Wie man sein Leben lebt

As someone who has recently entered early middle age there has been no doubt in my mind who has been the most consistent actor in my lifetime - John Hurt . He's not an actor who'd probably qualify as "Film Star" but has appeared in film , theatre and television and had always given a great performance where he steals every scene . When an actor dies I'm not the sort of person who seeks out the departed's resume by in the case of Hurt I have made an exception and watched his breakthrough role in THE NAKED CIVIL SERVANT as way of tribute

This is based on Quentin Crisp's autobiography . Now no matter your opinion of Crisp or homosexuality the ethos of the narrative is how a cruel , conformist society treats the outsider . As someone who was born in to an Edinburgh housing estate I grew up on a small Scottish Island . An urban lower working class prole growing up in a class conscious crushing environment . Society scorns "You're not one of us" and you're supposed to put up with that until your autopsy . Anyone who considers themselves to be an outsider can either sit there and take it or stick two fingers up at the world and declare "I am who I am" . It says a lot about Hurt that he elicits so much empathy or even sympathy from the audience

It should be remembered that THE NAKED CIVIL SERVANT was produced in 1975 . In those days THE BLACK AND WHY MINSTREL SHOW and LOVE THY NEIGHBOUR were massive television hits so homosexuality was treated as a subject of insensitive humour in much the same way as race relations were . In other words the homosexuality portrayed in 70s television is one of grotesque black comedy and one can see an Islington dinner party in 2017 being outraged by the portrayal of homosexuality seen here . There is nothing to be offended about and the only possible sin seen here is one of self parody , but it's done with such a sense of tongue in cheek fun it's impossible not to be carried along by it . This is mainly down to the lead actor , an actor whose greatest tour de force as an outsider would be in THE ELEPHANT MAN in 1980 and a role that was predated five years earlier by the one seen here . .

RIP John Hurt and thanks for all the great performances down the decades

This was broadcast on American TV (with absolutely no fanfare) on one summer night in the late 1970s. I was just idly switching channels and started watching by accident. It's a movie about Quentin Crisp--a gay man who came out in the 1920s. He introduces the film and then it starts--done in documentary style it traces his life. The first image is of him as a young boy dressed in woman's clothes admiring himself in the mirror. I've never had a desire to wear women's clothes, but being a closeted high school kid when I saw this it had QUITE an effect on me.

The film follows his life, how he found others like him and his fame and fortune. It doesn't sugarcoat things--he comes across as vain and pompous sometimes and he is very brutally threatened in one scene. Still it shows how he survived and lived life on his terms. It was liberating--for me at least. Remember--this was the era when "Boys in the Band" was considered an accurate representation of gay life!

This was WAY ahead of its time--for TV. I'm shocked that it was even SHOWN on American TV (albeit VERY quietly--and late at night). John Hurt is superb in the title role--he sounds, looks and acts like Crisp did! An excellent TV movie--still relevant today and beautifully done. A 10 all the way.

"Do you intend to spend your entire life admiring yourself?" "If I possibly can." Oh Quentin, you came and you gave without taking. Unless he was taking the michael, which he did, you know, from time to time, in the most wonderfully poised and self-effacing manner. It's not hard to see why this was voted number 4 in the BFI's TV 100 poll: in two words, John Hurt - giving the Bafta-winning performance of his career as the "stately homo of England", enduring the catcalls, pratfalls and furtive dalliances which were the staples of gay life during the pre-and-and-post War years - virtually another planet compared with today's (allegedly) more tolerant society. The legal alien is terribly missed.

In 1976, at 24 I thought I knew enough about gay men, but I was not aware of flamboyant male homosexuality. It can be difficult to watch the beginning of the film if you're like I was and never saw such behavior, but if you stay with it, it pays off big in very touching ways--and not only with regard to homosexuality but to living life in general. This film teaches you about yourself as good art always does. Note: Quentin Crisp (the main character) plays the part of Queen Elizabeth I in a film called "Orlando." And another movie that might be good to introduce someone to male homosexuality is "The Sum of Us" with Russell Crowe, though that film is more lighthearted and sweet than "The Naked Civil Servant."

The pejorative insult to someone a bit gay at school in my day was calling them Quentin. I suppose that was a sign that Quentin Crisp had made it big into the national consciousness.

I actually have vague memories of watching some of The Naked Civil Servant when it was first broadcast. I was far too young to understand what it was all about.

There was so much ballyhoo about the show. That my parents must have switched it on to watch and were presumably appalled at what was being broadcast.

Quentin Crisp himself appears in the introduction and the end to this television movie made for ITV. It features a tour de force performance from John Hurt as Quentin Crisp. It is a brave bravura acting performance, totally unflinching. If the film was released for the cinema he would had got an Oscar nomination.

It is the story of Quentin Crisp from his time as an effeminate young man in the 1930s right until he enters middle age after World War 2. A flamboyant gay man who had to frequent the underground gay scene in London. On his tail were queer bashers and the police.

Quentin Crisp was open about the beatings he regularly received and the harassment he got from the police.

There is something Oscar Wilde about Crisp, his open pomp and glitz. The film has despite its serious undercurrents a lot of humour and cheekiness.

Almost life affirming, a man who knows he is different and will not shy away from his real self. Despite the criticisms and the violence he encountered.

Directed by Jack Gold it was moves along at a quick pace with plenty of quirky characters that Crisp encounters in his life. There is an element of fantasy about the production as well as brutal realism. Crisp recalls a happy moment on his life when he meets a group of sailors in Portsmouth. It is done in dazzling manner in a sound stage.