Ein wildes Wochenende

I see only 11 reviews and 839 ratings and that's a shame because this is a good movie. I wouldn't call it a hidden gem neither a MUST WATCH movie but it's underappreciated for sure : A good 70's drama/thriller, well directed and well acted which made me invested and kept my attention until its ending. Characters felt real, not cartoonish and fake like characters from similar movies, they had a background and the story overall was convincing.

It's not enjoyable and this has nothing to do with revenge movies, in which the victim is turning into John Rambo. To be honest, i would prefer a different ending, but this ending is strong and that's what differentiates this movie from similar, totally unrealistic movies. The last scene, with the credits roll and this particular music, will stay with me for some time.

'La Traque' (1975) aka 'The Track' is a hugely effective and robustly-made Gallic hybrid of 'The Most Dangerous Game', darkly seasoned with a salacious soupcon of Peckinpah's immaculate 'Straw Dog's. The blistering and uncompromising 'La Traque' includes a bravura cast of notable French character actors, with an especially sympathetic portrayal of the desperate victim by personal favourite, Mimsy Farmer. Talented Director, Serge Leroy, keeps the swelteringly oppressive tension ratchet-tight, and unlike many other similarly lurid thrillers of that most gloriously exploitative epoch, he also pays a great deal of attention to the welcome merits of solid characterization. 'La Traque' is quite a special film indeed, and its cracking Giallo-esque score by gifted composer, Giancarlo Chiaramello should be vastly appealing to most, if not all, Euro-cult soundtrack collectors/aficionados; and one must also herald the truly brilliant, evocative, visually astute photography of one, Claude Renoir, and his canny use of hand-held cameras in the breathlessly exhilarating forest chase being particularly striking. 'La Traque' (1975) is yet another exquisite exemplar from the heady 70s that remains unjustifiably obscure today. This tremendously exciting, uncompromisingly bleak film is highly recommended, and, for me, its continued obscurity is wholly unjustified!

A group of friends meet to hunt boar in the woods. They encounter a young woman and one of them rapes her. The others decide to do whatever it takes to conceal the crime.

There are two hunts going on here. There are the "respectable men" hunting down a defenceless young woman. And then there is director Serge Leroy hunting down the aforementioned respectables to expose the amoral logic and cold-blooded brutality underpinning their social position.

The simple story is told with great skill. The tension builds grimly as each man acquiesces to the crime that's unfolding and we realise there's less and less hope for the unfortunate girl. Along the way, we learn more about the hunters: how one of them accidentally killed before and concealed it to avoid a scandal; how another had to pursue and kill a traitor (a woman) in the Resistance. Another is a politician with much to lose if the woman talks; another is an ex-army captain, trained to kill; another is simply a coward. The girl, meanwhile, remains largely unknown to us, as defenceless and pathetic as the animals they casually slaughter.

There have been innumerable horror films in which faceless psychopaths pursue women to their deaths. What makes "La Traque" all the more unnerving is that the faces of these hunters are all too familiar. They are the faces of politicians, landowners, war heroes, pillars of the Establishment (and Leroy carefully chooses actors who have played such respectable types in other films). Their actions derive not from a loss of control, but from an excess of it: these are men who have learnt to suppress human compassion when necessary to achieve their goals in life. And murder is the logical consequence of that.

Part of the discomfort of watching this film is the sensation of being asked, "Would your friends and neighbours act differently under the same circumstances? Would you?"

During the 70's some of the most wellknown films in the subgenre commonly referred to as rape & revenge were made. Films like I Spit on Your Grave(1978), Thriller - en grym film (1974), The Last House on the Left (1972)and countless others.

The genre is still alive and well thanks to some bigbudget remakes of above mentioned films.

La traque (1975)however is rape & revenge that is above genre standard and separates itself by using some very dark reflections on society and social criticism.

The story is simple, about a group men from all walks of life, one is a politician, another is a former captain in the army, scrap dealers etc. Basically this group of men becomes a sort of microcosmos of the world in general and society.

But when one of them during the hunt while intoxicated, rapes an English girl who is just a tourist, things go from bad to even worse...

There are some sad truths being said about men, sexism, misogyny and also what group pressure can do to people. Having the Milgram experiment in the back of your mind while watching this film is important.

But the film also exposes some of the dark secrets these men have. How they stab each other in the back, use various secrets against each other in order to preserve control over a situation that is quickly spiraling out of control.

The film also poses an interesting question to the viewers watching this film, what would you do? And how would your friends react?

And the fact that some of these men are on the outside well respected, ordinary, men but during these circumstances chooses to be more brutal then the animals they are hunting, makes this film with a very dark look on humanity.

Director Serge Leroy have chosen a very good cast, with people like Michael Lonsdale, Jean-Pierre Marielle, Jean-Luc Bideau as some of the members of the hunting party.

They look and feel very genuine in their roles, their acting flawless.

Biggest flaw in this film is Mimsy Farmers role, she is simple the prey, but plays this part with anger, ear and passion in the right amount.

So future viewers who want a darker more complex, rape & revenge film with sharp stab at society, gender etc should seek this one out.

A true gem, masterpiece, brilliant, intelligent, unusual, nasty, disturbing, realistic. A story as you have never seen before and never see after this one. How can we compare this with THE MOST DANGEROUS GAME? It is more subtle, because not an ordinary action film, with good guys vs evil ones. Here, you slowly but surely find out that everyone is nasty, it is the true picture of what the ordinary citizen is ready to do to save his own skin. The tension grows, increases more and more along this absolute must see film, before exploding in the most shocking sequence ever made without blood on the screen. Far more shocking than any other horror film. Because this is not a horror film, just the picture of the true horror that may exist in real life and not only in a movie theater. Horror of the soul, the human soul. Maybe you will vomit after the watching.