly physique will not be disappointed, but the coy jokes built on his character's awkwardness at being thrust into the gay scene are not very funny. The murder mystery aspect of the plot is the best thing about the film but it is constantly undermined by the film's habit of switching back into comedy mode whenever the suspense starts the build. And then as if that isn't bad enough, they slot in some cute and thoughtful scenes just to show us that O'Neal's character really is a caring guy after all. Then, despite the fact we have already met his girlfriend, he is straight to bed with whatever woman happens to cross his path.
The general story is also quite sloppy. Characters are introduced then disappear having fulfilled no greater function than to be the butt of a joke. The effeminate motel owner, Benson's original girlfriend, and the caftan-wearing landlord are given big introductions and then disappear.
Since Australian TV soap operas like 'Number 96', 'The Box', 'Prisoner' had been filled with positive gay and lesbian characters in the preceding decade this film wasn't even that groundbreaking at the time.
Fans of O'Neal's manly physique will not be disappointed, but the coy jokes built on his character's awkwardness at being thrust into the gay scene are not very funny. The murder mystery aspect of the plot is the best thing about the film but it is constantly undermined by the film's habit of switching back into comedy mode whenever the suspense starts the build. And then as if that isn't bad enough, they slot in some cute and thoughtful scenes just to show us that O'Neal's character really is a caring guy after all. Then, despite the fact we have already met his girlfriend, he is straight to bed with whatever woman happens to cross his path.
The general story is also quite sloppy. Characters are introduced then disappear having fulfilled no greater function than to be the butt of a joke. The effeminate motel owner, Benson's original girlfriend, and the caftan-wearing landlord are given big introductions and then disappear.
Since Australian TV soap operas like 'Number 96', 'The Box', 'Prisoner' had been filled with positive gay and lesbian characters in the preceding decade this film wasn't even that groundbreaking at the time.
I saw this movie years ago and thought it was a refreshing movie. First of all it got a gay man in it, who doesn't get aids for one time. Although the film uses quite some stereotypic situations used a lot for gays in movies, the film stays respectful towards gay people . Gay myself I could really enjoy this movie about two cops, one straight and one gay. The gay one ( Hurt)has an administration function at the police post and is not at all thrilled to be picked to work together on a gay murder case .Especially not with the other cop ( O'Neal),who on his turn is certainly not thrilled at all to be forced to work with a GAY man. They need to infiltrate into the gay-society and live as a gay couple.Towards the end of the film, both cops are getting to know each other better and gain respect from the other. Eventually they solve the murder case too....Although the film looks obviously dated ,it still is very enjoyable and funny .Even your children could watch it and learn something about prejustice too....
PARTNERS (3+ outta 5 stars) Very funny movie... I guess you could basically call it the situation comedy version of "Cruising". In the Al Pacino role of the reluctant undercover cop who has to pretend to be gay is Ryan O'Neal. He is teamed up with Kerwin, an actual gay man (John Hurt) who will help them gain legitimacy as they move into LA's gay community to search for a killer. O'Neal does a nice, light comedy job (and even gets to show off some naked tush) but Hurt really gives this movie some heart as it becomes more and more obvious that he is starting to have tender feelings for his hetero partner. For the life of me I can't understand how people have gotten the idea that this is an ANTI-gay movie? Sure, some the attitudes towards homosexuals and the jokes directed at them are offensive at times... but the movie makes it clear that the people making those remarks are in the wrong! The film's sympathies are definitely with Hurt and not with the gay-bashing cops and their snide comments. As a police story or a mystery the movie is only so-so... but as a smile-inducing buddy movie it hits the bullseye. Scripted and produced by Francis Veber, who created "La Cage Aux Folles" and many other similarly-themed movies in France. The direction might be a little crude and uninspired, but the movie's heart is in the right place.
Here's a gay-themed action-comedy that even the gay community has thankfully forgotten, an appalling, tangled mess involving two male Los Angeles police detectives (one straight, one gay) posing as lovers in order to track down a killer of homosexuals. You have to commend Ryan O'Neal, he gives this one-joke affair his best shot; but poor John Hurt (the most sullen gay character ever!) sluggishly performs as if against his will. The plot is promising--it might've been a sharp satire of "Cruising" had the handling been a bit more nimble. But "Partners" has the patched-together feel of too many different hands, and the laziness of the writing and directing sinks the idea almost completely. Sniggering jokes, embarrassing and half-hearted sentiment, and a plea for the understanding of the gay minority turns this tale into one swishy stew. *1/2 from ****
Wusstest du schon
- WissenswertesThe movie was allegedly intended as a parody of Al Pacino's undercover cop movie Cruising (1980). The 'DVD Verdict' website states that this movie is "basically William Friedkin's Cruising (1980) turned in to a sitcom."
- PatzerDuring quick close-up of newspaper when female photographer reads story headlined MALE MODEL SLAIN, the article has nothing to do with murder and is just a jumble of meaningless sentences.
- Zitate
Benson: Let me ask you something Sir. Why did you choose me for this job?
Chief Wilkins: Because you're a good cop, Benson, a real good cop. And because of your cute ass.
- VerbindungenFeatured in Sneak Previews: Changing Attitude Toward Homosexuality in Movies (1982)
- SoundtracksGet It Up For Love
Written by Ned Doheny (as N. Doheny)
Performed by Tata Vega
Courtesy of Motown Record Corporation
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Details
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.062.898 $
- Eröffnungswochenende in den USA und in Kanada
- 2.318.801 $
- 2. Mai 1982
- Weltweiter Bruttoertrag
- 6.062.898 $
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