Sixpack Annie

This likably stupid film should only be watched by people who can turn their brains off, and any intellectual analysis of this film is missing the point. Predictably, the two leads are played by busty women, but these two have a certain charm that is usually lacking in films like this. This movie is also full of silly sexual jokes, but somehow, I actually found many of them to be funny. Perhaps this is because this is a good-natured film, and therefore things never get too raunchy. Whatever the reason, this is a solid viewing selection if you're in the mood for some undemanding fun.

Sixpack Annie (1975) is a movie that I recently watched on Amazon Prime. The storyline follows a young lady who wants to save her family business. She decides the best way to do that is to find a sugar daddy, but that task ends up not being as easy as she thought it would be.

This movie is directed by Fred G. Thorne in his directorial debut and stars Lindsay Bloom (The Dukes of Hazzard), Jana Bellan (American Graffiti), Bruce Boxleitner (Tron), Joe Higgins (Burke's Law) and Ray Danton (The Longest Day).

This movie is all over the place, but I loved the soundtrack, era, cars and random circumstances. Annie and Mara in this are smoking and there's a worthwhile skinny-dipping scene in this. The jokes are inconsistent with some being hilarious and some being cheesy and corny. The ending was fun, and this movie did a great job not taking itself too seriously.

Overall, this is a very average movie that is still worth a viewing. I would score this a 5/10 and recommend seeing it once.

Throughout the 70's, we saw the rise and fall of the b-movie subgenre known as the redneck film. With the likes of Smokey and the Bandit, Gator Bait, and Walking Tall all packing in the theaters, Six-Pack Annie stands on its own as perhaps the Marx Brothers equivalent of the redneck film. No, its not as funny or witty as a Marx Bros film, but it is jam packed with mile a minute jokes. Okay, so 99% of the jokes are pretty weak and lowbrow, but what this film has is energy. The pacing is fantastic, and whether or not the jokes are funny, it is so consistent with one one-liner after another, it becomes a charming, little, stupid movie.

Basically the film revolves around poor, dimwitted, but sincere Annie trying to save the family restaurant, by finding herself a `Sugar Daddy' in the `big city', Miami. Its your basic country girl in over her head story as Annie's slow, innocent, bumpkin ways crash into all these city folk sensibilities and highjinks ensue. Features cameos by well-faded vaudeville comedians Stubby Kaye and Doodles Weaver. A good notch above other drive-in redneck cinema, obviously some effort was put into it, and it works as a guilty pleasure lowbrow comedy. Its really too bad the makers didn't seem (according to the imdb) to do anything else, because its a good 70's redneck film.

As a serious moviegoer, you should periodically spend ninety minutes or so with a picture such as this one. You will clear your mind of such considerations as camera angles, lighting effects, directorial nuances, and similar aesthetic clutter. There will be no demands on your analytical abilities or your appreciation of cinematic excellence. You will forget your troubles, lose yourself in the sheer mindlessness of it all, and probably enjoy yourself immensely.

Warning: Don't watch it a second time. You will be left wondering how you not only could have sat through it once, but genuinely liked it.

Then watch it a third time to see which previous impression was correct. I dare you.

Silly throughout, you will never get tired from it. Here you have a all-American girl who works at a diner. Here aunt is behind in her payments, and she meets all kinds of weirdos in Miami, Florida. She meets a man with a Napoleon complex, a conman, and other unsavory characters. But she knows how to have fun in a time of uncertainty. This movie has lots of sex appeal to boot. And it's good for a hot Saturday night.

3 out of 5 stars.