Sieben allein

This was not a Hollywood blockbuster but that's o.k. It was a film based on the lives of a group of people who travel from the Midwest to the west coast and endure the hardships that went along with that time in 1842/43. The focus is on the Sager family and their children who are forced to survive on their own after their parents perish on the journey. I would not have watched this without my 7-year-old daughter but because it is based on a true story it held my interest. There weren't any Oscar-winning performances, or even anything that would be that captivating as far as acting skill goes, but if you can overlook that then you'll enjoy the film for what it is. There are no special effects like there are today, but it is a simple movie and doesn't require any. The simplicity is probably a blessing - one of the good things about this is that it is free of any grandiose love scenes. Instead, it is a look at what it might have been like to travel across the country at a pace that is slightly faster than a walk through rain or shine with little shelter, and dealing with things like dysentery and attacks by Indians. This doesn't give a very politically correct view of the native American Indian. But then again, Indians and white men had not even begun to learn to live together in 1843. This movie depicts violent behavior and dialogue that is very condescending toward Indians but I'm sure back in those days the actual dialogue and behavior was just as bad, and probably much worse. Parents should watch this movie with their children so they can teach their children that what they see is inappropriate in our society today.

One thing my daughter noticed was that these people didn't have the kind of recreational outlets that we have today and she asked a lot of questions. So while this is not a mega-movie chock full of stars and oozing with complicated effects, it is a simple and entertaining story of a real family's struggle to stay together. It can also be viewed as a teaching tool.

Based on a true story (but with certain elements altered to enhance the tribulations and drama), this family-geared film details the ordeal of seven children who must fend for themselves on the way to Oregon when their parents die. Martin and Collings are a farming couple with six children (and another one soon on the way) who decide to head west to the Oregon territory where rich, spacious land awaits anyone who's willing to make the tumultuous trek there. Their oldest son (Petersen) is continuously in one sort of trouble or another from mischievousness to laziness to stupidity. Naturally, it falls to him to care for his siblings when his parents pass away in quick succession. He is determined to reach Oregon and build the home his father always wanted (containing the stained glass windows his mother treasured.) The kids face all varieties of danger from raging rivers to untrustworthy Indians to exposure from wind and snow. A story like this certainly has potential and it gets off to a decent enough start (mostly thanks to the more seasoned acting of Martin and Collings.) Eventually, though, the film turns trite, dull and ridiculous as these tiny kids conquer the old west while adults drop like flies around them (this is NOT how it happened in real life.) Some of the good things about the film include a relatively tense Indian skirmish, an okay musical score and authentic locations. Bad qualities include horribly amateurish acting from the children (most of whom are related in real life), a low budget, awkward direction and an occasionally absurd script. Martin, a bit more weathered than in his heyday, but still attractive, does a decent job as the dad. Oddly, he looks healthiest and most robust when he's about to konk out and die! (His death scene is really bad. It's a shame he didn't check out Shelley Winters in "The Poseidon Adventure" for pointers.) Collings gives a far more solid and assured performance than her scant resume would suggest. She gives the film its small amount of warmth and class. Ray, in a very blustery performance, runs hot and cold as the wagon train's resident doctor. Actor/Stuntman Smith pops up (preposterously) through the film as Kit Carson. The only other performer of note is the reliable character actor Griffith as the children's uncle. There's just enough of a seed of a good idea to demonstrate that this could have been a great movie, but it isn't. It's just OK. Pat Boone sings a treacly song over the credits and has discernible trouble getting to the various notes of the melody.

This film was actually based on a true story of a families adventure on the Oregon trail. It was told to the writer by one of the actual daughters in the turn of the century. It is clearly not politically correct. (Nor was the frontier in 1843.) The family was actually following a structure based on the Bible. The Natives were called Indians and were not happy to see their land being taken, or their game shot. So they fought back, killed and stole what they could. The white settlers were clearly ignorant and it shows. (wow, what a surprise!) That said, my children were clearly entertained (as they were with "Against a crooked sky") A capable cast, most of the children were relatives in real life. No real standouts but fun. The ending was a bit abrupt, I was left wondering, is that it? Filmed on location so it has some nice cinematography.

Afte the explosion of sex and violence in movies, even more the twisted amorality of in the late 60's, there was a predictable backlash. By the early 70's, Hollywood had found a market for "nice" stories such as The Waltons and Little House on the Prairie, not to mention a bunch of other knock-offs that failed. This family-oriented counter-revolution extended to film, with Disney putting out lots of cheap, dumb-but-funny Kurt Russell movies and cheaper American International-like studios doing Grizzly-Frontier-Adams-Fremont in the Rockies productions. Some sucked pond water and some were even worse. Maybe the worst I've ever seen is Seven Alone, a story of a flock of 1840's era kiddies fighting their way along the Oregon Trail after their folks die (a blessing if human worth is based on acting ability).

I grabbed this flick off the shelf at the local library, figuring it would be digestible cheese for my family to watch. Sure enough, my wife is enjoying it and my 9-year-old is loving it. Because I'm a pain-in-the-keister critic, I'm bleeding profusely from biting my tongue in order not to turn family movie night into Mystery Science Theatre 3000 with me playing all three parts of the audience. I try to be a good dad.

This is so awful. I feel sorry for Dewey Martin and Aldo Ray, two accomplished and successful actors from the 40's through 60's. They must have been so very desperate for parts that they took the offer to do this hopelessly underfunded, underacted, and badly produced mess.

And yet . . .

There is some small bit of accuracy in this gunk. While another reviewer on this site had a small scale hissy over the movie being politically incorrect in its treatment of American Indians, I remind you that when a principal character refers to the natives as "dirty redskins," that's the least of the insults that were hurled at Indians by Caucasian settlers. They were hated and feared, and to our ancestors, the natives were a pestilence. Doesn't make it right or wrong, just accurate.

My recommendation would be to skip this dull nonsense (even if the book it was based on was a good work of history) and stick with the tasty cheese put out by the Disney dairy. The most you'll get is gas. Seven Alone gave me a splitting headache.

A pioneer family heads out west. All of them are likable enough except for the oldest boy, John Sager, whom, if I were working on this family's farm, he would be found hanging from the nearest tree by nightfall.

A perennial bully, John Sager isn't worth the stink of the farts he pushes out. His lazy, lying, loathsome presence wouldn't make good fertilizer, but the parents (Dewey Martin and Anne Collings) haven't quite given up on the little sonuvabitch yet.

Other poor souls who must contend with John's evil and hateful self are Billy Shaw (James Griffiths) and Kit Carson (Dean Smith). Most of the children in the film are real-life siblings, but the best actress of these is the non-related little girl, Debbie Van Orden.

Passable family fare. Good performances by Martin, Collings, and Smith.