Parasiten-Mörder

SHIVERS (aka THEY CAME FROM WITHIN) is another pretty twisted outing from freak-o Canadian director David Cronenburg. SHIVERS is not nearly as memorable as some of Cronenburg's other works (VIDEODROME, THE FLY or my personal favorite - THE BROOD...) but it is still worth a look for anyone that is into Cronenburg's strange cinema.

SHIVERS is about parasites that enter their human hosts and cause them to do all kinds of strange sexual and violent things. Pretty cool concept that is handled well, and the film is both weird and entertaining as only Cronenburg can do it. Again, not the best of his films by any means, but still solid. Give it a shot - 7.5/10

The first big screen flick for Canadian horror master David Cronenberg was this skin-crawling B horror movie.

Residents of a high rise apartment building are being attacked by parasites that are turning them into crazed zombies with nothing but sexual assault on their minds!

Shivers is an effectively disturbing movie, not unlike most of Cronenberg's later horror classics. It's had a good hand in influencing later creature flicks. The story has a good premise and builds some terrific tension as it escalates to a great claustrophobic climax. What's clever about this movie is that most of the horror is suggested, we don't see the parasites much and their elusiveness just helps to create more tension. The makeup effects are decent for a low budgeter and the cast turn in some adequate performances, horror veteran Barbara Steele is a nice addition to the cast.

Shivers is a entertaining slice of B horror that manages to live up to its title well. A must-see for Cronenberg fans.

*** out of ****

Cronenberg's variation on the Zombie theme was his first full length feature film and for this it is surprisingly good.

From the technical point of view, it is very amateurish. The lighting and camera work are highly reminiscent of home made Super 8, and the sound is bad beyond belief.

Although the mindless creatures attacking anything that moves immediately recall the Zombies, Cronenberg's movie has some original ideas. In fact, watching German television these days, the subject of bored middle class diving into sex orgies (at least in their fantasy) seems more up to date than ever. Unlike Romero's Zombies, Cronenberg's creatures simply embark into endless sexual excesses, including minors. Indeed, one of the most scandalous scene shows two young girls on dog leashes, climbing up a stair and barking - unexcusable image!

The special effects in "Shivers" work very well and are more slimy, organic, and visceral than say Romero's, and give better testimony of the vulnerability of the human body. They set the tone for Cronenberg's use of gore in his subsequent films.

"Shivers" earned Cronenberg immediately the title of the "reigning king of shlock horror" - very appropriate.

'Shivers' was David Cronenberg's first full length movie and it is a horror classic. Cronenberg's best movie for me is 'Videodrome' but as far as pure horror goes ('Videodrome' is extremely difficult to categorize and not "just" horror to me) 'Shivers' ties with 'The Brood' as Cronenberg's most original and effective movie in the genre. Made on a shoe string budget, with a largely unknown cast (apart from horror icon Barbara Steele, and many may remember Lynn Lowry from Romero's 'The Crazies'), with Cronenberg later admitting he was learning how to make movies as he went along, this is a very powerful, disturbing and blackly humorous movie that still packs a punch rarely seen in today's contemporary horror movies. Highly recommended to all horror fans or anyone who appreciates extreme movies of any kind. 'Shivers' is close to thirty years old but is still an amazing and unforgettable experience!

Cronenberg's directorial feature film debut is built around a now-familiar amalgamation of sex, technology, and medicine gone mad. The Canadian "Shivers" (original American release title "They Came From Within", aka "The Parasite Murders") opens with a slide show advertising a creepily perfect-sounding high-rise apartment building isolated on an island but just minutes away from downtown Montreal. We are told that the complex contains practically everything necessary to maintain a comfortable life- medical and dental practices, clothing stores, a gift shop, a deli, recreation, etc. Ideally, it would seem, the only reasons a resident would leave would be to work, socialize with non-residents, or take a vacation, if that wasn't too redundant. But of course, something terrible is just under the polished surface.

Cronenberg's direction is obviously not as polished as in later features, but we begin to see his signature style translated well into a full-length format.