New York antwortet nicht mehr

"Not as bad as you'd think" is not a very convincing way to start a review, I admit, but this is a movie that had a lot going for it. A lot of potential, but not completely wasted. The scrip, including dialog, is rather intelligent. And the smartest thing the film's creators did was cast Brynner, von Sydow, and Smith (who is one of the most underrated bad guys in Hollywood. I wish Tarantino would rediscover him the way he did Travolta, Keaton, Forster--and just about half the main characters of most of his films, in fact). Perhaps, though, the stars' salaries left little money for sets and costumes, which are pathetic. The lighting is about as atmospheric as a dogfood commercial. Sadly, director Clouse's usual flair for fight scenes is, with the exception of a couple of nice touches here and there, absent.

Interestingly, "Day of the Dead" borrows heavily from this film, from the basic storyline (handful of survivors of apocalypse fighting against one another as a handful of them plot escape) right down to the cauterization-with-torch scene and the island-as-escape-from-wordly-chaos theme.

This is just an action movie: the acting is crappy, the directing is cruddy, the sets are cheesy, and the effects are cheap... but so what?!? This is Yul Brynner stripped to the waist, fighting with knives!!! It's just brilliant!!! If your fantasy involves the sky falling, you'll get off on this. And just in case you're keeping track, this one came after 'Omega Man' and before 'Mad Max'.

I really love 1970s science fiction movies, especially post-apocalyptic ones like 'The Omega Man', 'A Boy And His Dog' and 'Mad Max'. 'The Ultimate Warrior' is in this vein but is often overlooked. I don't know why, it's a very entertaining film. Director Robert Clouse is best known for his martial arts adventures 'Enter The Dragon' and 'Black Belt Jones'. There isn't any martial arts in this one, but there are some fights scenes, especially an exciting one towards the climax between Yul Brynner and b-grade legend William Smith. Brynner, hot off 'Westworld', plays Carson, muscle for hire in the year 2012, in a future society where a plague has devastated agriculture, and anarchy rules in the cities. Max von Sydow ('The Exorcist') plays "the Baron" leader of small group of survivors. They are successfully experimenting with breeding seeds which are immune to the plague. They hire Carson to protect them from a rival gang, led by the mean and nasty thug Carrot (William Smith of 'Run, Angel, Run', 'Invasion Of The Bee Girls', 'Boss N*gger', 'Maniac Cop', etc.etc.). The Baron has secret plans to abandon his followers and leave the city with the seeds and his pregnant daughter (Joanna Miles), and tries to convince Carson to help. Will he? Will Carrot let them? Watch 'The Ultimate Warrior' to find out. I've seen this one a few times and I'm always entertained. It's not the best 1970s SF movie by any means but it's a lot of fun, and Brynner (who's in pretty good shape for a guy pushing sixty!) and the super cool Smith are just great to watch.

...He just might pop them out of your head. The almighty B movie legend plays the antagonist "Carrot" in this reasonably enjoyable post-apocalyptic sci-fi thriller from Robert Clouse, director of "Enter the Dragon".

An intense Yul Brynner stars as Carson, a loner hired as muscle by a peaceable group struggling to survive in the NYC of the year 2012. This group needs somebody like Carson to protect them from the aggressive forces led by Carrot. Leading the good guys is the Baron (a highly engaging Max von Sydow), and one other thing that they have on their side is their botanist Cal (Richard Kelton), who's developed seeds that are immune to the plague. Eventually Carson must make a trek for freedom accompanied by the Barons' pregnant daughter Melinda (Joanna Miles), with Carrot and his gang in hot pursuit.

"The Ultimate Warrior" is good fun, if unfortunately not having quite enough "oomph" to make it something truly special. The script, by director Clouse, is on the routine side, and it never does flesh out the characters too much. That said, the actors are still able to make an impression. Both Brynner and von Sydow have commanding presences and Smith, as could be expected, is a very effective bad guy. Among the supporting cast is reliable veteran character actor Stephen McHattie as Robert, one of the Barons' men. Production design, art direction, and set decoration are all heavy assets; the viewer will have a lot to take in while looking at these run down, forlorn "future" locales. Talents behind the camera include cinematographer Gerald Hirschfeld, editor Michael Kahn, and composer Gil Melle, whose score helps to drive the movie forward. What *is* great is the ultimate showdown between Brynner and Smith, which is well worth waiting for; Brynner proves to be in real fighting shape.

A very grim and gritty tale, this movie doesn't pull its punches and portrays a hard scrabble existence in a straightforward manner. It deserves to be more popular, especially considering the subsequent productions such as "Mad Max" and "Escape from New York" that it surely must have influenced.

Seven out of 10.

Hiring a warrior to protect your leaky compound after a worldwide plague can be an iffy proposition. Having to fight off a menacing gang lead by a man named Carrot is also a dangerous endeavor. Yul Brynner is ably cast as "The Ultimate Warrior." He wields a knife with the precision of a rabbi. The film's final reel will confirm this. And Max von Sydow is always fun to watch as he wrestles with the dialog and the ultimate fate of the barricaded parish. I admire the fellow who tends the garden on the roof. A movie like this needs a ray of hope cracking through the grim reality taking place. Stephen McHattie, who played James Dean in the break out role that didn't pan out, has the thankless role of a father who is desperate to feed his family. The film's climax takes place in the city's subway tunnels and is honestly brutal in its resolution. Bravo to the director for his use of still photos at the end. He releases the frame briefly for a burst of light--and coastal bliss. Lastly, my "summary" can be rendered mute if the towers are rebuilt before the date established by the makers of the film. Lets go!