Der Wildeste von allen

Streetfighter is a show case for the karate talents of Sonny Chiba. Chiba plays Terry Tsurugi, a man who was orphaned when his Japanese father was executed in China during World War II. Terry is now back in Japan and kicking ass for a living. He's the best of the best in Japan and is hired to help get a criminal on death row out of prison. He manages to do this using an ancient technique (yeah, I know, they all use some ancient technique). Sonny then ends up killing the guy's brother due to an argument over payment and getting his sister sold into prostitution.

After this Sonny is propositioned by the Yakuza to kidnap a girl who is an oil heiress. Sonny jumps sides and starts working for her protectors after a show down with her uncle, the leader of a karate school. This flick is packed with violence galore. Sonny does some pretty cool stuff, and amazingly, the whole plot manages to come together at the end. There are also a few one liners that are pretty cool.

This is the flick that made me a Sonny Chiba fan.

The Streetfighter remains one of the defining films of the Japanese martial arts, "grindhouse", "chop-socky" era from the 1970s. It's one of the titles that made Sonny Chiba famous and features really impressive high-level karate.

But the film isn't light-hearted, nor is it made humorous by its dub (as is the case with the contemporary Shaw Bros. films of the time). It is violent, gritty, misogynistic, and a bit racist. It explores gritty underworld elements: drug trafficking, sex slavery, contract killing, etc.

The plot revolves around Terry, an underground mercenary in modern Japan, who is forced into a life of crime (presumably) for being half-Chinese in a racist, conservative society. He is offered a job to rescue a wealthy oil baron's daughter-heiress after she is kidnapped by Yakuza. The way the events transpire and the plot develops is actually pretty solid for a "B" movie, and here Street Fighter stands far above its sequels or genre contemporaries.

Terry as a character is complex and depressing. He is angry and violent and completely unsympathetic to others, but he is the one we are supposed to connect with. Many people who cross his path are perhaps more upstanding people but are killed either because they are in the way of his contract jobs or because they are not as equally driven by hatred.

Sure, maybe it's a character study or a commentary on Japanese society in post-World War II. But that's only in hind-sight and even if so, it's just icing. The premise of the movie is to create a situation for Sonny Chiba to kill a bunch of violent criminals while on commission. But this is okay, because the acting is good, the martial arts are real good, the music is catchy funk-inspired rock and enka from the '70s, and the plot maintains your attention throughout.

Sonny Chiba is one of the very few martial-arts stars that has escaped Bruce Lee's shadow and this film shows you why. Though he wears dark clothes and is shirtless, (just like Lee), during some of the fight scenes, he still comes across as an original.

He's got screen presence to spare and his deadpan approach to the exaggerated violence and fight scenes makes this funny and a totally awesome guy movie with lots of blood, gore and fighting. The one thing that I thought was strange was the throaty, phlegm-sounding war-cry that Chiba and other karate masters use throughout the film, but even that grows on you.

I was inspired to watch this film when I saw short clips in "True Romance". The fight scene looked original, so I gave it a shot. Loved it.

How can you go wrong when the star of the films utters lines like, "Maybe some day we can hold a death match." and, after punching a guy in the back, "You'll be unconscious through lack of oxygen; it's an ancient technique."

And I really dig the roly-poly karate master who goes on to teach Chiba's character a few new things about fighting. How many times do you get to see an obviously overweight character show that being overweight doesn't prevent you from kicking ass?

The character of Ratnose does get overbearing after a while, but it's a small price to pay to watch Chiba play one of the coolest anti-heroes of all time.

"Become...a number one man!" and rent this movie. Pure 70s martial-arts cheese and ass kicking.

Sonny Chiba was mostly a cult star for years until he appeared in Quentin Tarantino's "Kill Bill" as a sword-maker (I'd never heard of him until then). Of course, fans of martial arts movies knew Chiba for movies like "Gekitotsu! Satsujin Ken" (called "The Streetfighter" in English).

Without a doubt, the 1970s were known for martial arts movies -- along with disco -- and this movie is a prime example. Chiba plays Takuma Tsurugi (called Terry in the English dubbing), a martial arts master who has to come to the rescue of a kidnapped heiress. That's the official plot, but there can be no doubt that the flick's main purpose is to show off every imaginable move, with some scenes slowed up just so that you can see the action. I wouldn't put the movie in the same class as "Enter the Dragon", but even so, it's some of the most fun that you can have watching a movie. I hope that Sonny Chiba gets to appear in more movies!

Playing the most morally ambiguous hero ever, Sonny Chiba is Terry Tsuguri the rough and dirty mercenary called 'The Street Fighter'. His fighting style resembles that of an injured ape with respiratory problems, he can crack peoples skulls with a single smack, and most of all there is no way in hell he wants you to like him. Too Bad his fight scenes are a joke. Every opponent he goes up against looks like Bruce Lee compared to him. This movie is for those that like a good laugh and cheap exploitation flicks. Not for serious kung fu fanatics. I would compare this more to Dolemite than anything you might see otherwise in the genre. Check out the Return of the Street Fighter for better action scenes and less of the BS story.