IMDb-BEWERTUNG
7,3/10
7005
IHRE BEWERTUNG
Piel, ein 7- oder 8-jähriger Junge, ist allein auf dem Wüstenplaneten Perdide und der einzige Überlebende eines Angriffs von Riesenhornissen.Piel, ein 7- oder 8-jähriger Junge, ist allein auf dem Wüstenplaneten Perdide und der einzige Überlebende eines Angriffs von Riesenhornissen.Piel, ein 7- oder 8-jähriger Junge, ist allein auf dem Wüstenplaneten Perdide und der einzige Überlebende eines Angriffs von Riesenhornissen.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Jean Valmont
- Jaffar
- (Synchronisation)
Michel Elias
- Silbad
- (Synchronisation)
Frédéric Legros
- Piel
- (Synchronisation)
Yves-Marie Maurin
- Matton
- (Synchronisation)
- (as Yves-Marie)
Monique Thierry
- Belle
- (Synchronisation)
Sady Rebbot
- Claude
- (Synchronisation)
Patrick Baujin
- Jad
- (Synchronisation)
Pierre Tourneur
- Yula
- (Synchronisation)
Alain Cuny
- Xul
- (Synchronisation)
Yves Brainville
- Général
- (Synchronisation)
Michel Barbey
- Igor
- (Synchronisation)
Jim Bauman
- Lowry
- (Synchronisation)
Michel Paulin
- Pixa
- (Synchronisation)
François Chaumette
- Robot
- (Synchronisation)
Henry Djanik
- Un soldat
- (Synchronisation)
Nick Storey
- L'anglais
- (Synchronisation)
Gabriel Cattand
- Pirate
- (Synchronisation)
Georges Atlas
- Iroquois
- (Synchronisation)
Empfohlene Bewertungen
10laci-5
I remember I was very young when I saw this movie first. It was famous in Hungary as it was a co-production of French and Hungarian filmmakers (e.g. the animation director was Hungarian). I did enjoy it then, although I could not understand everything. Sometimes I felt it was quite scary. But still, it deserved the best Children's Film award in 1982.
Now I have seen it with friends who remembered how cool we felt then. And it was cool again. Okay, maybe the two songs during the movie were not as incredibly cool as everything else in the movie (okay, so they should have forgotten making people sing in a sci-fi) but well...that's the only tiny problem. Everything else is really cool. Sorry, I don't wanna give away anything from the story but it's truly amazing. Did you go to see Titan A.E.? That was quite good, but very American and quite senseless. This movie is different. Much smarter. Classic sci-fi.
If you don't think only American-type happy ending can be the end of a movie, but something like the ending of 12 monkeys or other almost-perfect movies, go and watch this one. You'll enjoy.
9,5 stars of 10!!!!
Now I have seen it with friends who remembered how cool we felt then. And it was cool again. Okay, maybe the two songs during the movie were not as incredibly cool as everything else in the movie (okay, so they should have forgotten making people sing in a sci-fi) but well...that's the only tiny problem. Everything else is really cool. Sorry, I don't wanna give away anything from the story but it's truly amazing. Did you go to see Titan A.E.? That was quite good, but very American and quite senseless. This movie is different. Much smarter. Classic sci-fi.
If you don't think only American-type happy ending can be the end of a movie, but something like the ending of 12 monkeys or other almost-perfect movies, go and watch this one. You'll enjoy.
9,5 stars of 10!!!!
As much as I did love Fantastic Planet, I think Time Masters is the better film. It is a spectacular sci-fi film and as an animated film too. While the incidental music is great and fits with each scene very well, the songs for me are nothing special and one or two don't do much to enhance the story.
That said, the story is wonderfully creative, imaginative and clever with a promising intense atmosphere and a convincing twist, and the characters are all likable with great personalities. The dialogue is simple without being too simplistic and mature without being too convoluted. The best asset about Time Masters asides from the story is the animation. The character designs are good enough, but considering when it was made the backgrounds and colours are quite stunning.
Overall, a spectacular film. 9/10 Bethany Cox
That said, the story is wonderfully creative, imaginative and clever with a promising intense atmosphere and a convincing twist, and the characters are all likable with great personalities. The dialogue is simple without being too simplistic and mature without being too convoluted. The best asset about Time Masters asides from the story is the animation. The character designs are good enough, but considering when it was made the backgrounds and colours are quite stunning.
Overall, a spectacular film. 9/10 Bethany Cox
"Les maîtres du temps" is as good as french animation movies are rare. Designed by Moebius (Fifth Element...), inspired from a novel of Stephan Wul (french science fiction writer) "L'orphelin de Perdide", it remains one of the most powerful animation movie I have ever seen.
Evidently, It is pretty old and the animation cannot be compared to today's movies, but the rest is very impressive. Characters are mature and have interesting personnalities, the design of ETs and plants is original and the scenario is full of surprises. This movie is different from all others and it is a real victory to be better than the book it has been taken of.
Evidently, It is pretty old and the animation cannot be compared to today's movies, but the rest is very impressive. Characters are mature and have interesting personnalities, the design of ETs and plants is original and the scenario is full of surprises. This movie is different from all others and it is a real victory to be better than the book it has been taken of.
Despite having the English title as Time Masters, there isn't any time component in its core story, though it gets shoved quite haphazardly into the revelation, which seemed to have come from the blind side, and took me by surprise for a bit. Didn't see it coming, but on hindsight, it came woefully too late though, leaving things wrapped up fairly quickly in the last act, that made it a little unsatisfactory, and treading very close to a cop out of sorts.
A 1980s animated movie, it does present a time travel of sorts for the viewer. After having being so used to 3D or computer graphics being the tool of choice to churn out feature length animated movies, this did seem like a blast from the past, but still standing the test of time after 25 years. I guess with the science fiction genre, it does provide it an additional age in terms of longevity (like Tron). Here, the movie opens with a chase sequence over an eclectic synthesized soundtrack, where the boy Piel and his father is on a flight from some hornet creatures. Before his dad met his demise, he gives Piel an egg like communicator, and had radioed his good friend Jaffar for assistance to rescue his son.
Here on the movie takes on two parts. First, PIel and his surviving amongst various encounters and creatures from within a strange forested area within the desert planet of Perdide, while waiting for Jaffar to arrive. And on the other track, Jaffar and his crew of token love interest Belle, technical wizard Silbad, two psychic stowaway gnomes in Jad and Yula, and fugitive Prince Matton. engage in a series of adventures, dealing with internal bickering, as well as external threats such as on the Gamma 10 planet with its faceless winged creatures.
While the animation is rudimentary simple in today's terms, the story does take on an interesting, mature dimension, especially with characterization. I particularly liked the gnomes as they provide clue-ins of sorts as they prepare you for what's possibly coming up, as well as to add some comedic elements into the storyline like a Laurel and Hardy. Piel too as the child shines through with real child-like qualities, which I thought was something different as he doesn't suddenly becomes a hero, which is so common in a typical story in today's setting, and what I thought was quite refreshing - let the kid stay a kid! And the designs by Moebius is just plain wicked, making the movie truly a sight to behold. Is there any more that you can ask for in a science fiction space adventure?
A 1980s animated movie, it does present a time travel of sorts for the viewer. After having being so used to 3D or computer graphics being the tool of choice to churn out feature length animated movies, this did seem like a blast from the past, but still standing the test of time after 25 years. I guess with the science fiction genre, it does provide it an additional age in terms of longevity (like Tron). Here, the movie opens with a chase sequence over an eclectic synthesized soundtrack, where the boy Piel and his father is on a flight from some hornet creatures. Before his dad met his demise, he gives Piel an egg like communicator, and had radioed his good friend Jaffar for assistance to rescue his son.
Here on the movie takes on two parts. First, PIel and his surviving amongst various encounters and creatures from within a strange forested area within the desert planet of Perdide, while waiting for Jaffar to arrive. And on the other track, Jaffar and his crew of token love interest Belle, technical wizard Silbad, two psychic stowaway gnomes in Jad and Yula, and fugitive Prince Matton. engage in a series of adventures, dealing with internal bickering, as well as external threats such as on the Gamma 10 planet with its faceless winged creatures.
While the animation is rudimentary simple in today's terms, the story does take on an interesting, mature dimension, especially with characterization. I particularly liked the gnomes as they provide clue-ins of sorts as they prepare you for what's possibly coming up, as well as to add some comedic elements into the storyline like a Laurel and Hardy. Piel too as the child shines through with real child-like qualities, which I thought was something different as he doesn't suddenly becomes a hero, which is so common in a typical story in today's setting, and what I thought was quite refreshing - let the kid stay a kid! And the designs by Moebius is just plain wicked, making the movie truly a sight to behold. Is there any more that you can ask for in a science fiction space adventure?
Designed by the great graphic novelist Jean Giraud - AKA Moebius Time Masters is a fascinating piece of animated sci-fi from France, that is well recommended for lovers of the genre and of the artist. Though the animation looks somewhat primitive by today's standards though not for 1982, it looks quite better than any American cartoon of the time save Disney's, and don't forget that it wasn't a corporate effort like G.I. Joe or Transformers but an independent film with limited budget but quickly enough you can learn the look past the rather bulky movements and simplistic faces of the characters and find yourself amazed at Moebius' amazing, seemingly endless imagination and creativity. The film is directed mainly at younger viewers so it's not as liberated and wild as his more independent comics work or his contributions to Heavy Metal magazine but his incredibly original vision is all there, in the out-of-this-world designs for the landscapes, the structures and the alien characters. Every minute of the film is a complete innovation in terms of design.
Plot-wise, there's not that much to be said for it; it's an intelligent but simplistic sci-fi story with a nice twist ending, which will, I think, appeal mainly to younger viewers. The characters are mostly simplistic and cartoonish, and largely unconvincing. These are the only reasons why I couldn't give Time Masters full marks; but these flaws take very little away from the pleasure of this film. As long as it focuses on the child character Piel, who is largely unaware of what goes on in the larger picture and is therefore touching and interesting, and not on the flat characters of Jaffar (good and brave for the sake of goodness and bravery), Matton (bad and greedy for the sake of badness and greediness) and the other adults; then it manages to be beautiful and gripping. And when any of the alien races are on screen, be they cute and cuddly or bizarre and frightening, you won't be able to look away. Time Masters is essential viewing for any lover of Moebius' work, and is well recommended for fans of science-fiction and of classic animation, and will surely become a treasured favorite for any of these.
Plot-wise, there's not that much to be said for it; it's an intelligent but simplistic sci-fi story with a nice twist ending, which will, I think, appeal mainly to younger viewers. The characters are mostly simplistic and cartoonish, and largely unconvincing. These are the only reasons why I couldn't give Time Masters full marks; but these flaws take very little away from the pleasure of this film. As long as it focuses on the child character Piel, who is largely unaware of what goes on in the larger picture and is therefore touching and interesting, and not on the flat characters of Jaffar (good and brave for the sake of goodness and bravery), Matton (bad and greedy for the sake of badness and greediness) and the other adults; then it manages to be beautiful and gripping. And when any of the alien races are on screen, be they cute and cuddly or bizarre and frightening, you won't be able to look away. Time Masters is essential viewing for any lover of Moebius' work, and is well recommended for fans of science-fiction and of classic animation, and will surely become a treasured favorite for any of these.
Wusstest du schon
- WissenswertesThe sounds of the giant insects were created via recording onions frying in a pan.
- Zitate
Angel: The creature denies happiness!
- VerbindungenFeatured in Troldspejlet: Folge #14.3 (1996)
- SoundtracksLe Chanteur Galactique
Music by Jean-Pierre Bourtayre
Lyrics by Jacques Lanzmann
Performed by Michel Elias
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 43.686 $
- Eröffnungswochenende in den USA und in Kanada
- 4.368 $
- 28. Juli 2024
- Weltweiter Bruttoertrag
- 67.303 $
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What is the Brazilian Portuguese language plot outline for Herrscher der Zeit (1982)?
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