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IMDbPro

Reflections in Black

Originaltitel: Il vizio ha le calze nere
  • 1975
  • 1 Std. 33 Min.
IMDb-BEWERTUNG
5,1/10
249
IHRE BEWERTUNG
Reflections in Black (1975)
HorrorMysteryThriller

Füge eine Handlung in deiner Sprache hinzuA number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.A number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.A number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.

  • Regie
    • Tano Cimarosa
    • Gianni Siragusa
  • Drehbuch
    • Adriano Bolzoni
    • Luigi Latini de Marchi
  • Hauptbesetzung
    • John Richardson
    • Dagmar Lassander
    • Ninetto Davoli
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,1/10
    249
    IHRE BEWERTUNG
    • Regie
      • Tano Cimarosa
      • Gianni Siragusa
    • Drehbuch
      • Adriano Bolzoni
      • Luigi Latini de Marchi
    • Hauptbesetzung
      • John Richardson
      • Dagmar Lassander
      • Ninetto Davoli
    • 12Benutzerrezensionen
    • 8Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos28

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    Topbesetzung14

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    John Richardson
    John Richardson
    • Inspector Lavina
    Dagmar Lassander
    Dagmar Lassander
    • Leonora Anselmi
    Ninetto Davoli
    Ninetto Davoli
    • Sandro Lucetti
    Magda Konopka
    Magda Konopka
    • Countess Mara Orselmo
    Giacomo Rossi Stuart
    Giacomo Rossi Stuart
    • Anselmi
    Daniela Giordano
    Daniela Giordano
    • Nelly
    Ursula Davis
    Ursula Davis
    • Anna
    • (as Pier Anna Quaia)
    Tano Cimarosa
    Tano Cimarosa
    • Sgt. Pantò
    Giovanni Brusadori
    • Mario the coiffeur
    • (as Giovanni Brusatori)
    Dada Gallotti
    • Marilyn
    Gianni Williams
    • Manlio 'Jerry'
    Giovanna D'Albore
    • Emma Giorgi
    Livio Galassi
    • Marco Orsello
    Marco Busciala
    • Regie
      • Tano Cimarosa
      • Gianni Siragusa
    • Drehbuch
      • Adriano Bolzoni
      • Luigi Latini de Marchi
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen12

    5,1249
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    Empfohlene Bewertungen

    6HumanoidOfFlesh

    Razor wielding beauty in black.

    A young woman nicknamed Nellie is murdered with a razor by a woman dressed in black.The next victim named Emma has her throat slashed in a park.The police begins their investigation and question lawyer Anselmi with whom Emma worked as a secretary.The third woman is slashed to death by enigmatic beauty in black.All the victims were friends of layer's wife Leonora Anselmi."Reflections in Black" aka "Vice Wears Black Hose" is a dreary and unremarkable Italian giallo with plenty of sleaze and some sexy Euro-exploitation starlets including Dagmar Lassander and Magda Konopka.My copy runs 74 minutes and I don't have any idea where to find fully uncut 90 minutes Italian version.If you like your gialli with sleaze and full-frontal nudity check this one out.6 out of 10.
    3Coventry

    Countess Adultery

    Rock bottom! My obsession to track down obscure and completely unknown Italian Gialli movies has hit rock bottom with the search for "Reflections in Black". I absolutely wanted to own this relatively late entry in my favorite cult/exploitation subgenre, because it supposedly is one of the gorier, filthier, and sleazier Gialli out there. Well, I can't confirm nor deny whether this reputation is truthful, since the version I found was nearly unwatchable. "Reflections in Black" is - to my knowledge - only available on a bootleg with terrible sound and picture quality. Most of the time, the screen was so blurry that the faces were unidentifiable. The DVD faltered frustratingly often, and the awful English dubbing was regularly interrupted by long stretches of footage that were in the original soundtrack in Italian (and thus incomprehensible for me).

    During "Reflections in Black" I often wondered why I am doing this. There are so many great movies out there, in fancy and highly qualitative BluRay releases, but I spent my time and money on stinking old sleaze-movies that nobody even bothers to restore.

    The film itself is also very mundane and derivative, even by mid-to-late 70s Giallo standards. The plot revolves around beautiful and almost always naked women getting brutally killed by a "mysterious" figure dressed in black and waving around a razorblade. The police investigation is dire and slow-moving, and it takes the coppers an awfully long time to figure out all the murdered women were having lesbian affaires with a married countess.

    What's so upsetting about "Reflections in Black" is that the unknown and inexperienced director Tano Cimarosa (who also plays one of the policemen) confidently assumed that he was making a good Giallo. He inserted all the typical trademarks, and figured that would be enough. He threw in gruesome kills, lesbian sex, gratuitous nudity, and the killer's usual disguise in black. Too bad he forgot that Giallo-lovers also (and primarily) seek suspense, style, and convoluted plot twists (and, most of all, decent picture quality).
    5Bezenby

    Kind of drifts by

    We've all been there - the middle of a murder mystery just because you happen to be a lesbian countess with an angry husband, and the victims being all your ex-lovers. Them damn police don't let up with their questions either. Don't they know that lesbian sex scenes are a giallo film's way of distracting you from the lame plot?

    Yep, the killer has black gloves and an open razor, the victims are young and often naked ladies, and there's loads and loads of nudity to keep you awake between the interminable police investigation scenes. The main focus seems to be mainly on John Richardson the policeman and his sidekick, who suspiciously is played by director/actor Gaetano. There's also a keen rookie cop and his girlfriend that clog up the investigation side of things too, and bulk out the plot.

    As usual a photograph is a main plot point, there's a few effective stalking scenes, but even the rampant nudity couldn't really carry this one all the way through. They didn't give Giacomo Rossi-Stuart enough screen time either.
    6Red-Barracuda

    A pretty messy and unimpressive giallo

    Reflections in Black is a good name for a movie. And this one has a tantalising poster too if you bother to seek it out. But you know that old saying about never judging a book by its cover…

    This is certainly one of the least impressive examples of the Italian giallo that I have seen. It was directed by Tano Cimorosa, who also plays the diminutive detective with the 'tache. Cimorosa will be familiar to a lot of you from his memorable appearance in Renato Polselli's brutally sleazy giallo Delirium (1972). Well this movie sure has its fair share of sleaze as well but it's a much less entertaining affair. On the one hand it certainly contains many of the giallo conventions such as a convoluted mystery, violent murders and a healthy amount of nudity; on the other hand it completely lacks any sense of style. As a result it merely comes off as rough edged and at best semi-interesting. It stars giallo regulars such as Dagmar Lassander and Giacomo Rossi-Stuart but they aren't really given a lot to do.

    It should be pointed out that the copy I saw was pan and scan and 72 minutes, with poor sound. Perhaps if I saw it in a better version my opinion would improve, as I do believe that there is a 90 minute cut out there. But my main feeling is that the basic ingredients of this one are not terrific no matter the version.
    8kannibalcorpsegrinder

    Decent enough but does have some flaws

    Following a string of brutal murders, the police in charge find the investigation leads to a connection between a small-time hustler and a club for the city's wealthy patrons that even brings out a young lawyer to help solve the rash of bloody deaths in the city.

    This here was quite the fun and enjoyable enough giallo. Like so many of the genre's efforts, what really makes this one so much fun is the rather strong mystery at the heart of the investigation which propels this one along. The quest to uncover the killers' method killing, the presence of the strange incriminating photograph working as a potential hitlist and their strange connection to the mysterious woman that they've all been in contact with, this one goes through the stages quite nicely in order to start this one off in rather fine Giallo fashion. With so much time on the investigation here going through these rather disparate clues and tying them into the main couple that gets caught up in the slayings makes for a rather strong opening start here that gives the film the groundwork needed to launch into it's proper giallo stalking that occurs in here. Starting with the opening hit on the female victim on the city street with the policemans' failure to stop it in time to the double ambush in the park and the surprise encounter in the apartment all make for a series of decent stalking scenes complete with all the usual Giallo trappings as the killer pops up out of nowhere to deliver the death-blow in rather striking fashion and brings about the kind of fun stalking in the finale where it's based upon the stalking in the apartment and how it fully leads into the big reveal of the killer and how it's all finally sorted out in here which is quite a nice time overall. Coupled together with all the fine nudity and sleaze typically associated with the genre at the time, there's quite a lot of positives here to enjoy even if there's still a few minor flaws present. One of the biggest issues is the fact that there's just not a whole lot of actual stalking action present here which really comes from the fact that there's just so much investigating with the police officers standing around debating clues and their significance. They really tend to dominate the film for the most part of the film and all they do is go over the importance of what they've found and how it's supposedly connected to what's going on, and when it's not dealing in those areas it's about the bland day-to-day lives of the couple caught up in everything alongside the police along with the few scenes of them investigating what's going on which really leaves this one with a rather low body count due to a small group of bodies to deal with as there's only so many chances here to work that when it's spending more time on those outside factors. The other big issue here is the fact that there's absolutely no surprise at all who the killer is and it's laundry list of suspects are all so obviously red-herring material that it never once hides who's doing the killer so that the main investigation is rather clumsy even with how well it's written up. These here are what hold this one back.

    Rated Unrated/R: Graphic Language, Full Nudity, Graphic Violence, drug use and sexual situations.

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    Handlung

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    • Wissenswertes
      When the cultured but assumedly heterosexual dress designer happens to employ the French phrase "mise en scene" to "set the scene" for his testimony, Sgt. Panto, who just assumes all designers and hairdressers are automatically gay [he's previously insinuated that the couturier wears his own wares, and later professes the belief that the guy's a "fag"], on a hunch it must be something subversive and immoral, mimics back "mise en shame", so as to indicate, wrongly, that he knows it's pervy code for a proposition to commit some sort of disgusting same-sex act.
    • Patzer
      When the cultured but assumedly heterosexual dress designer happens to employ the French phrase "mise en scene" to "set the scene" for his testimony, Sgt. Panto, who just assumes all designers and hairdressers are automatically gay [he's previously insinuated that the couturier wears his own wares, and later professes the belief that the guy's a "fag"], on a hunch it must be something subversive and immoral, mimics back "mise en shame", so as to indicate, wrongly, that he knows it's pervy code for a proposition to commit some sort of disgusting same-sex act.
    • Zitate

      Dressmaker: Our work requires a certain "mise en scene." ... Do you understand Sergeant?

      Sgt. Pantò: Well,,, I try ... So I wanted to ask you if you ever dressed as a woman?

      Dressmaker: Me, dress as a woman? Why would I?

      [Panto stutters, trying to avoid an indelicate or explicit response]

      Dressmaker: Mise en scene?

      Sgt. Pantò: [cutting him off, relieved he didn't have to say it first] "Mise en shame!" Exactly!

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    Details

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    • Erscheinungsdatum
      • 4. Oktober 1975 (Italien)
    • Herkunftsland
      • Italien
    • Sprache
      • Italienisch
    • Auch bekannt als
      • Vice Wears Black Hose
    • Drehorte
      • Italien
    • Produktionsfirma
      • I.R.I. Cinematografica
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    Technische Daten

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    • Laufzeit
      1 Stunde 33 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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    By what name was Reflections in Black (1975) officially released in Canada in English?
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