Der Wildeste von allen

Remember during the height of the martial arts movie boom (roughly 1973-1976) the reputation that chopsocky films had for being replete with misery, violence, gore and degradation of the human spirit? Well, most films in the genre didn't live up to the hype at all. THE STREETFIGHTER, however, set the standard for onscreen insanity, was originally rated X for violence, and has yet to be equalled (well...maybe THE STORY OF RIKI) for sheer, nasty entertainment value.

Sonny Chiba stars as Terry Tsurugi, an utterly amoral b**tard who is absolutely the last guy you would ever want to face in combat. Bruce Lee's characters had the common decency to simply kill you and move on, whereas Tsurugi would make his punishment of an opponent extremely personal, down to the point of tearing off pieces of their bodies. His fighting style is graceless but effective, and a lot easier for any of us who strove to match the grace of Bruce to appreciate. If you want to see ass-whuppin' administered with balletic grace and artistry, do not see this film. If you want to see a guy mercilessly whip truckloads of ass, then this is the movie for you!

In a nutshell: Terry tsurugi is a badass-for-hire who will take on any job if his price is met. Plotline #1 has Terry rescuing convicted karate murderer Junjo from his date with the hangman. When Terry relocates Junjo to Hong Kong so the Japanese police won't find him, Junjo's brother and sister show up and tell Terry that they can't afford to pay him the rest of the money they owe for their brother's escape. Tragedy results that will make Junjo Terry's bitterest enemy and will eventually see them in a final showdown where only one will survive.Plotline #2 sees Terry volunteering to bodyguard the heiress to an oil fortune who is being pressured by the Yakuza. Her uncle happens to be a Karate master who is the only man alive that Tsurugi respects, and by working for him, Terry makes an attempt at redeeming himself as a human being (well, sort of...). Terry tries to stay one step ahead of the Yakuza, and his efforts culminate in a literal bloodbath where he takes on about thirty goons and puts much foot to ass.

The two plotlines overlap wildly and the ass-whuppin' set-pieces are loads of violent fun. Chiba's intense performance is unlike any other character in the history of the genre. Mean, violent and downright reprehensible, THE STREETFIGHTER is a unique milestone in the martial arts movie genre. HIGHEST RECOMMENDATION.

In a typical action flick, the hero's loved one is murdered, causing the hero to exact his revenge on those responsible. Same boring stuff. Now what if the roles were reversed; what if the hero is the one killing loved ones and the villain is looking for revenge? That's just the start of how The Street Fighter differs from every other martial arts film. The hero is the most evil son of a b*tch in the whole movie, it's great. He breaks every rule in the hero handbook and you still root for him. Sonny Chiba is the title character and he doesn't take sh*t from anyone. Chiba fights everyone, an entire dojo of martial arts students, trained bodyguards, and hired assassins, he even takes on the Yakuza. The characters are superb, mainly the villains. Junjo, the Boss, and even the big, bald wrestler are all great. I absolutely love the blind swordsman. The violence is eye popping, literally. From teeth spittin' to throat rippin', even x-ray bone breaking (which Romeo Must Die would later steal) and a scene that will make every male cringe. And lets not forget the martial arts. Some of the best fighting ever. Chiba is an extraordinary artist. Chiba would play the Street Fighter three more times but this is him at his best. The sequels aren't as good, but still recommended viewing.

Sonny Chiba was mostly a cult star for years until he appeared in Quentin Tarantino's "Kill Bill" as a sword-maker (I'd never heard of him until then). Of course, fans of martial arts movies knew Chiba for movies like "Gekitotsu! Satsujin Ken" (called "The Streetfighter" in English).

Without a doubt, the 1970s were known for martial arts movies -- along with disco -- and this movie is a prime example. Chiba plays Takuma Tsurugi (called Terry in the English dubbing), a martial arts master who has to come to the rescue of a kidnapped heiress. That's the official plot, but there can be no doubt that the flick's main purpose is to show off every imaginable move, with some scenes slowed up just so that you can see the action. I wouldn't put the movie in the same class as "Enter the Dragon", but even so, it's some of the most fun that you can have watching a movie. I hope that Sonny Chiba gets to appear in more movies!

Playing the most morally ambiguous hero ever, Sonny Chiba is Terry Tsuguri the rough and dirty mercenary called 'The Street Fighter'. His fighting style resembles that of an injured ape with respiratory problems, he can crack peoples skulls with a single smack, and most of all there is no way in hell he wants you to like him. Too Bad his fight scenes are a joke. Every opponent he goes up against looks like Bruce Lee compared to him. This movie is for those that like a good laugh and cheap exploitation flicks. Not for serious kung fu fanatics. I would compare this more to Dolemite than anything you might see otherwise in the genre. Check out the Return of the Street Fighter for better action scenes and less of the BS story.

God, this film is so cool. From the opening scene where Chiba tells his most recent adversary "You'll be unconscious soon through lack of oxygen- its an ancient technique", to the infamous final battle on a stormy night- this is a movie and a half. Classic 70s waow waow music, horribly wonderful dialogue and about 20 rewind moments, this deserves Tarantino's praise. A great time. Return Of The Street Fighter is less sucessful though, so only for the hardcore fans.