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Rollerball

  • 1975
  • 18
  • 2 Std. 5 Min.
IMDb-BEWERTUNG
6,5/10
31.092
IHRE BEWERTUNG
Rollerball (1975)
In a corporate-controlled future, an ultra-violent sport known as Rollerball represents the world, and one of its powerful athletes is out to defy those who want him out of the game.
trailer wiedergeben3:05
2 Videos
99+ Fotos
Dystopische Science-FictionAktionScience-FictionSport

Nationen der Welt existieren nicht mehr und Individualismus und Selbstbestimmtheit zeichnen sich nicht mehr als Eigenschaften des Menschen aus. Stattdessen gibt es globale Konzerne die jewei... Alles lesenNationen der Welt existieren nicht mehr und Individualismus und Selbstbestimmtheit zeichnen sich nicht mehr als Eigenschaften des Menschen aus. Stattdessen gibt es globale Konzerne die jeweils ein wichtiges Lebensgut zur Verfügung stellen.Nationen der Welt existieren nicht mehr und Individualismus und Selbstbestimmtheit zeichnen sich nicht mehr als Eigenschaften des Menschen aus. Stattdessen gibt es globale Konzerne die jeweils ein wichtiges Lebensgut zur Verfügung stellen.

  • Regie
    • Norman Jewison
  • Drehbuch
    • William Harrison
  • Hauptbesetzung
    • James Caan
    • John Houseman
    • Maud Adams
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    31.092
    IHRE BEWERTUNG
    • Regie
      • Norman Jewison
    • Drehbuch
      • William Harrison
    • Hauptbesetzung
      • James Caan
      • John Houseman
      • Maud Adams
    • 238Benutzerrezensionen
    • 135Kritische Rezensionen
    • 56Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 BAFTA Award gewonnen
      • 4 Gewinne & 5 Nominierungen insgesamt

    Videos2

    Official Trailer
    Trailer 3:05
    Official Trailer
    Blu-ray Trailer
    Trailer 2:18
    Blu-ray Trailer
    Blu-ray Trailer
    Trailer 2:18
    Blu-ray Trailer

    Fotos310

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    Topbesetzung49

    Ändern
    James Caan
    James Caan
    • Jonathan E.
    John Houseman
    John Houseman
    • Bartholomew
    Maud Adams
    Maud Adams
    • Ella
    John Beck
    John Beck
    • Moonpie
    Moses Gunn
    Moses Gunn
    • Cletus
    Pamela Hensley
    Pamela Hensley
    • Mackie
    Barbara Trentham
    Barbara Trentham
    • Daphne
    John Normington
    John Normington
    • Executive
    Shane Rimmer
    Shane Rimmer
    • Rusty, Team Executive
    Burt Kwouk
    Burt Kwouk
    • Japanese Doctor
    Nancy Bleier
    Nancy Bleier
    • Girl in Library
    Richard LeParmentier
    Richard LeParmentier
    • Bartholomew's Aide
    • (as Rick Le Parmentier)
    Robert Ito
    Robert Ito
    • Strategy Coach for Houston Team
    Ralph Richardson
    Ralph Richardson
    • Librarian
    Craig R. Baxley
    Craig R. Baxley
    • Madrid Biker #1
    • (Nicht genannt)
    Jimmy Berg
    • Houston Team Rookie
    • (Nicht genannt)
    Steve Boyum
    Steve Boyum
    • Biker
    • (Nicht genannt)
    Miquel Brown
      • Regie
        • Norman Jewison
      • Drehbuch
        • William Harrison
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen238

      6,531K
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      Empfohlene Bewertungen

      7mmaggi

      Corporations as all-time villans

      I think that the fight between good & evil is the basic idea of ALL action movies. Just one man/woman or a bunch (the good ones) facing the big evil power. Then ¿who can symbolize that power?. The Corporations. From 1984 (and olders) to Public Enemy (i.e.) going thru thousands of movies, Corporations means the enemy to defeat. Check it out: Banks, Chemical, Oil and Weapon industries, Genetic labs. Even Vatican and some bizarre brotherhoods ("We'll rule the world" style). A real zoo of vicious and twisted organizations that, every time, will try to manipulate, implicate or kill our heroes.

      But, what am I trying to say?. Rollerball, folks, is one of the most perfect examples of the good/evil infinite fight. One man alone, discovering the truth behind is comfortable life, losing is goods and privileges, gets himself in a life-or-dead final battle against the real enemy: the Corporation (¿who else?). The image of James Caan skating alone into the game arena with the crowd claiming his name louder and louder is simply unforgettable. GREAT movie.

      And remember: Take care, there are many powerful Corporations around you.
      mrosen-1

      This is an excellent, unique movie.

      This movie uses the characters of those involved in the game to question the wisdom of a supposedly perfect society where corporations rule. The corporations use the game as an opiate for the masses and to show the futility of individual effort, but the force of will of the main character shows how wrong that is. The effects and the game were remarkably well done for the time, and the characterizations are very good. Highly recommended.
      grendelkhan

      Action-packed and insightful.

      Rollerball is another of those great 70's cult sci-fi films. It features a great cast of actors and a smart script. It was notorious at the time for its violence, although that was greatly exaggerated in comparison to some professional sports and entertainment. It features a futuristic reimagining of the Roman Empire, with gladiatorial games to distract the populace from their bleak existence. It also predates cyberpunk literature, with ts depiction of a world controlled by powerful conglomerates, a world not too different from the present one.

      James Caan is fantastic as Johnathan E, the Michael Jordan of Rollerball. He continues to succeed in a sport designed to show the futility of individual effort. The sport is constantly changed to stop him, yet he continues to overcome every obstacle.

      John Housman is electrifying as the head of the Energy Corporation, owners of the Houston Team. He has conspired with his peers to keep the masses down and use this sport to both distract them and show them that the individual can't succeed. He grows more desperate as Johnathan E defeats his schemes. He tries every trick without success.

      The supporting cast is filled with great actors, like Moses Gunn, John Beck, Sir Ralph Richardson (not John Gielgud, as one reviewer stated), Maude Adams, and Shane Rimmer.

      The film demonstrates that the individual can triumph over insurmountable odds and cautions against corporate control of society. It uses both allegory and speculation beautifully, and packages it with thrilling action. The remake was destined for failure because it couldn't see beyond the action. The action was only window dressing for the greater themes. If only more recent sci-fi films were this thought-provoking, or other films for that matter.
      JeffG.

      Underrated 70's film

      This movie presents a dark, disturbing look at a possible future. The movie portrays a cold, sterile society where humanity is generally absent. Corporations run the world and the global pasttime is a violent sport reminisent of the Roman Coliseum. The rollerball scenes, which get more and more violent as the film progresses, are disturbing enough. Equally disturbing is a scene where a group of drunk partygoers blow up trees with some sort of gun. The citizens of this future society are really lacking feeling and humanity. Despite the film's dated look, it's still a future that seems quite possible.
      8Dan1863Sickles

      An Action Classic With Brains!

      I first saw this movie on HBO at the age of 14 and I sensed immediately that it was a classic, a combination of action, sports, sex, and social commentary. All the years of viewing other films have only made me more and more appreciative of this movie's many strengths.

      On one level, I believe this is the best sports movie ever made. It is miles ahead of more "realistic" films like NORTH DALLAS FORTY or SEMI TOUGH or even critical favorites like COBB and EIGHT MEN OUT. The very fact that Rollerball is a make believe sport adds believability to the action sequences. Watch a baseball film and you can see at a glance that Robert Redford or Kevin Costner are not real athletes. But since rollerball has never been played, James Caan as Jonathan E really looks like the best in the game. There are no "clichés" like home runs or long passes to spoil the danger and excitement -- every crash and goal is new, never having been seen before. And there are no clichés about the fans, the athletes, or "win one for the Gipper" or gamblers or shady ladies trying to make Our Hero throw the game. From the beginning we sense the stakes are higher -- Jonathan E will either conform or die.

      That brings up the fact that ROLLERBALL also shares a central theme with a lot of other powerful movies, like FROM HERE TO ETERNITY, COOL HAND Luke, and even A MAN FOR ALL SEASONS. What happens when a uniquely gifted individual refuses to participate in a corrupt system? This movie is so powerful as a drama you hardly notice the sci fi trappings. The rugged action scenes are so real you hardly notice that rollerball is a make believe game.

      James Caan as Jonathan E turns in a sensitive, nuanced performance, deliberately underplaying the tough guy side as much as possible. Michael Beck as Moonpie is the foolishly overconfident one, playing Frank Sinatra's Maggio to Caan's Robert E. Lee Pruitt. But unlike the hard luck privates in this man's army, these rollerball stars get to have glamor, luxury, and unlimited sex between vicious games of rollerball. The movie captures so much sensuality and glamor that you can see why men risk death game after game to be known as "great rollerballers who bash in faces." This movie is spectacular -- an action classic with brains!

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      Handlung

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      Wusstest du schon

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      • Wissenswertes
        Many of the extras in the film received an additional wage in order to cut their fashionably long hair so the look of the film would not be tied to the era in which it was made.
      • Patzer
        At the beginning of the New York game, after many moments in the film where different characters have repeated that there would have been "no time limit", the scoreboard shows the countdown (starting from 20.00).

        This is not actually a goof, as the game was still going to have 20-minute periods, but there was going to be no limit to the number of periods, hence "no time limit".
      • Zitate

        Bartholomew: Sweet dreams, Moonpie. That's a bad habit you've got there. You know what that habit will make you dream, Moonpie? You'll dream you're an executive. You'll have your hands on all the controls, and you will wear a gray suit, and you will make decisions. But you know what, Moonpie? You know what those executives dream about out there behind their desks? They dream they're great Rollerballers. They dream they're Jonathan; they have muscles, they bash in faces.

      • Verbindungen
        Featured in Brubaker (1980)
      • Soundtracks
        Toccata and Fugue in D minor, BWV 565
        (uncredited)

        Composed by Johann Sebastian Bach

        Performed by Simon Preston and the London Symphony Orchestra

        Conducted by André Previn

      Top-Auswahl

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      FAQ

      • How long is Rollerball?
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      • Why was Jonathan E being forced to retire?

      Details

      Ändern
      • Erscheinungsdatum
        • 5. September 1975 (Westdeutschland)
      • Herkunftsländer
        • Vereinigtes Königreich
        • Kanada
        • Vereinigte Staaten
      • Sprache
        • Englisch
      • Auch bekannt als
        • Rollerball: los gladiadores del futuro
      • Drehorte
        • BMW Building, München, Bayern, Deutschland(Energy Corporation headquarters)
      • Produktionsfirmen
        • Algonquin
        • United Artists
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      Box Office

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      • Budget
        • 6.000.000 $ (geschätzt)
      Weitere Informationen zur Box Office finden Sie auf IMDbPro.

      Technische Daten

      Ändern
      • Laufzeit
        2 Stunden 5 Minuten
      • Farbe
        • Color
      • Sound-Mix
        • Dolby Digital
      • Seitenverhältnis
        • 1.75 : 1

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