Nationen der Welt existieren nicht mehr und Individualismus und Selbstbestimmtheit zeichnen sich nicht mehr als Eigenschaften des Menschen aus. Stattdessen gibt es globale Konzerne die jewei... Alles lesenNationen der Welt existieren nicht mehr und Individualismus und Selbstbestimmtheit zeichnen sich nicht mehr als Eigenschaften des Menschen aus. Stattdessen gibt es globale Konzerne die jeweils ein wichtiges Lebensgut zur Verfügung stellen.Nationen der Welt existieren nicht mehr und Individualismus und Selbstbestimmtheit zeichnen sich nicht mehr als Eigenschaften des Menschen aus. Stattdessen gibt es globale Konzerne die jeweils ein wichtiges Lebensgut zur Verfügung stellen.
- 1 BAFTA Award gewonnen
- 4 Gewinne & 5 Nominierungen insgesamt
- Bartholomew's Aide
- (as Rick Le Parmentier)
- Madrid Biker #1
- (Nicht genannt)
- Houston Team Rookie
- (Nicht genannt)
- Biker
- (Nicht genannt)
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But, what am I trying to say?. Rollerball, folks, is one of the most perfect examples of the good/evil infinite fight. One man alone, discovering the truth behind is comfortable life, losing is goods and privileges, gets himself in a life-or-dead final battle against the real enemy: the Corporation (¿who else?). The image of James Caan skating alone into the game arena with the crowd claiming his name louder and louder is simply unforgettable. GREAT movie.
And remember: Take care, there are many powerful Corporations around you.
James Caan is fantastic as Johnathan E, the Michael Jordan of Rollerball. He continues to succeed in a sport designed to show the futility of individual effort. The sport is constantly changed to stop him, yet he continues to overcome every obstacle.
John Housman is electrifying as the head of the Energy Corporation, owners of the Houston Team. He has conspired with his peers to keep the masses down and use this sport to both distract them and show them that the individual can't succeed. He grows more desperate as Johnathan E defeats his schemes. He tries every trick without success.
The supporting cast is filled with great actors, like Moses Gunn, John Beck, Sir Ralph Richardson (not John Gielgud, as one reviewer stated), Maude Adams, and Shane Rimmer.
The film demonstrates that the individual can triumph over insurmountable odds and cautions against corporate control of society. It uses both allegory and speculation beautifully, and packages it with thrilling action. The remake was destined for failure because it couldn't see beyond the action. The action was only window dressing for the greater themes. If only more recent sci-fi films were this thought-provoking, or other films for that matter.
On one level, I believe this is the best sports movie ever made. It is miles ahead of more "realistic" films like NORTH DALLAS FORTY or SEMI TOUGH or even critical favorites like COBB and EIGHT MEN OUT. The very fact that Rollerball is a make believe sport adds believability to the action sequences. Watch a baseball film and you can see at a glance that Robert Redford or Kevin Costner are not real athletes. But since rollerball has never been played, James Caan as Jonathan E really looks like the best in the game. There are no "clichés" like home runs or long passes to spoil the danger and excitement -- every crash and goal is new, never having been seen before. And there are no clichés about the fans, the athletes, or "win one for the Gipper" or gamblers or shady ladies trying to make Our Hero throw the game. From the beginning we sense the stakes are higher -- Jonathan E will either conform or die.
That brings up the fact that ROLLERBALL also shares a central theme with a lot of other powerful movies, like FROM HERE TO ETERNITY, COOL HAND Luke, and even A MAN FOR ALL SEASONS. What happens when a uniquely gifted individual refuses to participate in a corrupt system? This movie is so powerful as a drama you hardly notice the sci fi trappings. The rugged action scenes are so real you hardly notice that rollerball is a make believe game.
James Caan as Jonathan E turns in a sensitive, nuanced performance, deliberately underplaying the tough guy side as much as possible. Michael Beck as Moonpie is the foolishly overconfident one, playing Frank Sinatra's Maggio to Caan's Robert E. Lee Pruitt. But unlike the hard luck privates in this man's army, these rollerball stars get to have glamor, luxury, and unlimited sex between vicious games of rollerball. The movie captures so much sensuality and glamor that you can see why men risk death game after game to be known as "great rollerballers who bash in faces." This movie is spectacular -- an action classic with brains!
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- WissenswertesMany of the extras in the film received an additional wage in order to cut their fashionably long hair so the look of the film would not be tied to the era in which it was made.
- PatzerAt the beginning of the New York game, after many moments in the film where different characters have repeated that there would have been "no time limit", the scoreboard shows the countdown (starting from 20.00).
This is not actually a goof, as the game was still going to have 20-minute periods, but there was going to be no limit to the number of periods, hence "no time limit".
- Zitate
Bartholomew: Sweet dreams, Moonpie. That's a bad habit you've got there. You know what that habit will make you dream, Moonpie? You'll dream you're an executive. You'll have your hands on all the controls, and you will wear a gray suit, and you will make decisions. But you know what, Moonpie? You know what those executives dream about out there behind their desks? They dream they're great Rollerballers. They dream they're Jonathan; they have muscles, they bash in faces.
- VerbindungenFeatured in Brubaker (1980)
- SoundtracksToccata and Fugue in D minor, BWV 565
(uncredited)
Composed by Johann Sebastian Bach
Performed by Simon Preston and the London Symphony Orchestra
Conducted by André Previn
Top-Auswahl
- How long is Rollerball?Powered by Alexa
- what were the little tablets being taken by some?
- What is "Rollerball"?
- Why was Jonathan E being forced to retire?
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Rollerball: los gladiadores del futuro
- Drehorte
- BMW Building, München, Bayern, Deutschland(Energy Corporation headquarters)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.75 : 1