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Das Mädchen Keetje Tippel

Originaltitel: Keetje Tippel
  • 1975
  • R
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
6,7/10
2834
IHRE BEWERTUNG
Das Mädchen Keetje Tippel (1975)
Drama

Das junge Mädchen Keetje zieht 1881 mit ihrer verarmten Familie nach Amsterdam und wird in die Prostitution geführt, um zu überleben. Dabei sieht sie den korrumpierenden Einfluss von Geld.Das junge Mädchen Keetje zieht 1881 mit ihrer verarmten Familie nach Amsterdam und wird in die Prostitution geführt, um zu überleben. Dabei sieht sie den korrumpierenden Einfluss von Geld.Das junge Mädchen Keetje zieht 1881 mit ihrer verarmten Familie nach Amsterdam und wird in die Prostitution geführt, um zu überleben. Dabei sieht sie den korrumpierenden Einfluss von Geld.

  • Regie
    • Paul Verhoeven
  • Drehbuch
    • Gerard Soeteman
    • Neel Doff
  • Hauptbesetzung
    • Monique van de Ven
    • Rutger Hauer
    • Andrea Domburg
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    2834
    IHRE BEWERTUNG
    • Regie
      • Paul Verhoeven
    • Drehbuch
      • Gerard Soeteman
      • Neel Doff
    • Hauptbesetzung
      • Monique van de Ven
      • Rutger Hauer
      • Andrea Domburg
    • 16Benutzerrezensionen
    • 21Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos74

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    Topbesetzung55

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    Monique van de Ven
    Monique van de Ven
    • Keetje Tippel
    Rutger Hauer
    Rutger Hauer
    • Hugo
    Andrea Domburg
    Andrea Domburg
    • Keetje's moeder
    Hannah de Leeuwe
    • Mina, Keetje's zus
    Jan Blaaser
    • Keetje's vader
    Eddie Brugman
    • André
    • (as Eddy Brugman)
    Peter Faber
    • George
    Mart Gevers
    Riet Henius
    Walter Kous
    • Pierre
    Paul Meyer
    • Hoofd wasfabriek
    Tonny Popper
    Jan Retèl
    • Dokter
    Fons Rademakers
    Fons Rademakers
    • Klant
    Riek Schagen
    Riek Schagen
    • Geest
    Carry Tefsen
    Carry Tefsen
    • Vrouw in wasfabriek
    Jennifer Willems
    • Antoinette
    Ab Abspoel
    • Cop
    • (Nicht genannt)
    • Regie
      • Paul Verhoeven
    • Drehbuch
      • Gerard Soeteman
      • Neel Doff
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen16

    6,72.8K
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    Empfohlene Bewertungen

    7Bezenby

    I am never going to Amsterdam...ever

    Seriously, judging by this film, you'll be molested and forced into prostitution the moment you step off the boat/plane etc.

    If you have ever watched Robocop, Total Recall or Starship Troopers and thought to yourself "Man, I wonder what would this director would be like giving us some sort of period drama set in the 19th century Holland starring Rutger Hauer, and I'd love to see his arse, balls and especially him licking melted chocolate off someone else's tongue", then this is the film for you!

    I mean if that doesn't sound funny enough already, you've got drowned puppies, mothers forcing their kids into prostitution, Jimmy Saville types trying to get young Jimmy to show them his tummy banana, and a woman dying of tuberculosis just after having been molested by a doctor. Jesus, what else do you want from a comedy? Maybe this film wasn't a comedy. I don't know. It was kind of worrying that every single person in Amsterdam wanted to molest Katie. Seriously, everybody wanted a bit. She was even molested by an orderly in the hospital so that she was clean enough for the doctor to molest her. Twice.

    For me, the most worrying part was when Katie worked for the hat guy and was doing shadow puppets on the wall and I thought to myself 'wouldn't it be hilarious if the next shadow you saw on the wall was the hat guy's tadger' and then lo and behold we get to see the shadow of an erect slag hammer on the wall. Man, I have the same mindset as the guy who directed Showgirls.

    This film is too well made and has too high of a budget to be crap and is in a certain kind of way entertaining. It's grim stuff, but I can see why Paul went on to be a hot shot director. Rutger also worth a look here but he's dubbed, which only adds to the madness.

    And this was a true story? F*cking seriously?
    8Boba_Fett1138

    Solid period drama.

    "Keetje Tippel" is one of Verhoeven's lesser known movies but it really deserves to be seen and better known, all over the world. Reason why it isn't known better is I think because of "Turks fruit" from 1973. After that movie people expected this movie to be a sort of "Turks fruit 2", also because it was once again directed by Verhoeven and had Monique van de Ven and Rutger Hauer as the two main leads. "Turks fruit" and "Keetje Tippel" (and in a way also Verhoeven's earlier movie "Wat zien ik") show some similarities in the way the story is told but it are in fact of course two totally different movies.

    The movie provides a pretty good and insightful view of life in late 19th century Amsterdam. The atmosphere of the old Amsterdam is perfectly captured by Jan de Bont's cinematography and by the costume design and art direction.

    What makes "Keetje Tippel" better than the average period drama is the directness of the story telling. This is of course thanks to Verhoeven's typical style of directing that always is very direct and straight to the point. Once more the movie features quite some nudity and confronting scene's. But it all works well because it serves a purpose in the movie and it's obviously not only put in it to simply shock the viewer in a cheap way. The movie however is quite short and it didn't feel that the movie covered the entire story and the ending is abrupt and not entirely satisfying because it still leaves a bunch of questions unanswered.

    The acting isn't always top-class but this is more because of the simple dialog, rather than its the actors their fault. Rutger Hauer however deserves credit for his role and he plays his character in a very believable way. Monique van de Ven is good for about 70% of the time but her acting really pushes it at times and her character at times goes a bit too much over-the-top. The movie further more features a good supporting cast.

    The story is always interesting and you never know what is going to happen next, thanks to the unpredictable and realistic characters that are being portrayed in this movie. The movie is based on the real life of Neel Doff, which gives the movie an even more realistic and confronting feeling.

    Better than your average period drama's. See this movie if you get the chance.

    8/10

    http://bobafett1138.blogspot.com/
    8evolute

    Beware of Inferior Video Copies

    I recorded this movie a few weeks ago from our local community television station Triangle's night broadcast. I was surprised to see this on their schedule, as it's usually the lowest rate affair. The situation was another example of a great work getting lost in another vast video copy collection.

    I was excited to be seeing an early movie from a director I always admired. I'd only ever seen his Hollywood work, and was especially fond of his Sci-Fi classics growing up. As others recognize, Verhoeven unashamedly puts into his films, his honest impression of the societal constructs we humans consistently find ourselves in. That regular criticism of the complexities of human nature, beyond the norms of each film's particular genre, has always resonated with my world view.

    I finally watched this film this morning. As it started it was obvious the image quality was very poor, not helped by early scenes being predominantly in the dark. Not surprisingly the character's voices were dubbed into English, but were often mismatched or exaggerated, unfitting for the film. It seems to be the UK version I saw, yet some accents were American. I always try to watch a film in it's original intended language, but it seems the foreign films on the local community station are only ever poorly dubbed video copies.

    Despite the poor quality of the copy I saw (the video company's logo even popped up irregularly in the bottom corner of the image), this film really amazed me. Much of the reasons why have been detailed by the few other comments on this site. The biggest flaw of the story for me was that the film ended too suddenly. This seems a common element to films the further back in cinema history you go. I actually appreciate a well crafted credits sequence, easing the viewer out of the film's world, and allowing reflection. Even at nearly 2 hours long, I felt my interest would have been sustained for a little bit longer.

    There is a DVD listed here with 5 of Verhoeven's films in their original Dutch form, with English subtitles. I'd like to see this one again, and the rest of his early creations, which others consider even better. Rutger Hauer is also a great, varied yet charismatic actor, and it seems his best work might be with Verhoeven.
    7lastliberal

    Away with all your superstitions, Servile masses, arise, arise!

    If you like Paul Verhoeven's later work (Robocop, Total Recall, Black Book), you should take the time to delve into his Dutch language work.

    This is a serious work showing class differences in 19th Century Holland, and the total lack of concern for workers. The title character takes a slew of meaningless jobs after the family is forced to move to the city, eventually ending up as a prostitute to survive.

    Hearing the typical "streets paved with gold" dreams that were typical of America at that time, we can totally relate to those driven from their farms.

    Women were certainly toys for men, even doctors, to play with, and rape, if they chose.

    It was interesting to see Rutgar Hauer in a role as a gentlemen, and the experience of Monique van de Ven was not to be missed.
    8rlcsljo

    The classic Verhoeven touch in a relatively early film.

    From this movie, it is easy to see how the director made it out of Holland and landed in mainstream Hollywood. He takes a very serious subject, extreme poverty and how it leads to social uprising, and adds his personal light touches that almost make you forget the political subtext. The "finger shadow" scene before the rape was a touch of cinematic genius that I almost missed the first time around.

    The ultimate lesson seems to me to be, of course, that we are all whores, it just depends on how much we can afford to spend on clothes.

    One question, if she was so poor, how did she keep her roots died blonde?

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    • Wissenswertes
      Director Paul Verhoeven had agreed to do the movie based on a elaborate synopsis, in which the story of protagonist Keetje Tippel was told in parallel with a period drama depicting the social circumstances and political unrest of the time. With pre-production well under way, he and screenwriter Gerard Soeteman elaborated the synopsis into a complete script, but it was vetoed as being too expensive by producer Rob Houwer. He ordered them to focus on the personal drama and remove most of the social issues, including several scenes of mass rebellion and revolt that were Verhoeven's main reasons for taking on the project.
    • Alternative Versionen
      A few more explicit shots of the rape scene were cut to avoid an "X" rating in the U.S. They are restored on home video in an unrated version.
    • Verbindungen
      Featured in De wereld draait door: Folge #13.16 (2017)

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    FAQ13

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    Details

    Ändern
    • Erscheinungsdatum
      • 22. August 1975 (Westdeutschland)
    • Herkunftsland
      • Niederlande
    • Sprache
      • Niederländisch
    • Auch bekannt als
      • Katie Tippel
    • Drehorte
      • Niederlande
    • Produktionsfirma
      • Rob Houwer Productions
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    Technische Daten

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    • Laufzeit
      1 Stunde 40 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.66 : 1

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