Das Leben einer jungen Frau steht unter ständiger Beobachtung durch die Polizei und die Boulevardpresse, nachdem sie eine Nacht mit einem mutmaßlichen Terroristen verbracht hat.Das Leben einer jungen Frau steht unter ständiger Beobachtung durch die Polizei und die Boulevardpresse, nachdem sie eine Nacht mit einem mutmaßlichen Terroristen verbracht hat.Das Leben einer jungen Frau steht unter ständiger Beobachtung durch die Polizei und die Boulevardpresse, nachdem sie eine Nacht mit einem mutmaßlichen Terroristen verbracht hat.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 1 Nominierung insgesamt
- Prosecutor Dr. Korten
- (as Horatius Haeberle)
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A film of exceptional quality (even though the acting isn't convincing at some times), "Die verlorene Ehre der Katharina Blum" is strongly recommended to every thinking movie fan with an interest in the abuse of power in our not-so-democratic society.
Katharina Blum is a normal German woman who has a one-night state with a man she meets at a party. Later, she finds out that he is an anarchist and part of a Baader-Meinhoff-type gang; the group Rita from "Legend of Rita" is supposed to be a member of.
Responding to the activities of German urban guerrillas, there is a national dragnet to hunt them down. Blum is arrested and gets caught up in the hunt, revealing a myopic government at it's most abusive. Equally revealing is the insidious nature of the media and it's role in repression. You can't help but get a chill watching it not because you can't believe it ever happened. But because you can't believe it happens all the time. Life in America is a lot like Katharina Blum's for many people.
Schlöndorff is an intellectual. Both of these films are great reflections of that. They're smart, challenging while being well paced and lithe. "Lost Honor" marked the directorial debut of Margarethe Von Trotta (in some ways a protégé of Schlöndorff's not to mention lover) who would go on to great things including "Rosa Luxembourg".
The story begins with Katherina Blum attending a party where she meets and is strongly attracted to a young man. She invites him to her apartment and they spend the night making love. The next morning, the young man has gone and the police are storming her door seeking to arrest the overnight guest as a terrorist. Instead, Katherina is arrested and taken to the police station for interrogation as his accomplice. The young terrorist has been killed and Katherina is unable to prove that she had no knowledge of his activities. A tabloid reporter becomes obsessed by the case hounds Katherina, mercilessly destroying her reputation and any semblance of a normal life. The emotional tension continues to build, finally reaching a violent climax.
This is a very powerful and well made film. Böll's message regarding sensational and irresponsible journalism is very clear. After suffering along with the innocent Katharina through the insult, pain and dishonor of her ordeal, I came away from the film with an altered point of view toward tabloid journalism and commercial news reporting in general. In a world where reporters are being found guilty of manufacturing news stories, media agencies are providing dramatic reenactments of sensational news events, and names like O.J. Simpson and Monica Lewinsky are used as teasers to improve the ratings of news programs, this film is a must see.
The film shows in detail how the situation impacts many people, including Katerina's employers, neighbors, family memebers. All speak highly of her, yet the newspapers always manage to print distorted facts, embellishments and outright lies. The ending, though unexpected and shocking, will satisfy the viewer, who by now completely empathises with the title character who had been "railroaded" by the press for no other purpose than to sell more papers. A five star classic.
If you're about to see "The Lost Honor of Katharina Blum" for the first time, attempt to avoid thinking of it as an old film; As with Network, the passing decades have proved it more a documentary.
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- WissenswertesAt the end of Die verlorene Ehre der Katharina Blum (1975), there is the following DISCLAIMER/EPILOGUE: "Personen und Handlung sind frei erfunden. Ähnlichkeiten mit gewissen journalistischen sind weder beabsichtigt, noch zufällig, sondern unvermeidlich." This means: "Characters and events are fictitious. Description of certain journalistic practices is neither intentional nor accidental, but unavoidable."
- PatzerBefore any shots are fired, the back of the reporter's white sweater has red stains visible from previous takes.
- Zitate
Lüding, Verleger: The shots that killed Werner Tötges didn't hit him alone. They were aimed at Freedom of the Press, one of the most precious values of our young Democracy. And these shots - for us who stand here in grief and horror - they strike us. Just as they struck him. Who doesn't feel the wound? Who doesn't feel the sorrow above and beyond one's personal concerns? Who doesn't feel the breath of terror, the savage of anarchy, the violence which is undermining the foundations of our liberal-democratic order which we are so devoted to. Here, allegedly private motives have led to a political assassination, and we can say once more: stop it before it grows! Look out, for Freedom of the Press is the core of everything: well-being, social progress, democracy, pluralism, diversity of opinions. And whoever attacks The Paper attacks us all.
- Crazy CreditsThe legal disclaimer reads as follows: 'Personen und Handlung sind frei erfunden. Sollten sich bei der Schilderung gewisser journalistischer Praktiken Aehnlichkeiten mit den Praktiken der BILD-Zeitung ergeben haben, so sind diese Aehnlichkeiten weder beabsichtigt noch zufaellig, sondern unvermeidlich.' (Characters and plot are purely fictitious. Similarities with journalistic practices of the newspaper "BILD" are neither intended nor coincidental, but inevitable.) This is a direct quote from the introduction to the original novel by Heinrich Böll.
- VerbindungenEdited into Rot liegt in der Luft: Die zerbrechlichen Hände (1977)
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