Die Brüder Löwenherz

One of the greatest movie I've ever seen in my life about two brothers who'd die suddenly, other one in fire and the other of illness. After the death the brothers, meet in Nangijala, the country of magic and power, and it seems that they can have the most wonderful time of they're life without all worries and illness. But when the Black Knight Tengil, threat the people of Nangijala, the brothers help the freedom people to fight against the home rule.

Bröderna Lejonhjärta is one of the greatest movie I've seen in my life, and too one of the most touching movies you'll ever see. Check this one.

I haven't seen this movie since I was eight years old. I'm now in my early twenties and can remember almost everything about it! This was such a beautiful film, and is both tragic and uplifting. The story is mystical and magical, and the love between the brothers is heartwarming. I highly recommend it.

I had the privilege of owning this movie when I was a child. I think that my parents bought it from some video store that was going out of business. It was on a BetaMax tape, and was dubbed in English. I had to of watched this movie at least once week. The story is great, and the relationship between the two brothers is rather touching. Despite the fact that even as a child the dragon (who used to remind me of "the secret weapon" from An American Tale) looked terrible, it was one of my favorite movies for years. If anyone can find a copy of this movie, I suggest you watch it. Also, the synthesized soundtrack is quite good (arpeggios reminiscent of Philip Glass or something).

This was a favourite of mine when I was a kid and it's still a haunting and beautiful story. This adaption of Lindgren's story (which I owned too) has to be considered a success (if not wholly a triumph). In our sanitised world, a children's film that contains death, loss, pain, illness, treachery and sacrifice seems strangely out of place. It takes a heart of stone not to tear up not even 5 minutes into the film, and again at the end. In my opinion, children are very well capable of bearing the weight of death, in story as well as in real life. Maybe they have to be accompanied, but keeping such themes from them makes for a poorer education. The film itself still holds up remarkably well. The sets, the horses and the outdoor scenes are beautiful. The costumes are rather laughable and the monster looks as if escaped from Spectro-Man, but at the point where we first see it you're so deep inside the story it really doesn't matter much. The camera-work is simple, but effective. The acting is so-so, but mostly adequate. The music isn't good except for a few moments where it's really gripping.

I heard that there's a new adaption of this book in development, and while I'm curious as to what better production values and a professional soundtrack can do for the story, I wish they'll stay with the dark and haunting mood and maybe even incorporate more of the book.

I think this film, and of course mainly the book by Astrid Lindgren, is one of the bravest children's movie I have ever seen. I remember as a child, seeing this film on video, and feeling totally absorbed with it, as I had never, until then, seen a movie that dealt with such issues for a child my age.

Thoughts moving around life and death are issues that all kids are confronted with, and are issues which evokes questions in the minds of children. Many grown-ups are unable to handle questions from kids regarding death, in these cases I think this film is an exquisite piece of art.

But of course the film is not all about death, it is also a movie about bravery, go about and dare to do what frightens you in life, and of course the life altering condition of love, the love between two brothers.

It's interesting to hear how Lindgren imaginative work started for this book. She told a Swedish newspaper many years ago that it started out with her walking through a cemetery, which was something she liked to do, and seeing the grave of two brothers. Then a time after, that she attended a press conference for the casting of a film based on one of her books, after the press conference the leading actor (a seven-year old) walked down the stage and sat down in his older brothers knee and the older brother kissed him on the forehead, which was something she found very moving; by then she knew her next story was going to be about two brothers. The final imaginative episode was when she went with the train in northern Sweden, she told it as being a cold winter day, "a day when it was as beautiful as if it wasn't of this earth" by then she knew that the story was to involve the question of death, and a life after this.