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The Streetfighter remains one of the defining films of the Japanese martial arts, "grindhouse", "chop-socky" era from the 1970s. It's one of the titles that made Sonny Chiba famous and features really impressive high-level karate.

But the film isn't light-hearted, nor is it made humorous by its dub (as is the case with the contemporary Shaw Bros. films of the time). It is violent, gritty, misogynistic, and a bit racist. It explores gritty underworld elements: drug trafficking, sex slavery, contract killing, etc.

The plot revolves around Terry, an underground mercenary in modern Japan, who is forced into a life of crime (presumably) for being half-Chinese in a racist, conservative society. He is offered a job to rescue a wealthy oil baron's daughter-heiress after she is kidnapped by Yakuza. The way the events transpire and the plot develops is actually pretty solid for a "B" movie, and here Street Fighter stands far above its sequels or genre contemporaries.

Terry as a character is complex and depressing. He is angry and violent and completely unsympathetic to others, but he is the one we are supposed to connect with. Many people who cross his path are perhaps more upstanding people but are killed either because they are in the way of his contract jobs or because they are not as equally driven by hatred.

Sure, maybe it's a character study or a commentary on Japanese society in post-World War II. But that's only in hind-sight and even if so, it's just icing. The premise of the movie is to create a situation for Sonny Chiba to kill a bunch of violent criminals while on commission. But this is okay, because the acting is good, the martial arts are real good, the music is catchy funk-inspired rock and enka from the '70s, and the plot maintains your attention throughout.

Remember during the height of the martial arts movie boom (roughly 1973-1976) the reputation that chopsocky films had for being replete with misery, violence, gore and degradation of the human spirit? Well, most films in the genre didn't live up to the hype at all. THE STREETFIGHTER, however, set the standard for onscreen insanity, was originally rated X for violence, and has yet to be equalled (well...maybe THE STORY OF RIKI) for sheer, nasty entertainment value.

Sonny Chiba stars as Terry Tsurugi, an utterly amoral b**tard who is absolutely the last guy you would ever want to face in combat. Bruce Lee's characters had the common decency to simply kill you and move on, whereas Tsurugi would make his punishment of an opponent extremely personal, down to the point of tearing off pieces of their bodies. His fighting style is graceless but effective, and a lot easier for any of us who strove to match the grace of Bruce to appreciate. If you want to see ass-whuppin' administered with balletic grace and artistry, do not see this film. If you want to see a guy mercilessly whip truckloads of ass, then this is the movie for you!

In a nutshell: Terry tsurugi is a badass-for-hire who will take on any job if his price is met. Plotline #1 has Terry rescuing convicted karate murderer Junjo from his date with the hangman. When Terry relocates Junjo to Hong Kong so the Japanese police won't find him, Junjo's brother and sister show up and tell Terry that they can't afford to pay him the rest of the money they owe for their brother's escape. Tragedy results that will make Junjo Terry's bitterest enemy and will eventually see them in a final showdown where only one will survive.Plotline #2 sees Terry volunteering to bodyguard the heiress to an oil fortune who is being pressured by the Yakuza. Her uncle happens to be a Karate master who is the only man alive that Tsurugi respects, and by working for him, Terry makes an attempt at redeeming himself as a human being (well, sort of...). Terry tries to stay one step ahead of the Yakuza, and his efforts culminate in a literal bloodbath where he takes on about thirty goons and puts much foot to ass.

The two plotlines overlap wildly and the ass-whuppin' set-pieces are loads of violent fun. Chiba's intense performance is unlike any other character in the history of the genre. Mean, violent and downright reprehensible, THE STREETFIGHTER is a unique milestone in the martial arts movie genre. HIGHEST RECOMMENDATION.

Synopsis: Terry Tsurugi (the great Sonny Chiba) is a martial arts master who uses his abundant talents as a mercenary gun-for-hire. Terry is brought in by the Yakuza to kidnap the daughter and sole heir of a recently deceased uber-rich oil tycoon. But when the mafia can't meet the monetary composition that Terry asks for they attempt to keep their plot secret by offing Terry. What a momentous mistake on their part.

Thoughts: Sonny Chiba's "The Street Fighter" is considered a classic in the martial arts genre. I certainly won't disagree with that since the film is a solid action flick with serious energy. The English dubbing is awful (as always) but does lend itself to the entertainment. The action scenes are shot and staged masterfully and Chiba kicks the baddies from one side of the screen to the next. There are a few tired clichés (the smart-alec sidekick who becomes more of a hindrance than anything) but the overall end result is very entertaining.

Playing the most morally ambiguous hero ever, Sonny Chiba is Terry Tsuguri the rough and dirty mercenary called 'The Street Fighter'. His fighting style resembles that of an injured ape with respiratory problems, he can crack peoples skulls with a single smack, and most of all there is no way in hell he wants you to like him. Too Bad his fight scenes are a joke. Every opponent he goes up against looks like Bruce Lee compared to him. This movie is for those that like a good laugh and cheap exploitation flicks. Not for serious kung fu fanatics. I would compare this more to Dolemite than anything you might see otherwise in the genre. Check out the Return of the Street Fighter for better action scenes and less of the BS story.

God, this film is so cool. From the opening scene where Chiba tells his most recent adversary "You'll be unconscious soon through lack of oxygen- its an ancient technique", to the infamous final battle on a stormy night- this is a movie and a half. Classic 70s waow waow music, horribly wonderful dialogue and about 20 rewind moments, this deserves Tarantino's praise. A great time. Return Of The Street Fighter is less sucessful though, so only for the hardcore fans.