Metropolis 2000

THE NEW BARBARIANS (aka: WARRIORS OF THE WASTELAND) takes us to a post apocalyptic world, where survivors attempt to... well, survive, while a band of big-haired brigands, known as the Templars, rattle about in their rickety vehicles, made out of old furnaces.

Apparently, in the year 2019, poof-y Mohawks are all the rage, and normal people drive cars covered in dryer duct hoses. Led by the eeevil One (George Eastman) and his Cowardly Lion lookalike henchman, Shadow (Thomas Moore), the Templars seek to destroy anything resembling civilization.

Enter Scorpion (Timothy Brent), the rugged, TV preacher-haired "antihero" of the wasteland. His car not only has dryer duct hoses, but also sports a huge, obviously cool, plastic bubble on top! Scorpion is joined by the permanently glum Alma (Anna Kanakis), and the magnificently dressed Nadir (Fred Williamson). Together, they must discover how the Templars keep their outfits so clean and white.

This movie is the gloriously preposterous imitation of THE ROAD WARRIOR, that plays like a near perfect parody thereof! Everything about it is hilarious, from the clothes, to the dialogue, to the characters, to the utter cheapness of it all!

Since the real ROAD WARRIOR already told the tale, THE NEW BARBARIANS only wants to dazzle us with the audaciousness of its mimicry. This produces a dreamlike state, wherein viewers believe they might have seen this all before... somewhere.

BEST SCENES: #1- Any scene with dummies exploding or being decapitated! #2- Every scene featuring those wonderful clunkers of the Templars, complete with impossible gadgets and weaponry! #3- The final showdown, complete with Scorpion wearing a poncho, Clint Eastwood style, Nadir's endless supply of arrows, and Bob, the tragically aggravating kid from THE HOUSE BY THE CEMETERY!

This movie provides everything our bodies and minds could possibly need!...

This is a crash-budget spaghetti-western (with open references to films by Sergio Leone) disguised as a post-apocalyptic action film ala "Mad Max" or "Escape From New York". Apparently the whole world has been reduced to gravel-pits, because the whole film takes place in one after another of these - a sure sign the budget allowed for zero set design. There's no point in trying to pretend it's a good film.

However, I should note that there is some good in it; whether enough to warrant a viewing is debatable - let the buyer beware.

First and foremost is that the director, having decided he was going to make an action film using only funds and resources he had at hand, has done a rather remarkable job of keeping up traditional action-film pacing throughout the film. This is largely thanks to camera angles and editing. We get rapid intercuts between close-ups of struggling hands, full-shots of bodies blowing apart, long shots of an over-all battle area - with very little excessive flashiness masquerading as 'art'. These guys intend to sell some tickets, period (and, at the time of 1st release, were actually successful at it). These film-makers either know what they're doing or are really trying to learn what to do (more likely). They certainly deserve points for effort.

Although the characters are all one-dimensional, the actors manage to flesh them out somewhat, even Fred Williamson. And the cars are silly and kind of fun in a dumb way. But it's really the pacing that saves the film.

Hey, it's late at night, you had to work over-time, you're over-tired, you wanna crash with a cold drink and numb out before a forgettable action picture - well, this could be the one.

The cover of this little stinker has a bunch of punkers (none of which are in the film) so i went into it expecting a punk rock style exploitation flick from the late 80's and instead discovered the funniest ROAD WARRIOR rip off ever! It's one of the tons of Italian knock offs of the early 80's so you know it's gonna be cheesy but this one is just ridiculous! Ultra cheap with plenty of action/violence and enough funny gore to satisfy any fan of 80s b-rated sleaze. Not to mention a ridiculous soundtrack! The only thing that's missing is some boobies. Not that there's no sex just not anything arousing in any way. Of course it takes place in the post apocalyptic future where a gang of ridiculously costumed barbarian types called the Templars set out to destroy the few humans left as punishment for the crime of being born. Cool enough plot for me! Basically this movie is pure shite but it's funny as hell especially when watched with chicks or people who are not fans of crappy movies. Trust me, seeing the expression on their face during the Templars initiation sense will make hunting this baby down well worth the hunt!

OK. First of all this movie is one of the better B-movies I have seen for awhile. It is a cheap Italian knockoff of "Road Warrior". However, Mel Gibson has been replaced by a major phuckin ham of an actor and Fred Williamson is hilarious. The outfits are utterly retarded, especially those of the bad guys. Was I supposed to be scared of these guys? They dress like rejects from an Andrew Lloyd Weber show and their vehicles are golf carts covered in aluminum foil. Plus there must be some Weirdo,Italian thing going on that I don't understand. Why are the bad guys all Puritan, vigilante homosexuals? One of the more entertaining scenes is one our hero is captured and boned in the rump as initiation for execution, mainly because it is the weakest cinematographic displays of the movie. For a B-movie, this film has just about everything:Bad special effects, bad acting, lame plot, weak characters, crappy dialogue, Casio keyboard soundtrack, Fred Williamson, and way too many cliches. Rent it, get some cheap beer, and watch it with some friends for a good laugh.

Early 80's cult cinema – and particularly the Italian rip-off industry – made it look so easy to make a film. You only needed an idea that is crazy enough to sell (a fully written screenplay is an unnecessary option), a fairly large selection of grotesque costumes and flamboyant post-apocalyptic vehicles and, last but not least, a charismatic actor who was big in the 70's but desperately needed work in the 80's. Copy & paste all these elements together, add some cheesy Goblin tunes, and you've got yourself a genuine bona fide cult gem that is pretty bad but at the same time enormously entertaining. The year is once again 2019 (that appears to be a dangerous years, as Sergio Martino's "After the Fall of New York also takes place in 2019) and the world is badly recovering from a nuclear holocaust. There actually are only two groups of people left on the planet, namely petrified survivors who travel in caravans looking for remnants of civilization and the Templars; self-acclaimed prophets that dwell the wastelands and kill people for committing the crime of being alive. Then, finally, there are two lone warriors (and a ridiculously young blond mechanic) that courageously defend themselves against the Templars, yeah! "Warriors of the Wasteland" has no significant plot but at least it's never once boring thanks to an overload crazed battle sequences, vehicle-showdowns and silly gimmicks. The hero at one point wears a see-through bulletproof Plexiglas outfit, the blond kid goes around killing Templars with a slingshot and former Blaxploitation star Fred Williamson fires off arrows that explode upon impact. Williamson's character Nadir has a bit of an ego issue, as he clearly worships himself and continuously assures his buddy Scorpion that he is better than him, and the leader of the Templars (portrayed by the awesome exploitation star George Eastman) seemingly suffers from a slight personality crises. In other words, he's probably gay but doesn't realize it yet. Briefly summarized, "Warriors of the Wasteland" is a dumb but fast-paced "Mad Max" rip-off with a massive amount of cheesy showdown and explosions, in order words the ideal entertainment for undemanding 80's fans.