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Die verlorene Ehre der Katharina Blum

  • 1975
  • 16
  • 1 Std. 46 Min.
IMDb-BEWERTUNG
7,3/10
5187
IHRE BEWERTUNG
Mario Adorf and Angela Winkler in Die verlorene Ehre der Katharina Blum (1975)
A young woman's life is scrutinized by police and tabloid press after she spends the night with a suspected terrorist.
trailer wiedergeben3:14
1 Video
99+ Fotos
DokudramaPolitisches DramaRaubDramaKriminalität

Das Leben einer jungen Frau steht unter ständiger Beobachtung durch die Polizei und die Boulevardpresse, nachdem sie eine Nacht mit einem mutmaßlichen Terroristen verbracht hat.Das Leben einer jungen Frau steht unter ständiger Beobachtung durch die Polizei und die Boulevardpresse, nachdem sie eine Nacht mit einem mutmaßlichen Terroristen verbracht hat.Das Leben einer jungen Frau steht unter ständiger Beobachtung durch die Polizei und die Boulevardpresse, nachdem sie eine Nacht mit einem mutmaßlichen Terroristen verbracht hat.

  • Regie
    • Volker Schlöndorff
    • Margarethe von Trotta
  • Drehbuch
    • Heinrich Böll
    • Volker Schlöndorff
    • Margarethe von Trotta
  • Hauptbesetzung
    • Angela Winkler
    • Mario Adorf
    • Dieter Laser
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    5187
    IHRE BEWERTUNG
    • Regie
      • Volker Schlöndorff
      • Margarethe von Trotta
    • Drehbuch
      • Heinrich Böll
      • Volker Schlöndorff
      • Margarethe von Trotta
    • Hauptbesetzung
      • Angela Winkler
      • Mario Adorf
      • Dieter Laser
    • 31Benutzerrezensionen
    • 39Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Gewinne & 1 Nominierung insgesamt

    Videos1

    Trailer [en]
    Trailer 3:14
    Trailer [en]

    Fotos191

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    Topbesetzung25

    Ändern
    Angela Winkler
    Angela Winkler
    • Katharina Blum
    Mario Adorf
    Mario Adorf
    • Kommissar Beizmenne
    Dieter Laser
    Dieter Laser
    • Werner Tötges
    Jürgen Prochnow
    Jürgen Prochnow
    • Ludwig Götten
    Heinz Bennent
    Heinz Bennent
    • Dr. Hubert Blorna
    Hannelore Hoger
    Hannelore Hoger
    • Trude Blorna
    Rolf Becker
    Rolf Becker
    • Prosecutor Hach
    Harald Kuhlmann
    Harald Kuhlmann
    • Moeding
    Herbert Fux
    Herbert Fux
    • Weninger
    Regine Lutz
    Regine Lutz
    • Else Woltersheim
    Werner Eichhorn
    • Konrad Beiters
    Karl Heinz Vosgerau
    Karl Heinz Vosgerau
    • Alois Sträubleder
    Angelika Hillebrecht
    • Frau Pletzer
    Horatius Häberle
    • Prosecutor Dr. Korten
    • (as Horatius Haeberle)
    Henry van Lyck
    Henry van Lyck
    • 'Scheich' Karl
    Leo Weisse
    • Schönner - Photographer
    Walter Gontermann
    • Pater Urbanus
    Hildegard Linden
    • Hedwig Plotten
    • Regie
      • Volker Schlöndorff
      • Margarethe von Trotta
    • Drehbuch
      • Heinrich Böll
      • Volker Schlöndorff
      • Margarethe von Trotta
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen31

    7,35.1K
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    Empfohlene Bewertungen

    9Firebowl

    Strong contemporary portrait of political and media abuse

    Apart from its general and still (i.e. now more than ever) valid attacks on the scrupelous tactics of tabloid journalism, this movie is also very valuable as a time piece about German society in the 1970's, when the country was shaken by fear of terrorist assassinations and everything considered anti-Democratic (meaning left-wing). In this way, the film not only takes into question the missing morality of tabloid journalists, but also the loss of human rights in a society bothered with questions of homeland security (parallels to the current situation in the U.S. are obvious). Katharina Blum is not only destroyed by the merciless press abusing her for sensationalist journalism, but also by a police and judicial system that doesn't value an individual's right of privacy anymore, and even less the principle of innocent until proven otherwise.

    A film of exceptional quality (even though the acting isn't convincing at some times), "Die verlorene Ehre der Katharina Blum" is strongly recommended to every thinking movie fan with an interest in the abuse of power in our not-so-democratic society.
    9honeybearrecords

    The War On Terror...

    It's funny, but the recent Criterion DVD release of "The Lost Honor of Katharina Blum" gives it a whole new perspective. Next to "The Legend of Rita", "Lost Honor" is almost like "Rosencrantz and Guildenstern are Dead". But in this case, it's dead serious.

    Katharina Blum is a normal German woman who has a one-night state with a man she meets at a party. Later, she finds out that he is an anarchist and part of a Baader-Meinhoff-type gang; the group Rita from "Legend of Rita" is supposed to be a member of.

    Responding to the activities of German urban guerrillas, there is a national dragnet to hunt them down. Blum is arrested and gets caught up in the hunt, revealing a myopic government at it's most abusive. Equally revealing is the insidious nature of the media and it's role in repression. You can't help but get a chill watching it not because you can't believe it ever happened. But because you can't believe it happens all the time. Life in America is a lot like Katharina Blum's for many people.

    Schlöndorff is an intellectual. Both of these films are great reflections of that. They're smart, challenging while being well paced and lithe. "Lost Honor" marked the directorial debut of Margarethe Von Trotta (in some ways a protégé of Schlöndorff's not to mention lover) who would go on to great things including "Rosa Luxembourg".
    9Nick-163

    Powerful film based on Heinrich Böll novel

    This film is based on the novel of the same name by the German author Heinrich Böll. The book is purported to be written by Böll as a result of an ongoing feud in the German media between Böll and the publisher of the German daily tabloid the Bild Zeitung, a publication known for its lurid and sensational reporting of the news. In his story, Böll attempts to show how damaging irresponsible journalism can be to the lives and reputations of innocent persons caught up in the tide of current events.

    The story begins with Katherina Blum attending a party where she meets and is strongly attracted to a young man. She invites him to her apartment and they spend the night making love. The next morning, the young man has gone and the police are storming her door seeking to arrest the overnight guest as a terrorist. Instead, Katherina is arrested and taken to the police station for interrogation as his accomplice. The young terrorist has been killed and Katherina is unable to prove that she had no knowledge of his activities. A tabloid reporter becomes obsessed by the case hounds Katherina, mercilessly destroying her reputation and any semblance of a normal life. The emotional tension continues to build, finally reaching a violent climax.

    This is a very powerful and well made film. Böll's message regarding sensational and irresponsible journalism is very clear. After suffering along with the innocent Katharina through the insult, pain and dishonor of her ordeal, I came away from the film with an altered point of view toward tabloid journalism and commercial news reporting in general. In a world where reporters are being found guilty of manufacturing news stories, media agencies are providing dramatic reenactments of sensational news events, and names like O.J. Simpson and Monica Lewinsky are used as teasers to improve the ratings of news programs, this film is a must see.
    9mdm-11

    Woman's life is destroyed by ruthless tabloid stories

    This is one of a handful of German productions of the 1970s critically acclaimed by world cinema. "Die verlorene Ehre der Katerina Blum" tells of the seemingly innocent love affair of a young woman with a man who turns out to be a fugitive bank robber. Twisting and turning the story to make it more "readable" a tabloid reporter shamelessly destroys the woman's reputation, even leading to her arrest as an "accomplice" to the crimes committed by her "boyfriend".

    The film shows in detail how the situation impacts many people, including Katerina's employers, neighbors, family memebers. All speak highly of her, yet the newspapers always manage to print distorted facts, embellishments and outright lies. The ending, though unexpected and shocking, will satisfy the viewer, who by now completely empathises with the title character who had been "railroaded" by the press for no other purpose than to sell more papers. A five star classic.
    9nedgo

    Any milarity between 1975 and 2003 is .. unavoidable

    This film is as prescient about the abuses of the so-called liberal media, as another film made the same year: NETWORK. Though the political agendas of the two films run somewhat different tracks, they arrive at the same station. One's private life, passions and convictions are reduced to fodder for the lowest common denominator of the semi-literate whenever it suits the status quo's purpose.

    If you're about to see "The Lost Honor of Katharina Blum" for the first time, attempt to avoid thinking of it as an old film; As with Network, the passing decades have proved it more a documentary.

    Handlung

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    • Wissenswertes
      At the end of Die verlorene Ehre der Katharina Blum (1975), there is the following DISCLAIMER/EPILOGUE: "Personen und Handlung sind frei erfunden. Ähnlichkeiten mit gewissen journalistischen sind weder beabsichtigt, noch zufällig, sondern unvermeidlich." This means: "Characters and events are fictitious. Description of certain journalistic practices is neither intentional nor accidental, but unavoidable."
    • Patzer
      Before any shots are fired, the back of the reporter's white sweater has red stains visible from previous takes.
    • Zitate

      Lüding, Verleger: The shots that killed Werner Tötges didn't hit him alone. They were aimed at Freedom of the Press, one of the most precious values of our young Democracy. And these shots - for us who stand here in grief and horror - they strike us. Just as they struck him. Who doesn't feel the wound? Who doesn't feel the sorrow above and beyond one's personal concerns? Who doesn't feel the breath of terror, the savage of anarchy, the violence which is undermining the foundations of our liberal-democratic order which we are so devoted to. Here, allegedly private motives have led to a political assassination, and we can say once more: stop it before it grows! Look out, for Freedom of the Press is the core of everything: well-being, social progress, democracy, pluralism, diversity of opinions. And whoever attacks The Paper attacks us all.

    • Crazy Credits
      The legal disclaimer reads as follows: 'Personen und Handlung sind frei erfunden. Sollten sich bei der Schilderung gewisser journalistischer Praktiken Aehnlichkeiten mit den Praktiken der BILD-Zeitung ergeben haben, so sind diese Aehnlichkeiten weder beabsichtigt noch zufaellig, sondern unvermeidlich.' (Characters and plot are purely fictitious. Similarities with journalistic practices of the newspaper "BILD" are neither intended nor coincidental, but inevitable.) This is a direct quote from the introduction to the original novel by Heinrich Böll.
    • Verbindungen
      Edited into Rot liegt in der Luft: Die zerbrechlichen Hände (1977)
    • Soundtracks
      Spanish Flea
      (uncredited)

      Written by Julius Wechter

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 10. Oktober 1975 (Westdeutschland)
    • Herkunftsland
      • Westdeutschland
    • Sprache
      • Deutsch
    • Auch bekannt als
      • The Lost Honor of Katharina Blum
    • Drehorte
      • Köln, Nordrhein-Westfalen, Deutschland
    • Produktionsfirmen
      • Bioskop Film
      • Paramount-Orion Filmproduktion
      • Westdeutscher Rundfunk (WDR)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 1.700.000 DM (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 46 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.66 : 1

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