Zu Beginn des 20. Jahrhunderts entführt ein Sharif eine Amerikanerin und ihre Kinder und zwingt Präsident Theodore Roosevelt, Kräfte zur Durchführung einer Rettungsmission zu senden.Zu Beginn des 20. Jahrhunderts entführt ein Sharif eine Amerikanerin und ihre Kinder und zwingt Präsident Theodore Roosevelt, Kräfte zur Durchführung einer Rettungsmission zu senden.Zu Beginn des 20. Jahrhunderts entführt ein Sharif eine Amerikanerin und ihre Kinder und zwingt Präsident Theodore Roosevelt, Kräfte zur Durchführung einer Rettungsmission zu senden.
- Für 2 Oscars nominiert
- 6 Nominierungen insgesamt
- Von Roerkel
- (as Antoine St. John)
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Some critics attempted to link Theodore Roosevelt's world view in the film to the eventual U.S. debacle in Vietnam. That is unfair to both the film, and to Milius, who, if anything, admires and respects the 'big stick' idealism and machismo of our only true 'cowboy' President. (This respect led the director to film the excellent 'The Rough Riders', twenty-four years later, for TNT). Rest assured, 'The Wind and the Lion' is NOT a boring political treatise!
The setting is Morocco in 1904, where an American woman (Candice Bergen, in perhaps her best screen performance), and her two children are kidnapped by 'the last of the Barbary Pirates' Sean Connery and his large band of followers, who are seeking restitution for a long political imprisonment by his family. In Washington, dynamic young President Teddy Roosevelt (brilliantly portrayed by Brian Keith) uses the incident to send in American marines, both to rescue the family, and influence the country's politics (much to the chagrin of Secretary of State John Huston!) Privately, Roosevelt admires the Arab's courage and honor, and wishes the two could face off in a duel to resolve matters.
As her captivity continues, Bergen learns that the real villain is not Connery, who is truly the 'Chosen' leader of his people, but those who imprisoned him. The Americans discover this, too, as they see alliances being forged between the usurpers and greedy European powers, particularly Germany. Ultimately, this leads to a rip-roaring battle between the two forces, full of unforgettable images (Connery on horseback, at full gallop, snatching up a rifle offered by Bergen's son, is one of the great moments in film history!), as the film reaches a VERY satisfying conclusion.
There are many wonderful aspects to this film, and Jerry Goldsmith's rousing score must be singled out; it is one of the finest of his long career, ranking with his soundtracks for 'Star Trek: The Motion Picture', and 'Patton'.
'The Wind and the Lion' is the kind of epic adventure "they don't make anymore". Happily, John Milius has proven that cliche wrong. This film is ABSOLUTELY essential in any Connery or action film collection. I HIGHLY recommend it!
It's very arrogant of Hollywood in general and John Milius in particular to re-write history in this manner because the film is rather accurate in some other ways namely the portrayal of Theodore Roosevelt . Want to know about how the teddy bear came into being ? Watch this film . Roosevelt was a great lover of nature , he was both a hunter and an ecologist and decided that if America wanted to be a major world power then the nation would have to carry a big stick while speaking in a soft voice
Roosevelt more than any president in history made America the superpower it is today and it's a very topical film to watch in 2004 . America's resentment of Germany and France ! Arabs slaughtering infidels on the battlefield but taking a moral high ground about women and children being held as hostage ! American military leaders and diplomats not really caring if they start a bloody war ! The more things change the more they stay the same
It is interesting to see that Milius has painted the Arabs with very human faces . Mulay might be a brigand but he's a most likable anti hero and a cinema audience has the rare opportunity of seeing what Sean Connery is capable of when he's given a good role . I wonder though how this film would have the Arabs if it'd have been made a few years later after the Iranian revolution ? I've got a feeling it would never have been made at all in todays current climate
As it stands THE WIND AND THE LION is very poor history in most parts , fairly good history in some parts and stands as a sort of timepiece when Hollywood was far less xenophobic than it is today
The film "The Wind and the Lion" is HEAVILY fictionalized version of the Perdicaris Affair. I say heavily because in order to 'sex it up', the film features a pretty woman (Candice Bergen) as Perdicaris and instead of a step-son, she's taken hostage with her two young children. What also is heavily fictionalized is the climactic battle at the end of the film.
So is it any good? Well, despite casting a Scottish actor as Raisuli and the writing for Mrs. Perdicaris being terrible, yes, it is very enjoyable. But as I just said, Mrs. Perdicaris was ridiculous. Imagine what you'd do if you were in this situation...would you yell and be a thorn in your captor' side?? No way...it would result in a quick trip to the afterlife! But the action is good and Brian Keiths flamboyant portrayal of Teddy Roosevelt is quite captivating. Well worth seeing....though it left me really wanting to see a film actually based on the Perdicaris kidnapping.
Wusstest du schon
- WissenswertesThe story was based on a historical incident involving the kidnapping of Ion Perdicaris, an American expatriate living in Tangier (changed to a woman for the movie). However, the two children, the American attack on the Bashaw's palace in Tangier, and the climactic battle between the American and German forces, were all inventions of writer and director John Milius.
- PatzerThe Raisouli and his followers pray while the muezzin is calling. In fact, the actual praying is done after the muezzin finishes - it's his job to remind the faithful to go pray. This is a common mistake in Hollywood productions, possibly done for dramatic purposes.
- Zitate
Raisuli: To Theodore Roosevelt - you are like the Wind and I like the Lion. You form the Tempest. The sand stings my eyes and the Ground is parched. I roar in defiance but you do not hear. But between us there is a difference. I, like the lion, must remain in my place. While you like the wind will never know yours. - Mulay Hamid El Raisuli, Lord of the Riff, Sultan to the Berbers, Last of the Barbary Pirates.
- Crazy CreditsOpening credits prologue: Tangier October 15, 1904 1:00 pm
- VerbindungenFeatured in The Lion Roars Again (1975)
- SoundtracksFor He's A Jolly Good Fellow
(uncredited)
Traditional
Sung at Roosevelt's birthday party
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- Budget
- 4.000.000 $ (geschätzt)
- Laufzeit
- 1 Std. 59 Min.(119 min)
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- Seitenverhältnis
- 2.35 : 1