IMDb-BEWERTUNG
6,2/10
4852
IHRE BEWERTUNG
In einem Altersheim liest eine Tochter das Tagebuch ihrer Mutter. Bald geschehen der Tochter Ereignisse, die in dem Tagebuch der Mutter erwähnt werden.In einem Altersheim liest eine Tochter das Tagebuch ihrer Mutter. Bald geschehen der Tochter Ereignisse, die in dem Tagebuch der Mutter erwähnt werden.In einem Altersheim liest eine Tochter das Tagebuch ihrer Mutter. Bald geschehen der Tochter Ereignisse, die in dem Tagebuch der Mutter erwähnt werden.
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
Jacki Kerin
- Linda
- (as Jackie Kerin)
Empfohlene Bewertungen
I'm no huge Quentin Tarantino fan but I do share his affinity with Australian cinema, so when I learned this long forgotten film was at the top of his list, my curiosity won over.
Compared by Tarantino to one of my all time favourites, The Shining, Next of Kin meanders far too long without much semblance of a point or plot line. Certain scenes and characters elicit a well constructed sense of dread, albeit for too long the elements remain frustratingly obtuse.
Ironically, John Jarrett of menacing Wolf Creek fame, is the only person involved in this outback haunted horror flick to carve a successful career in the industry, yet here he plays one of the film's least threatening characters as the ex boyfriend of the central protagonist who inherits a creepy old folks' home. Her demeanour evokes comparisons to The Shining's Wendy Torrance as evil forces finally come to the fore.
Kudos for the attempt to achieve something unique to the Australian cinematic pantheon. One just wonders whether more capable hands might have seen this oddly interesting film find the consistency to warrant comparison to Kubrick.
That said, Next of Kin is worth a look and actually played better on second viewing.
Compared by Tarantino to one of my all time favourites, The Shining, Next of Kin meanders far too long without much semblance of a point or plot line. Certain scenes and characters elicit a well constructed sense of dread, albeit for too long the elements remain frustratingly obtuse.
Ironically, John Jarrett of menacing Wolf Creek fame, is the only person involved in this outback haunted horror flick to carve a successful career in the industry, yet here he plays one of the film's least threatening characters as the ex boyfriend of the central protagonist who inherits a creepy old folks' home. Her demeanour evokes comparisons to The Shining's Wendy Torrance as evil forces finally come to the fore.
Kudos for the attempt to achieve something unique to the Australian cinematic pantheon. One just wonders whether more capable hands might have seen this oddly interesting film find the consistency to warrant comparison to Kubrick.
That said, Next of Kin is worth a look and actually played better on second viewing.
Despite popular belief, Next of Kin isn't really a regular stalk and slash flick. There isn't much of a death count and Tony Williams doesn't waste time with constant self references to other genre pieces. However, the plot resolves around a psychotic intruder that's murdering the inmates of an old people's home, although the deaths are sporadic enough (we only see one) to keep the heroine believing that they're actually accidents.
The things that lift Next of Kin above its contempararies is the superb, noteworthy direction and great atmosphere. It's beautifully photographed, with some instantly exquisite camera movements that add a supreme energy and sense of professionalism that's rarely found in slasher movies from New Zealand or Australia. In fact, such a notable level of craftsmanship is rarely seen in any category addition. There are plenty of credible shots, the best being the woodland scenes in which we see the mysterious menace lurking in the distance amongst the trees, barely recognisable. It's fairly well acted - although not superbly -, and it works well to set up a creepy suspense fuelled environment. When the nut-job reveals himself, there's some brilliant chases and a few surprises.
Like I said, don't expect slasher cliches by the dozen, but if you keep your options open, you'll find Next of Kin to be fairly rewarding. Worth a look...
The things that lift Next of Kin above its contempararies is the superb, noteworthy direction and great atmosphere. It's beautifully photographed, with some instantly exquisite camera movements that add a supreme energy and sense of professionalism that's rarely found in slasher movies from New Zealand or Australia. In fact, such a notable level of craftsmanship is rarely seen in any category addition. There are plenty of credible shots, the best being the woodland scenes in which we see the mysterious menace lurking in the distance amongst the trees, barely recognisable. It's fairly well acted - although not superbly -, and it works well to set up a creepy suspense fuelled environment. When the nut-job reveals himself, there's some brilliant chases and a few surprises.
Like I said, don't expect slasher cliches by the dozen, but if you keep your options open, you'll find Next of Kin to be fairly rewarding. Worth a look...
"Next of Kin" is a cult horror classic from Australia.
It is effective at building suspense, and has some genuinely frightening, shocking moments.
The plot concerns a young woman who inherits her mother's nursing home. Strange deaths occur at the home and when the lady reads her mother's diary, finds that events in the past are mirrored in the present.
The movie is less a slasher than an Aussie giallo. It's a violent murder mystery with Hitchcockian suspense touches, rather than the typical hallmarks of the slasher genre, eg. a masked killer stalking victims who split up to be offed one by one, and sex leading to a grisly death.
The film is far more interested in atmosphere, which it provides really well.
It is effective at building suspense, and has some genuinely frightening, shocking moments.
The plot concerns a young woman who inherits her mother's nursing home. Strange deaths occur at the home and when the lady reads her mother's diary, finds that events in the past are mirrored in the present.
The movie is less a slasher than an Aussie giallo. It's a violent murder mystery with Hitchcockian suspense touches, rather than the typical hallmarks of the slasher genre, eg. a masked killer stalking victims who split up to be offed one by one, and sex leading to a grisly death.
The film is far more interested in atmosphere, which it provides really well.
Following the death of her mother, Linda inherits the retirement home that she ran. Once there, reading through her mother's diary sets off a series of unsettling memories. Bizarre occurrences begin taking place as well, almost as if someone were toying with her.
I've seen this Aussie gem referred to as a slasher film on more than one occasion, though I wouldn't necessarily call it a slasher myself. It's more of a slow-burning mood piece, one that's quite ambiguous at times. It's also effectively creepy, one of my favorite scenes involving a figure watching Linda just out of her eye range as she roams the woods in search of her boyfriend. Said boyfriend is played by John Jarratt, a mainstay in Australian horror, and his presence here is a welcome one as always. Jacki Kerin is Linda, and she's solid as the isolated heroine who doesn't feel completely at home back in her old stomping grounds.
Naturally, the filming locations are gorgeous and the cinematography does a fine job of catching them in all of their glory. The film is complimented by a unique score and some stylish sequences, such as one terrific slow-motion bit where Linda is rushing down a flight of stairs. The ending gets really wild, leaving the film's more subdued nature behind for an extravagant finale.
I first discovered this film back in the early 90's when I stumbled across the VHS in H.E.B.'s video rental section of all places, that memorable cover art catching my eye. Even now, the film is just as effective an experience as it was way back then. All said and done, this is one of Australia's finest contributions to the genre. In fact, only "Long Weekend" is on the same level.
I've seen this Aussie gem referred to as a slasher film on more than one occasion, though I wouldn't necessarily call it a slasher myself. It's more of a slow-burning mood piece, one that's quite ambiguous at times. It's also effectively creepy, one of my favorite scenes involving a figure watching Linda just out of her eye range as she roams the woods in search of her boyfriend. Said boyfriend is played by John Jarratt, a mainstay in Australian horror, and his presence here is a welcome one as always. Jacki Kerin is Linda, and she's solid as the isolated heroine who doesn't feel completely at home back in her old stomping grounds.
Naturally, the filming locations are gorgeous and the cinematography does a fine job of catching them in all of their glory. The film is complimented by a unique score and some stylish sequences, such as one terrific slow-motion bit where Linda is rushing down a flight of stairs. The ending gets really wild, leaving the film's more subdued nature behind for an extravagant finale.
I first discovered this film back in the early 90's when I stumbled across the VHS in H.E.B.'s video rental section of all places, that memorable cover art catching my eye. Even now, the film is just as effective an experience as it was way back then. All said and done, this is one of Australia's finest contributions to the genre. In fact, only "Long Weekend" is on the same level.
100% on Rotten Tomatoes? An absolute joke. This is bang average as a 'horror' movie. I genuinely can't believe some of the reviews on here that describe this as scary as hell because it quite simply isn't, not at all. The cinematography is good, I'll give you that, but the acting is nothing special apart from the Doctor and the story is actually boring.
Of course, judging a movie is down to the viewer but I genuinely can't get my head around the many glowing reviews for 'Next Of Kin'. Not a movie I would watch again. As for Rotten Tomatoes I am convinced that their ratings are meant to be a joke.
Of course, judging a movie is down to the viewer but I genuinely can't get my head around the many glowing reviews for 'Next Of Kin'. Not a movie I would watch again. As for Rotten Tomatoes I am convinced that their ratings are meant to be a joke.
Wusstest du schon
- WissenswertesAn earlier draft of the script was more of a black comedy.
- VerbindungenEdited from Before the Night is Out (1979)
- SoundtracksLove You Like A Pie
Written and performed by A. P. Johnson
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Montclare - Haus der Schreie
- Drehorte
- Overnewton Castle, Keilor, Victoria, Australien(exteriors: Montclare)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 29 Minuten
- Seitenverhältnis
- 1.85 : 1
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