Karlsson auf dem Dach

I saw Karlsson first when I was about 5 or 6 years old and it became my favorite movie as a child. Every time they show Karlsson in Holland on TV, I watched it every time, even when I was in my 20's. When they showed the movie in the early days it was the original Swedish version with Dutch subtitles but later they did it with a Dutch language so kids could understand the story. I didn't like the Dutch version so I bought the original movie in Swedish and still love it very much. The whole story is just fabulous. A little boy, Lillebror, is the youngest member in the family and sometimes he is bored. Suddenly he meets Karlsson from the roof, a little, fat, baldy kid/man with a propeller on his back. He can fly. Lillebror tells his family about Karlsson but they don't believe him. What I most like about this movie is Karlsson himself, he is so funny and opinionated. He is really hilarious compared to the sweet little Lillebror. Karlsson and Lillebror have all kinds of adventures when Lillebror flies on Karlsson's back. When you like Pippi Longstocking, you definitely like Karlsson.

I like this movie, it's childlike but utterly charming. Astrid Lidgren surely knew how to captivate children with her books. As so many of these books were adapted into movies, then swedes have a rich and complete history on movies especially for children. That's not to say that they aren't appropriate for older audiences - they are, depending on the public.

This is a light comedy type of movie, pure, magic, with nothing to insult anyone and no bad stuff, just innocent and captivating.

When children, most of us certainly had our imaginary friends. Well, cute little "Lillebror" has just found the kind of friend that could only exist in children's fantasies, except that he isn't fruit of a child's imagination, he is real! That new friend is Karlsson, an eccentric and peculiar boy with a propeller on the back which gives him the power to fly. Now "Lillebror" has found the friend many children aspire to. More than that, "Lillebror" can also fly by sitting on Karlsson's back and see unique vistas of Stockholm.

The scenario is very nice and complete, in good old Scandinavian tradition....

Mats Wikström is perfectly convincing as Karlsson. Our beloved "Skorpan" (or "Lillebror", in this case), Lars Söderdahl, couldn't be better, he always proved to be a fine Swedish child-actor.

This should definitely be on Top 250.

Just want to comment on the stupid name, Lillebror. It is Swedish (same word as in Danish and Norwegian) and means Little Brother. Therefor the name is, silly I agree, but the name means something. Haven't seen the movie for ages, and cannot remember anything from it. However Astrid Lindgren is one of the greatest children's writer in history. Remember to check out her other stories.

One more line

Sorry didn't know how to comment on the other users review

So...

My 10 lines :)

What's the secret to making of making great stories for children that not only stand the test of time, but stay with the target-audience long after they've hit puberty? In my humble opinion it's not trying to patronize the kids or treating them like childish buffoons like so many contemporary children's movies and shows do. Perhaps with the exception of Michael Ende ("The Neverending Story"), few authors have understood that as well as Sweden's Astrid Lindgren. The way Lindgren saw it, kids weren't just little idiots (pardon the expression) waiting to grow up, but rather small adults, who just conceive the world through their own eyes. Evidence to that are countless classics, "Pippi Longstockings" being just the most famous ones, but "Michel from Lönneberga", "Ronia the Robber's Daughter" or (my personal favorite), the often gloomy yet beautiful "Brothers Lionheart".

But let's take a look at "Karlsson on the roof" (this being the title in Germany; the original title roughly translating to "The world's best Karlsson", played by Mats Wikström) through the adult eye: Karlsson is rude, obnoxious, selfish, lawless to the point of being an anarchist, completely irresponsible and so full of himself that one fears, he might spill himself from his own head. He may be, what he actor is – a ten-year-old with an early tendency for male-baldness – though the novel describes him as a short, overweight man, making the figure even more "creepy" (for the lack of a better word). He lives in a drab, working-class neighborhood of Stockholm, in a house on top of the city which seems only accessible through the air. Conveniently, since Karlsson has a little propeller on his back, with which he generally flies around. This caters to the idea that Karlsson is merely the "invisible friend" or figment of imagination of little Lillebror (Lars Söderdahl), an average kid from the neighborhood, and Karlsson's best and only friend.

Whereby, calling Karlsson a "friend" is a bit of a stretch: he generally treats the well-mannered, innocent Lillebror as something like a retarded pet, gets him in trouble with his often mischievous pranks, mooches off him (usually for candy but occasionally off his pocket-money), destroys Lillebror's toys and makes it very clear that he, Karlsson, knows everything better, is the best at everything conceivable. Karlsson keeps reminding Lillebror that Lillebror is just "a stupid, little boy". And, whenever Karlsson plays one of his pranks, he conveniently disappears into thin air, leave Lillebror behind to take the brunt of his furious family. In short: Karlsson is a character that one would wish to toss out the window, if it weren't for the fact that he can fly anyhow.

But that's just the adult's perspective and that's not the perspective through which the story is told. For a kid, Karlsson is the ideal figure: completely care-free, not bound by any rules, responsibilities or regulations, he may eat as much candy as he pleases and has nobody that tells him to go to bed at a certain hour. And if he feels like flying a few rounds over the city at any given time, well, so be it. Despite his often demeaning attitude, he is somewhat of a bigger brother and the person that Lillebror secretly would like to be. Karlsson on the other hand, despite his obvious personality flaws, is a soft hand inside a rough glove, who longs for what Lillebror has: the security of a family that he himself obviously doesn't have. Despite being obnoxious and offensive (not to mention, physically sometimes resembling the demon from "The Exorcist"), Karlsson is a figure that adults would loath, but that most male boys would aspire to be. A wonderful by both actors, who are by no means professionals (Karlsson would remain Wikström only role in the movie and a following mini-series; he'd go on to become a security personnel, while Söderdahl, after playing a somewhat similar role in "Brothers Lionheart" quit acting, became a missionary in South-America and today works as a postal worker).

Has the show stood the test of time? Difficult to say. Perhaps "Karlsson on the Roof" was one of those cases where you had to have been there to get it and perhaps younger viewers these days might wonder, what the fuss about a kid that had his own little house on top of a city was all about, considering that Karlsson had neither internet-connection nor a play-station up there. But for people from my generation the show remains childhood magic and you'd be hard-pressed to find any, who cannot whistle the theme. Which is another interesting tit-bit: while the original soundtrack seemed to have gone more in the direction of folk music, the German version had a rather catchy, bubble-bass-Funk-music as the intro and outro. Occasionally people would quip that this music would have had a better place in a 70's porn-production, but then again, what did my generation know about porn 30-odd years ago? 8/10

Magiskt film underbar jag älskar Karlson Han är så fin och jag gillar hans tunna hår............. och hans fina propeller han personlighet är fantastisk.