IMDb-BEWERTUNG
6,1/10
1157
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuBrooklynite Libby Tucker leaves her mother in Brooklyn to visit her screenwriter dad Herbert Tucker in L. A. She hasn't seen him for years and aspires to find a fast-paced life in movies. Al... Alles lesenBrooklynite Libby Tucker leaves her mother in Brooklyn to visit her screenwriter dad Herbert Tucker in L. A. She hasn't seen him for years and aspires to find a fast-paced life in movies. Along the way, Libby discovers who her dad is.Brooklynite Libby Tucker leaves her mother in Brooklyn to visit her screenwriter dad Herbert Tucker in L. A. She hasn't seen him for years and aspires to find a fast-paced life in movies. Along the way, Libby discovers who her dad is.
Empfohlene Bewertungen
what an outstanding and heart-tugging performance by DINAH. i never miss a rerun and go out of my way to see it. i can't believe she was not nominated for something. a perfect bit of acting by her and WALTER MATHAU. my wife says, "i guess you're.... just in love". the first time i saw the film was totally by accident. i was in a dentist's office for an appointment for teeth cleaning. the movie came on in the waiting room and after it was thirty minutes into filming the nurse came out and said "next". by a stroke of luck it was the last appointment of the day. i asked the dentist, who is also a dear friend, to let me continue watching. well, we both watched. the nurse had gone and he worked on my cleaning himself. he said it was worth it.
This is a modest but affecting little film. Besides his gift for one-line zingers, Neil Simon has a way of giving his characters lines that are both surprising and believable. Dinah Manoff is perhaps a bit abrasively cooky at first, but she moderates the Brooklyn shtick after awhile and comes over as more complex and real. Walter Matthau as her bewildered but finally disarmed dad is consummately believable. Ann Margaret has little to do, but she does it with superb subtlety. Just watch how well she listens and understands
The problem with this film was that it was a rotten play to begin with. It's the same old Neil Simon characters, same old Neil Simon storylines. For Matthau, this is the same Neil Simon characterization as with his previous ventures into Simon's work. He's much better as Oscar in "The Odd Couple." Ann Margaret is entirely out of place here, but so is the writing and Herbert Ross's direction. Only Dinah Manoff, who reprises her Tony Award winning role, comes off successful in the picture.
I Ought to Be In Pictures was mostly boring. It's about a teenager who goes from New York to Hollywood for acting in the film business and also to be in touch with her dad that she hasn't seen since she was three years old because of a divorce. The relationships weren't anything memorable and there were a few laughs and it kind of ended how it began where not much was accomplished. I was hoping for better because the screenplay is by Neil Simon and the director is Herbert Ross who also directed Simon's The Sunshine Boys with Walter Matthau also in it. Ann-Margret plays Walter's girlfriend and while the performances did their best, the script isn't about much.
10fiizzy
I just saw the movie. What a great movie it is. Very well written and very strongly performed. This movie basically has everything and teaches us how to combine a philosophical life with practical life. It shows us we might need the both and also more importantly the both ideas have their own values. All the performers did a great job in this. I thought it was great to look at the situation from this point of view. It is about how you want to build yourself not which is the right way of doing it. Great great movie. I feel bad for the person who wrote the comment as "the worst....". I think it is one of the best movies i have ever seen.
Wusstest du schon
- WissenswertesWalter Matthau once said of this movie: "It's filled with very real emotions . . . there were a few seconds while I was acting when I flashed back to my childhood when my father deserted us . . . I was exhausted at the end of each day. Some roles are easier but comedy, such as Neil Simon writes, is twenty times more difficult than straight acting or tragic acting. I prefer the challenge of comedy. It requires a great deal more energy, a great deal of kinetic output."
- PatzerIn the closing scenes Libby is first seen sitting on the left side of the bus talking to her seat mate, then when Herb drives his car up next to the bus on the right side she sees him through the right side window.
- SoundtracksOne Hello
Music & Lyrics by Marvin Hamlisch and Carole Bayer Sager
Sung by Randy Crawford
Produced by Tommy LiPuma
(P) 1982 WEA International Inc.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- I Ought to Be in Pictures
- Drehorte
- 6830 Sunset Boulevard, Hollywood, Kalifornien, USA(motel Libby stays at upon arrival in Hollywood)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.968.359 $
- Eröffnungswochenende in den USA und in Kanada
- 2.170.397 $
- 28. März 1982
- Weltweiter Bruttoertrag
- 6.968.359 $
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