Männer ohne Sonntag

This film is what real cinema should be. A great script, great direction, great photography and great acting. Although the story is simple the character studies from the superb cast keep you glued to the screen.

I recently put this in a competition for a personal top 10 movies of all time. I also included that other Aussie masterpiece "Newsfront".

A delightful Australian film produced in the 1970's that captures the true essence of the Australian character and Australian bush in the 1950's. This is an unashamedly "male" film that results in the cry "Ducks on the Pond" when female's venture into their domain.

Sunday Too Far Away is almost a documentary of one 1955 shearing run in outback South Australia. Minor events like the coming and going of the first Chef become immensely interesting when viewed through the lives of these characters.

If you are interested in Australian film, this one is not to be missed.

There's a slow moving shot halfway through SUNDAY TOO FAR AWAY taken from inside the shearing shed looking through a window out into the yard. The camera pans across the yard before pulling back into the shearing shed, rising as it continues panning across the shed interior, following the action before settling on a particular character. It's a beautiful shot and a lovely example of the stunning cinematography that gives the film a palpability in which you can really feel the heat, dust and flies.

I watched the film for the first time this evening and was blown away by its lyricism, claustrophobia and grandeur. I grew up on a dairy and sheep farm in 1970s Northern Victoria when the kind of hard working, hard talking, hard drinking labourers who travel where the work is was still very much a cultural tradition in country Australia. The people in this film display an authenticity, brashness, sense of humour, bravado, timidity and mateship that is readily recognisable. It all feels genuine. It's no wonder the film was so readily embraced by Australians on its initial release.

Aspects of the film also reminded me of Tim Burstall's 1979 film, LAST OF THE KNUCKLEMEN in its exploration of class in a tough homosocial workplace culture. There's also a humorous bum-wiggling scene that reminded me of a shot from another Jack Thompson film, THE SUM OF US (Burton 1994) in which he is vigorously stirring a saucepan over a stove. I would not be surprised to learn that the shot in THE SUM OF US is a homage to SUNDAY TOO FAR AWAY.

I am glad that I can sometimes revisit Australia as it once was through films like "Sunday Too Far Away" and "Newsfront". At the time of their making, we still had the faces and voices that rang true to the 50's - 60's prior to the influence of television that forever changed the way we talk and even the way we walk. Jack Thompson and the rest of the male cast moved in the way Australian men and, in particular, shearers moved. Compare this with the cast of "Kokoda". As my mother commented, Australian men of the 1940's just didn't look so muscular or move with such rigidity. They were a Depression generation - wiry with a casual slouch born of being raised on lean rabbits and fish and hardships that knocked pretentiousness sideways.

However, "Sunday Too Far Away" is far more than a sentimental journey. It is a view of life that is at once tragic and humorous. It also has genuinely touching moments when seemingly hard and practical men display their concern for each other in an understated manner that is indicative of their rejection of overt displays of sentimentality. They all know that they are probably going to end up like old Garth if they remain shearers. "That's shearing for you, Foley" says Garth as he muses about the fact that he has hardly seen his wife and son for over 30 years. Garth's death is symbolic for all the shearers and their indignation at the undertaker not providing "the proper vehicle" to bear his body on his final journey reflects their insistence upon their dignity as shearers. As in the strike action, "it wasn't so much about the money as the bloody insult."

But I intellectualize too much. I love this film for many reasons but most of all because it could have been made for people like me in mind. It is about yarns that my uncles told and characters who were like my father who had been a "rousie" on a shearing floor after leaving school at the end of year eight even though he had been the dux! Times were such that work was valued above all else - life was work.

In the 1980's, I once rented a farmhouse when I taught in rural Australia. One of the conditions of my tenancy was that shearers would share the house in the shearing season. These shearers were tough, smelled of lanolin no matter how they washed and ate mountains of food all cooked up in a giant iron skillet. And they argued about everything - who was a gun and who was not, which cocky had treated them the worst, which type of sheep were the easiest to shear. However, when I asked them about the authenticity of "Sunday Too Far Away", they always agreed that it was the best evocation of the life of a shearer they had ever seen - praise indeed for the film.(Not that they would have used the word "evocation")

The first time I saw this film was in my capacity as a projectionist on board a Royal Naval Warship. By the end of the first reel the dining hall (Cinema) was deserted except for myself and one other everyone having been put off by the lack of action. Because there was one remaining viewer I was obliged to show the entire movie. We were richly rewarded because this film is full of finely crafted observation well portrayed by fine actors expertly directed. A rich vein of understated comedy runs just beneath the surface occasionally erupting most notably in the hand laundry scene and again in the undertaker scene. Altogether a worthy film which should have received greater acclaim