Hey Good Lookin'

When "Coonskin/Streetfight" caused a load of controversy and the technical specs caused difficulty, this one sat on a shelf for WAY too long.

And it may be Bakshi's best.

This was like "Heavy Traffic" but two decades earlier. Take away the 70's lingo and bring in the greasers. Ralph seems to be exorcising a rough past with his father here. Not for the first time either.

The best part of this film is the wrecking of the 50's myth. It wasn't all great economy and capitalism. The poor existed. Gangs ran rampant. And the races were at odds. This film points that out. And points again...

The autobiographical angle shows too. Both this and "Traffic" have the struggling artist character getting heat from all around him.

This was like a JD flick but VERY serious. Getting lost in that shuffle was the worst thing that could happen to it.

Go see it.

I don't know if I'm a fan of Ralph Bakshi or not but I do like a lot of his movies, including "Hey Good Lookin' ". "Hey Good Lookin' " might not be his best film but it's up there. This movie moves well and is never boring. There is always something crazy going on. Maybe it doesn't make sense all of the time but that's not unusual for a Bakshi movie. "Hey Good Lookin' " might not be the first Bakshi movie that I would recommend to a novice but it would probably be the second. Honorable mention: a wildly dreamy Roz. I'd love to meet Bakshi's inspiration for her.

I became a Bashki film from the first time I saw American Pop. It was the most amazing cartoon I'd ever seen and since then, I'd been on the look out for more Bashki cartoons.

Hey Good Lookin' is my second round of Bashki. And, though I didn't like it as much as American Pop, I did like it. It was a darkish cartoon look at rumble life of a couple of 1950s hoods. But, unlike American Pop, which also had the bazaar stlyistic drawings of dark alley life, Hey Good Lookin' has a lot of cartoonish humor like a guy being caught up in a basketball game and chucked in a basketball hoop. I liked it all except for the ending, which got me a little confused, getting wrapped up in Crazy's hypnotic dreaming sequence dancing around and shooting antennea's and stuff. I wasn't sure when it ended. But nonetheless, I did like this movie, and I'd definitely check out more Bashki films.

Often compared to GREASE being that the main character, a suave/strutting New York City hood, resembles John Travolta, animation icon Ralph Bashki's HEY GOOD LOOKIN' is more Martin Scorsese's MEAN STREETS as an adult-oriented cartoon, and for two good reasons...

The first is that the script and some of the artwork were created in the mid-70's, right after STREETS came out and where Bashki was to originally combine animated and live-action characters... leaving only a few genuine locations, from a dingy poolhall to Coney Island...

But the main similarity to the Scorsese proto-mob classic is that Richard Romanus and David Proval, who played Michael and Tony, voice the main characters Vinnie... a suave, bragging lady's man... and his psychotic sidekick Crazy, resembling a circus clown on acid...

While the visual animation is terrifically bright yet urban gritty... combining the director's COONSKIN and HEAVY TRAFFIC... it simply doesn't feel like a throwback to the 1950's, where the flashbacked story takes place...

Instead centering more on the two buddies basically just hanging around, mostly with two girls, while the violent gang aspect is less than peripheral (attempting traits from THE WARRIORS to THE WANDERERS)... and a musical singing-group side-story feels out of place...

So overall, Ralph Bashki's HEY GOOD LOOKIN' would have probably worked better as an animated short since... while there's plenty of noisy action... not much literal ground's really covered.

This movie has some of the best dialogue I've seen in an animated movie in a long time. It feels very natural and the terrible mic quality actually adds a special feel to the movie. Both the main two voice actors do such a good job at voicing a couple friends that I am convinced they shot their lines together in a studio

The animation and tone of the film is very dirty, like most 70s/80s adult animated films so that's to be expected. But this really works on the darker aspects of the grease style film. There are many aspects of Italian/black gang life strewn in an the characters that would be associated and I really think it pulled together a lot of the 50s new york scene in an intersecting way

I personally think it does a great job at romanticizing and vilifying the era.