Was nützt dem toten Hund ein Beefsteak?

Dean Martin's final lead role has somehow managed to slip under the radar of his fans and 70s crime thriller aficionados. Watching this, I expected to find some critical flaw that accounts for it, but found none. Maybe playing against genre expectations hurt the reception. To me that is not a flaw.

Like others have said, this is a very 70s movie. This time the renegade is not a cop but a defense lawyer. Cop is not the law, he's there to enforce it, is the running theme. There are delightful gags involving Ricco's dog that could be from Columbo, and Dino makes fun of his own golf playing. Cindy Williams plays a spunky aid that Ricco tries to help find a man. Philip Michael Thomas of Miami Vice fame has a memorable early performance.

Inspite of the mellow insider group, pay attention to the case. The action is on the streets. Not much happens inside a courtroom. You may think you are about to see an open and shut case, but there are twists and turns. There are clues as well. To avoid spoilers, avoid Robert Ebert's review that misses the point.

Low key Dean Martin has to overcome toilet bowl humor, overacting character actors, and a dismal script. A lot of stereotyping makes this film stupid and unrealistic. However, if you like Dino and you are stuck inside due to the Covid 19 Pandemic, then this mess is entertaining enough to take up two hours.

San Francisco defense attorney Joe Ricco (Dean Martin) gets his black militant client Frankie Steele (Thalmus Rasulala) free from murder charge and then Steele murders two cops. Ricco's friend's young son is the witness identifying Steele. Jamison (Cindy Williams) is his faithful assistant. His friend George Cronyn (Eugene Roche) is the police detective in charge of the case. During a raid of Steele's group, the Black Serpents, an unarmed Calvin Mapes is killed by a cop and his brother Purvis Mapes (Philip Michael Thomas) is framed with a planted drop-gun.

Who is Joe Ricco? That's the main question left hanging. Dean Martin is basically out of his elements. He's not doing much with the character and it's not asking much from him. He's in a perpetual hangover but he's never shown drunk. It reminds me of The Verdict with aging actors doing flawed aging lawyers. The comparison is not in Martin's favor. He's old and tired which fits the character but it's not terribly compelling. This has the slower 70's pacing without the action to jack up the intensity and the acting to create more depth. It's on the border and I put it slightly below grade.

I always enjoy watching '70's movies, even when it are bad ones. '70's movies always have a certain atmosphere and are made with a great style of movie-making, that is realistic, gritty and straightforward and also always makes uses of some experimental, non-formulaic techniques when it comes down to its storytelling and cinematography, among other things. "Mr. Ricco" might not the the best '70's movies around, it still is a good example of good old film-making from the golden '70's.

The movie its story is quite messy and weak but still made look interesting at times, due to its style of film-making. It provided the movie with a couple of nice moments, including a typical '70's-like car chase trough the streets of San Fransico.

San Fransico serves as a pretty good backdrop for the entire movie, as it always does in any movie.

The storytelling makes sure that is hard to keep track on the movie, with as a result that all the movie its weaker points become less notable as well. The movie its story is actually quite unlikely and ridicules at points but due to the muddled way the entire story is told, it becomes less obvious and notable all. Lots of things don't really make sense in the movie once you start really thinking about them and to make it all the more confusing, the movie features many, unneeded, characters, that don't add enough to the movie and only provide the story with some needless and distracting subplots.

Dean Martin of course already had his best years behind him but he still puts down a pretty good main character for the movie. The character is well developed and deepened out more thanks to Dean Martin's performance, who makes the character likable, by playing him mostly in a non-likable way.

The movie on all accounts is a pretty average one. Nothing too exceptional, just another good enough movie from the golden '70's but you're just as good off watching a "Law & Order" episode, or something along those lines.

6/10

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"Mr. Ricco" is the final starring role for Dean Martin in films, though he'd make a few more appearances in smaller parts.

In many ways, "Mr. Ricco" seems a lot like the other tough-as-nails and gritty cop movies of the 1970s, though he is NOT a cop...just a defense attorney. Soon after getting a black militant off on a murder charge, it appears as if this defendant is on a killing spree...killing cops and now trying to kill Ricco. Can Ricco manage to stay alive long enough to discover the truth about this maniac?

"Mr. Ricco" is one of the most difficult films I've seen recently. This is because it's quite good in some ways...and quite sloppy in others. The main plot, though hard to believe, is exciting and interesting. Also, Martin isn't bad in the lead and there's a lot of action. But on the other hand, MUCH of Ricco's actions are hard to understand. Why does he punch so many people?! Isn't he supposed to be an attorney and not some slap-happy goon? Also, the use of stuntmen for Martin was SLOPPY.

Again and again, it's pretty obvious the 58 year-old actor isn't in many of the action scenes.

Additionally, some of the plot (such as WHY would the killer shoot cops??) also didn't make a ton of sense. Overall, a film where the good and bad are about equal. Worth seeing if you love Dean Martin but clearly one of his lesser films.