Füge eine Handlung in deiner Sprache hinzuThe sexually frustrated women of Sodding Chipbury lead a humdrum existence, until Bob, the handsome new handyman, arrives in their picturesque village.The sexually frustrated women of Sodding Chipbury lead a humdrum existence, until Bob, the handsome new handyman, arrives in their picturesque village.The sexually frustrated women of Sodding Chipbury lead a humdrum existence, until Bob, the handsome new handyman, arrives in their picturesque village.
Julia Bond
- Polly
- (as Julie Bond)
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Smut-master general John Sealey's D. I. Y inspiring 'The ups and downs of a handyman' (1975) with delightfully ahndsum, well-bonkable couple Barry Stokes & Gay Soper is a righteously sleazy slap n' tickle celluloid sensation!! Cor!!! They're all at it hammer n' tongues, mayte! This delightfully retrograde filth is fleshly endowed with some of the very breast of British 70s talent! Rib-tickled for your pleasure!! Not 'arf!!!!
It never ceases to amaze me why people are so sanctimonious about this genre of film (the Radio Times is just the same). I loved it! It's packed with all the classic seaside postcard humour that made Carry On and Benny Hill (yes, the late comic genius Benny Hill - Charlie Chaplin thought so) that makes films like this so watchable time and again. Yes, it's lightweight, but that's its triumph: it's just a story about a jack-the-lad having a good time with the girls. I'd swap with him!!
By the way, any film featuing Valerie Leon is worth watching for her alone. Her beauty is simply out of this world.
Mind you, the theme tune is absolutely awful........
By the way, any film featuing Valerie Leon is worth watching for her alone. Her beauty is simply out of this world.
Mind you, the theme tune is absolutely awful........
Let's just say that this one is pretty ugly. The sex scenes are terrible, the ladies won't cause even the likes of Christina "The Alien" Aguilera to lose any sleep in the beauty department, there are scenes that were stolen from "Benny Hill" (including the famous speed running scenes), and yes, the theme song is awful. Still, it's wicked fun to watch Barry Stokes (as The Handyman) find sex everywhere he goes. At least that's what you'll find in the "real world". You'd be lucky to spend an afternoon with Christina "The Alien" Aguilera.
Very bad sex British sex comedy from the 1970's. The film has reasonable amounts of nudity, but it is most remarkable for the truly appalling attempts at comedy. Did people find this sort of thing funny then? Or would they not show films in the cinema if they were just 90 minutes of nudity? But worst of all is the films title song - it must rank as one of the worst of any film, any time.
A recently married young couple arrive in a quaint English village and - through fate - he starts to become very successful as a local odd job man. Although his success has little to do with his skill at fixing-and-making-good!
The above sentence might make this sound like a legit film like The Godfather and The Shawshank Redemption, but can I quickly dismiss such thoughts. Indeed consider the thought shot-down-in-flames. This is a straight out, head-on, show-me-the-money, no prisoners taken, attempt to exploit money from a soft-core sex romp.
(What the comedians call a "cold weather film" - you want to turn your collar up as you leave the cinema!)
The sex film is unique that it doesn't need any plot device or central theme. Indeed we reviewers get embarrassed by such omissions and try and pretend to see one ourselves.
Here the lead is a male Emmanuelle - someone who falls victim to other people's agendas: Unlike so many of cheap guy-trying-to-cop-off British sex comedies he never takes the sexual lead.
However when the housewife strips off, lays across the bed, mimes a quarter to three with her legs our hero catches on that there may be more to the job than fixing the bed leg. Like the household dog who sees a wild rabbit - he returns to his primitive self. However in post coital bliss he turns to his former state as the slow affable moron.
To link together and scenes and fill time we have weak comedy in the form of a spank happy Lord of Manor and a snooping policeman - who has nothing better to do then watch the antics of our bumbling hero. The village, obviously, being crime free.
(Bob Todd and Chic Murray - Lord and Policeman respectively - were respected character/comedy actors in their day, although long gone to the great music hall in the sky.)
The director (John Sealey) hardly worked again and you can see why! Is there anything more depressing than third rate dialogue captured on a genuine 35 mm film camera? It is almost a crime against cinema itself. This should be on Super 8!
For a moment I dream, and in this dream I win the lottery and move in to this village of sex starved zanies - where behind every door is a frustrated wife or a horny daughter with the IQ of a fish and the dress sense of a desperate stripper. If only such a place existed and I could move in - or even take a two week a year holiday.
The above sentence might make this sound like a legit film like The Godfather and The Shawshank Redemption, but can I quickly dismiss such thoughts. Indeed consider the thought shot-down-in-flames. This is a straight out, head-on, show-me-the-money, no prisoners taken, attempt to exploit money from a soft-core sex romp.
(What the comedians call a "cold weather film" - you want to turn your collar up as you leave the cinema!)
The sex film is unique that it doesn't need any plot device or central theme. Indeed we reviewers get embarrassed by such omissions and try and pretend to see one ourselves.
Here the lead is a male Emmanuelle - someone who falls victim to other people's agendas: Unlike so many of cheap guy-trying-to-cop-off British sex comedies he never takes the sexual lead.
However when the housewife strips off, lays across the bed, mimes a quarter to three with her legs our hero catches on that there may be more to the job than fixing the bed leg. Like the household dog who sees a wild rabbit - he returns to his primitive self. However in post coital bliss he turns to his former state as the slow affable moron.
To link together and scenes and fill time we have weak comedy in the form of a spank happy Lord of Manor and a snooping policeman - who has nothing better to do then watch the antics of our bumbling hero. The village, obviously, being crime free.
(Bob Todd and Chic Murray - Lord and Policeman respectively - were respected character/comedy actors in their day, although long gone to the great music hall in the sky.)
The director (John Sealey) hardly worked again and you can see why! Is there anything more depressing than third rate dialogue captured on a genuine 35 mm film camera? It is almost a crime against cinema itself. This should be on Super 8!
For a moment I dream, and in this dream I win the lottery and move in to this village of sex starved zanies - where behind every door is a frustrated wife or a horny daughter with the IQ of a fish and the dress sense of a desperate stripper. If only such a place existed and I could move in - or even take a two week a year holiday.
Wusstest du schon
- WissenswertesIt was intended to be the first of a series, but the idea was dropped. The sequel would have been called "Ups and Downs of a Soccer Star", and was to star Julie Lee, with a script by John Sealey and Ken Follett
- PatzerIn the last shot of the bathroom sequence a crew member's hand can be briefly seen touching actress Mrs Wain's backside, directing her to move out of the way of the camera.
- Alternative VersionenFor the original UK cinema release, cuts were made to the opening sex scene between Bob and Margaretta. The same print was then cut by a further 1 min 17 secs for video with additional edits to a sex scene in a bathtub. The 2009 Odeon DVD features the original cinema version.
- VerbindungenFeatured in Twisted Sex Vol. 19 (1998)
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