Füge eine Handlung in deiner Sprache hinzuIn 1947 Los Angeles, a police detective tries to solve the shocking, grisly murder of 22-year-old aspiring actress Elizabeth Short, whose nude body was dumped in a lot after being bisected w... Alles lesenIn 1947 Los Angeles, a police detective tries to solve the shocking, grisly murder of 22-year-old aspiring actress Elizabeth Short, whose nude body was dumped in a lot after being bisected with surgical precision. The detective interviews people who knew Short, who was called "Th... Alles lesenIn 1947 Los Angeles, a police detective tries to solve the shocking, grisly murder of 22-year-old aspiring actress Elizabeth Short, whose nude body was dumped in a lot after being bisected with surgical precision. The detective interviews people who knew Short, who was called "The Black Dahlia" because of the black outfits she wore.
- Police Matron
- (as Gloria De Haven)
- Casting Man
- (as Lee Debroux)
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The story told in flashbacks with some style for an old TV movie. Very good acting and well written screenplay mostly based on facts. Although Elizabeth Short's murder scene was one of the most disturbing crime scenes ever recorded in history, this movie never tried to exploit it by using unnecessary gore, which may disappoint a few fans of the genre. Here the focus is on the characterization of Elizabeth Beth.
Lucie Arnaz did well playing the innocent yet mysterious young and gorgeous Beth. It was very sad at times and depressing as well. Efrem Zimbalist Jr. was superb as the detective who was obsessed and frustrated with the mystery beauty. The co-stars did their parts okay.
A true hidden gem. Probably one of the best TV movies made in the 70s.
Lucie Arnaz's restrained performance succeeds in presenting Short as a woman of thwarted ambition, floating in a vacuum of failure, just hanging on by a thread. She should have received an Emmy for it.
This version of the Black Dahlia story has more in-depth characterization of Elizabeth Short than other versions, which go more for sensationalism.
I don't understand why "Who Is The Black Dahlia?" isn't out on DVD, especially considering its cult following.
By the end, in which the Sgt. Harry Hansen character looks at the camera and speculates about the murderer (I won't say any more than that), I was so scared that I ran around the whole house and turned on the lights and didn't go to bed until my housemates returned at 2:00 a.m.
The plot develops well, in a series of flashbacks. The characters are sympathetic. The period atmosphere seems/seemed right. And most of all, unusual for the time before "docudramas," this film was based on a real case.
I am not the world's largest Efrem Zimbalist, Jr. fan (though I did enjoy 77 Sunset Strip as a child), but his work here is very good.
Enjoy .
Wusstest du schon
- WissenswertesLucie Arnaz accepted the role of Elizabeth Short over the strong objections of her mother Lucille Ball.
- PatzerArc lights reflected in door as Beth leaves bus station.
- Zitate
Susan Winters: Look, we're kinda "one for all and all for one" here, you know?
Elizabeth Short: Don't let me change a thing. I probably won't be here very long, anyway.
Susan Winters: I guess none of us is permanent, huh?
Elizabeth Short: [Very darkly] No. Grandmama used to say, "Nothing alive and pretty is ever permanent". Grandmama was right, I guess.
- VerbindungenVersion of Fesseln der Macht (1981)
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