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Der Mann, der König sein wollte

Originaltitel: The Man Who Would Be King
  • 1975
  • 12
  • 2 Std. 9 Min.
IMDb-BEWERTUNG
7,7/10
53.881
IHRE BEWERTUNG
Sean Connery and Michael Caine in Der Mann, der König sein wollte (1975)
Two former British soldiers in 1880s India decide to set themselves up as Kings in Kafiristan, a land where no white man has set foot since Alexander the Great.
trailer wiedergeben1:06
2 Videos
99+ Fotos
AdventureDramaWar

Zwei britische ehemalige Soldaten beschließen, sich in Kafiristan als Könige niederzulassen, ein Land, in das seit Alexander dem Großen kein Weißer mehr einen Fuß gesetzt hat.Zwei britische ehemalige Soldaten beschließen, sich in Kafiristan als Könige niederzulassen, ein Land, in das seit Alexander dem Großen kein Weißer mehr einen Fuß gesetzt hat.Zwei britische ehemalige Soldaten beschließen, sich in Kafiristan als Könige niederzulassen, ein Land, in das seit Alexander dem Großen kein Weißer mehr einen Fuß gesetzt hat.

  • Regie
    • John Huston
  • Drehbuch
    • John Huston
    • Gladys Hill
    • Rudyard Kipling
  • Hauptbesetzung
    • Sean Connery
    • Michael Caine
    • Christopher Plummer
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,7/10
    53.881
    IHRE BEWERTUNG
    • Regie
      • John Huston
    • Drehbuch
      • John Huston
      • Gladys Hill
      • Rudyard Kipling
    • Hauptbesetzung
      • Sean Connery
      • Michael Caine
      • Christopher Plummer
    • 225Benutzerrezensionen
    • 51Kritische Rezensionen
    • 91Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 4 Oscars nominiert
      • 9 Nominierungen insgesamt

    Videos2

    Official Trailer
    Trailer 1:06
    Official Trailer
    The Man Who Would Be King
    Trailer 2:54
    The Man Who Would Be King
    The Man Who Would Be King
    Trailer 2:54
    The Man Who Would Be King

    Fotos200

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    Topbesetzung17

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    Sean Connery
    Sean Connery
    • Daniel Dravot
    Michael Caine
    Michael Caine
    • Peachy Carnehan
    Christopher Plummer
    Christopher Plummer
    • Rudyard Kipling
    Saeed Jaffrey
    Saeed Jaffrey
    • Billy Fish
    Larbi Doghmi
    • Ootah
    • (as Doghmi Larbi)
    Jack May
    Jack May
    • District Commissioner
    Karroom Ben Bouih
    • Kafu Selim
    Mohammad Shamsi
    • Babu
    Albert Moses
    Albert Moses
    • Ghulam
    Paul Antrim
    • Mulvaney
    Graham Acres
    • Officer
    The Blue Dancers of Goulamine
    • Dancers
    Shakira Caine
    Shakira Caine
    • Roxanne
    Nadia Atbib
    • Dancer
    • (Nicht genannt)
    Yvonne Ocampo
    • Dancer
    • (Nicht genannt)
    Gurmuks Singh
    • Sikh Soldier
    • (Nicht genannt)
    Kimat Singh
    • Sikh Soldier
    • (Nicht genannt)
    • Regie
      • John Huston
    • Drehbuch
      • John Huston
      • Gladys Hill
      • Rudyard Kipling
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen225

    7,753.8K
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    Empfohlene Bewertungen

    9STMedia

    The more recent negative reviews of this film could serve as a case study of the rapid politicization of our culture.

    It's interesting to look through the negative reviews of The Man Who Would Be King. Those submitted twenty years ago reflect the range of subjective response you might expect from any film. Move forward to those submitted in the last few years and a common theme arises. The film is "unwatchable" because it portrays people in a colonial era with a colonial perspective. Somehow it's assumed that the writer casting forth this judgement somehow from birth knew all that is right and just and can, without a shred of arrogance or hypocrisy, see clearly the sins of the past and guide the rest of us as to what is correct and incorrect for us to allow our weak eyes and ears to take in or avoid so that we can also live a similarly enlightened life.

    Someday I hope those who so arrogantly seek to cancel or at least condemn any film from an earlier era that did not by some miracle anticipate what would be politically correct in 2022 will gain some humility. Hopefully they will then finally come to recognize that they too suffer from the flawed human condition and are blind to what the next generation will someday condemn them for.

    If you want to see how great filmmaking was done before digital technology made it easy to create any setting, this is a great film to watch. If you want to see how people viewed the world in the colonial era - and - of you want to understand how those who lived through the Great Depression and WWII sought to portray the colonial era, this is a great film to watch. It's also a well told story if you have the ability to follow a story that unfolds slowly and doesn't flash from one action scene to another.

    However, if you are like those who led the cultural revolution in China and believe that history must be eradicated or revised, I guess this is one of the cultural artifacts that must be destroyed. If that's you, I'll save you the time. You can add this to your censor list.
    j_loome

    A work of genius

    Outside of the obvious reflections on the immoral and absurdly hypocritical nature of early British colonialism, it's just a damn entertaining movie.

    But you have to think that Rudyard Kipling, who grew up under British rule in India, was certainly trying to shake some sensibilities when he first wrote the story as part of an 1890 package called The Man Who Would Be King and Other Stories, nearly a century before it was made into a film and during an era when the British Empire was still very much a reality.

    From the perceptive realization that even the staunchly important Masonic Lodge -- which had infilitrated every aspect of Britain's upper classes -- could be easily corrupted; to the arrogance as Sean Connery's character Daniel Dravot, who elevates what he sees as mere social superiority into a god-like status; to the inevitable humbling of both men at the hands of the 'savages' they profess to rule, the film is ultimately about the humility all men should exhude, particularly in the face of the unfamiliar.

    Kipling's tale also preached tolerance, though you might not consider that to be the case based on the film's climax: consider that if Daniel and Peachy had shown an iota of respect for the religion that they instead decided to fleece, how differently the tale might have played out.

    The film owes much of its success to the chemistry between Caine and Connery, who regardless of later plaudits, gave the finest performances of their careers. Connery is particularly nuanced, with Daniel Dravot starting the tale as a somewhat lackwitted second fiddle to the scheming Peachy but later seeing his limited vision help him surpass his friend in terms of villainy with an equally heavy price. Caine plays, to some degree or another, the same charming British sheyster/teddy boy he popularized in the Harry Palmer films. But without a backdrop of similarly disaffected cockney bad guys, it's stunningly effective.

    John Huston's direction is among the best of his career, and in terms of his ability to use both sprawling vistas and tight, almost claustrophobic photography, owes a nod to his earlier work, including The African Queen, Night of the Iguana and the Treasure of the Sierra Madre. As examples, witness the zenith of Peachy and Daniel's hazardous trek through the mountains played out in full panoramic detail, only to be followed 90 minutes later by the tight shot of Kipling's face, the revulsion fairly etched into every crease as we reach the climax.

    But perhaps the true hero of this film was Boaty Boatright, who also cast Connery's classic "The Wind and The Lion." He managed to take some of the most strident, forceful personalities in the film industries, threw them together and came up with a film about humility. Magic.
    sunface

    How could I have overlooked this film for so long?

    Why is this film not given more recognition? It was one of those films that I had always heard about but had never seen. Well, I saw it the other day and I am shocked that I wasn't forced to watch this years ago. It is an amazing film. I have a hard time coming up with something that was wrong with it. The highlights, of course, were the performances of Caine and Connery. Nearly every user comment for this film has said how good their chemistry was, well I read all these comments before seeing the film and was still blown away by how good the chemistry was. Connery in particular was a surprise to me, even though Caine probably gave the better performance of the two.

    As a Brit living in the US, it is hard to get Americans to really understand subtle aspects of British life (the optimism, the humour, the strength of character)... so I now have three movies that I tell people to watch in order to get a better idea of what it means to be British: The Bridge on the River Kwai, Zulu, and The Man Who Would Be King.
    samsloan

    This story is about a real place!

    What most viewers do not realize about The Man Who Would Be King (1975) is that it is not about a legendary place, although Rudyard Kipling may have thought so when he wrote the story, because no white man had ever been there and returned to tell about it.

    The place was then known as Kafiristan and is now known as Nuristan. It is in Eastern Afghanistan next to Chitral, which is in Northwest Pakistan.

    Place names in the movie, such as Kamdesh and Bashgal, are real places in Nuristan. The explorer Robertson, whom Billy Fish reports has having died, did not die in real life but was rescued by a British military force in 1895, after Kipling wrote his story.

    The people of Nuristan are believed to be descendants of Alexander the Great, who came there in 328 BC, just as the movie states. They had a pagan religion as the movie describes until they were forcibly converted to Islam in 1892. There are still some believers of the old religion in the Kalash Valleys of Pakistan.

    For more about these people see http://www.samsloan.com/damik.htm

    I know about all this because I have been there and I married a woman named Honzagool there. She did not bite me as did the wife of Sean Connery in the movie, however.

    Sam Sloan
    8ma-cortes

    Wonderful adventure film with breathtaking outdoors , unforgettable dialogs and sensational performances

    Ruyard Kipling's epic of splendor , spectacle and high adventure at the top of a legendary world. It begins with some words which Rudyard Kipling pens in the opening scene are the opening lines to an actual Kipling poem, "The Ballad of Boh da Thone" that contains several elements which feature in the movie . The flick tells the tale of Daniel Dravot (Sean Connery's favorite film character , though John Huston also considered Richard Burton) and Peachy Carnahan (Michael Caine , though also was deemed Peter O'Toole) , two ex-soldiers in India when it was under British rule. Kipling (Christopher Plummer would have been dismissed early on by the producers but for Sean Connery's insistence that Plummer stay) who is seen as an important role that was there at the beginning and the ending , he advised about a dangerous journey . They decide to resign from the Army and set themselves up as deities in Kafiristan , a land where no white man has set foot since Alexander . There Daniel becomes a king and attempts to marry a princess (Shakira Caine, this is the only feature film to co-star Michael Caine and wife) under High Priest Kafu Selim (Karroom Ben Bouih was 103 years old when he made his first and only film appearance , when he saw some of the footage he declared that now he would live on forever.

    Long live and spectacular adventure with an extraordinary duo , Connery and Caine , they form the best pair of all time . A glorious tale with two heroes who head off to Kafiristan in order to become Kings in their own right . John Huston tried to launch the film version of "The Man Who Would Be King" many times before completing it . It was originally conceived as a vehicle for Clark Gable and Humphrey Bogart in the fifties, and later as a vehicle for Burt Lancaster and Kirk Douglas. When it was considered as a vehicle for Robert Redford and Paul Newman, Newman suggested Sean Connery and Michael Caine . Colorful and evocative cinematography by Oswald Morris filmed in Pinewood studios with magnificent production design by Alexandre Trauner and shot on location Glen Canyon, Utah, USA , Grande Montée, Mont-Blanc, Chamonix , France ,Atlas Mountains, Morocco and at the Kasbah of Ait Benhaddou, just north of the southern Moroccan city of Ouarzazate ; this site was used in Gladiator as the North-African arena where Maximus first fights. Ouarzazate is known as "Morocco's Hollywood" since many international productions - such as Kingdom of Heaven and The Hills Have Eyes - were shot in the area. Imaginative as well as sensitive musical score composed and conducted by Maurice Jarre .

    The motion picture well produced by John Foreman was stunningly by the great John Huston at his best . The picture was made in a good time of the 70s and 80s when Huston resurged as a director of quality films with Fat City, (1972), The man who would be king (1975) and Wise blood (1979). He ended his career on a high note with Under volcano (1984), the afore-mentioned Honor of Prizzi (1985) and Dublineses (1987). Rating : Above average , this is one of John Huston's best films , a model of his kind , definitely a must see if you are aficionado to adventure film . Huston broke a new ground with this landmark movie , providing classic scenes and unforgettable dialogs .

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    Handlung

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    WUSSTEST DU SCHON:

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    • Wissenswertes
      Kafiristan is part of modern-day Afghanistan (Nuristan Province) and Pakistan (the city of Chitral).
    • Patzer
      Billy Fish acts as an interpreter for Daniel and Peachy to the people of Kafiristan. In fact, Billy speaks Urdu to the Kafiristanis and they reply in Moroccan Arabic, two entirely different languages (this is due to the fact the film was shot in Morocco and Moroccan extras were used).
    • Zitate

      Daniel Dravot: Peachy, I'm heartily ashamed for gettin' you killed instead of going home rich like you deserved to, on account of me bein' so bleedin' high and bloody mighty. Can you forgive me?

      Peachy Carnehan: That I can and that I do, Danny, free and full and without let or hindrance.

      Daniel Dravot: Everything's all right then.

    • Verbindungen
      Featured in The Tonight Show Starring Johnny Carson: Michael Caine/Sean Connery/David Brenner/Burt Mustin (1975)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 5. März 1976 (Westdeutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Arabisch
      • Urdu
    • Auch bekannt als
      • El hombre que sería rey
    • Drehorte
      • Atlas Mountains, Marokko
    • Produktionsfirmen
      • Columbia Pictures
      • Devon/Persky-Bright
      • Allied Artists Pictures
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    Box Office

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    • Budget
      • 8.000.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 12.678 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 9 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • 4-Track Stereo
    • Seitenverhältnis
      • 2.39 : 1

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