Königspoker

Who else but that hate-to-love Malcolm McDowell could possibly do justice to one of literature's great scoundrels, Harry Flashman? In this George MacDonald Fraser spin-off of Thomas Hughes' classic Tom Brown's School Days, we are treated to some hilarious apocryphal tales involving such larger-than-life nineteenth-century figures as Otto von Bismarck and Lola Montez.

This ripely visual Richard Lester production is sometimes a bit over the top, with gratuitous slapstick and audible guffaws and grunts. Nevertheless, on balance, a delightful romp, and a chance to see the wonderful Alastair Sim in one of his final appearances.

If you haven't read any of the Flashman series, go out and find one. Rollicking good read, with the protagonist being an absolutely selfish, cowardly, mean-spirited ass of a man who nonetheless finds himself considered a dashing hero by the public at large. Fraser does a good job of converting his book to the screen (writing Three Musketeers was probably good practice), re-teaming with Richard Lester. MacDowall is good as ol' Flashy, glossing over the fact that Harry is supposed to a large, strapping Brit, and not a skinny little guy like Malcolm. :)

Enjoyable on its own merit, but I'd say read one of the other Flashy books and then see this.

As a fan of George MacDonald Fraser's Flashman series I have seen this film many times and it's a treat to finally own a widescreen transfer on DVD. Royal Flash is the 1975 film based on the second "Flashman" novel of the same name. It stars Malcolm McDowell as Captain Harry Flashman, Oliver Reed as future German Chancellor Otto von Bismarck, Alan Bates as Rudi von Sternberg, Britt Ekland as the chilly Princess Irma, and Florinda Bolkan plays the actress/mistress of mad Bavarian King Ludwig. Lola Montez. It also features the best Scrooge ever, Alastair Sim, and a pre-"Roger Rabbit" Bob Hoskins in minor but memorable parts. Fraser wrote the screenplay and the film was directed by Richard Lester. It is very similar in style to their collaboration on The Three/Four Musketeers films of 1973/1974, which also featured great locales, swordfighting galore and an ideal cast. OK, first, the BAD news: although I saw a 1975 preview screening in Ottawa I have never seen the original longer version, which apparently was released and trimmed to 102 minutes shortly after. Sadly, this footage, which apparently featured Lester regular actor Roy Kinnear in some scenes, does NOT appear on the DVD. There are some special features, including the theatrical trailer and a couple of mini-documentaries made around 2004. Another quibble some Flashy purists have expressed is that McDowell is not "stout" enough to play Harry. I think the natural devilment in Malcolm's performance more than makes up for his stature, and they even try to make him broad-chested in the film. I'm a Flashy purist too, and I prefer the tall lancer figure portrayed by Barbosa on the original book covers to the rather fat portraits on the current book covers. Finally, some have objected to the "slapstick" nature of the film, and perhaps these readers are more interested in Flashy's military campaigns than his rollicking amorous adventures. How much you like Lester's use of muttered quips and style of shooting will perhaps guide you: if you like "A Hard Day's Night", "Help!" or the Musketeers films you should enjoy this one. If you're looking for Kubrick, move along. Here's the GOOD news: the widescreen transfer is fine, the outdoor location shots still gorgeous and the movie is great fun. It is still a puzzle to me why such a fine film stiffed at the box office and was hard to find on TV or video for so many years. But you don't even have to be a fan of the books to enjoy this movie, or know the fascinating actual histories of Bismarck or Lola Montes to enjoy the larger-than-life characters. P.S. any resemblance to the classic "Prisoner of Zenda" is entirely deliberate. Eight out of ten stars, only because I hope the "lost" footage has survived and may be available in a (Blu-Ray, please!) version soon.

First and foremost- This movie is enormous fun.

If you're a fan of the books (as I am - and if you're not then I heartily recommend them) then this film admirably captures the sense of fun and adventure that the books have. It has a lot of slap stick in it which doesn't necessarily translate well from the books, but it does capture a sense of (for lack of a better term) light-hearted love of fun that is pure seventies and just would not and could not be replicated now. Cinema just isn't in the right frame of mind for this anymore. It's either too serious or too dumb but it couldn't achieve this in it's wildest dreams in these morose joyless days.

Malcolm McDowell is young and at the top of his game as his charismatic persona in "A Clockwork Orange". Olly Reed is pure, toe cringing (but love-him-really) badness as Otto Von Bismark. There's so much comedy but there are also scenes where your swashes will never be so buckled! Don't expect a Citizen Kane or anything even remotely close, just sit back and enjoy a classic "Saturday afternoon" romp (and never has a word been so well used) through a classic Flashman story- great baddies, exotic foreign locales and wenches ripe for Flash's advances! Enormous fun if you approach it in the right frame of mind- it will leave you shouting HUZZAR!

Director Lester's rollicking comedic follow-up to his two Musketeers movies, this is not quite up there, but still doesn't explain why this is almost an unknown film or worse, an almost lost film. McDowell captures much of the spirit of the notorious, lecherous Capt.Flashman of the books (by G.MacDonald Fraser), a devout coward when pressed, but possessed of so much British insolence and bluff, he gets by quite well. The film lacks much of any other interesting, truly humorous characters, but Oliver Reed is a hoot as the humorless Otto von Bismarck, planning to begin a new Reich in Europe, with Flashman as one of his pawns (this is the mid 19th century, by the way). He and Flashman begin a contentious relationship near the beginning, with Flashman usually taunting him and Otto swearing a retribution. Those are some of the best scenes, including Otto's boxing challenge with real-life boxer Cooper.

Alan Bates, on the other hand, never quite warms to the part as the suave adventurer Rudi, a more polished version of Flashman, always dressed in white and quite dashing. He pops up almost a half hour into the film and maybe is too suave; his scenes lack a certain something, such as the droll atmosphere pervading everything else. Overall, it's an impressive cast, including well-known Brits Tom Bell and Lionel Jeffries hamming it up as Otto's henchmen. But, like Bates, they're not given a chance to really shine, usually relegated to an odd mixture of slapstick and serious threats against Flashman's life. A thinner than we're used to seeing Bob Hoskins shows up briefly near the beginning as a copper. Britt Ekland, as a duchess, also seems to make only a token appearance. McDowell however, even gets a chance to play a second role, that of Flashman's double, a more noble prince. The first half of this picture is really promising, delivering period entertainment; it doesn't quite live up to its promise later, but it's still a royal good time. It's a shame this film is best available only as a DVD-R, if one can find it. Update: new DVD arrived in April, 2007!