Der weiße Hai

Jaws (1975) **** (out of 4)

Steven Spielberg's classic about a man-eating Great White shark stalking the beaches of Amity and the three men who go out to try and kill it. Seriously, is there anyone who doesn't know the plot to this masterpiece?

Considering all the production trouble on this thing it would be amazing to get a half-way decent film yet for some reason, perhaps the movie Gods were shining down, we ended up with one of the greatest films ever made. This is without question one of the greatest films to deal with tension as Spielberg masterfully handles all the material. The movie is like an amazing roller coaster as we get one scare after another until the end when we just get our senses attacked from all around. Millions of people have discussed the greatness of this film so it's hard to pick one thing but I'd say the greatest achievement of the film is the simple adventure it gives us.

Even though we get some very intense scenes the screenplay is smart enough to give us other things to go with. We got some nice black humor in the witty dialogue but we also get a good buddy picture with Roy Scheider, Robert Shaw and Richard Dreyfuss delivering memorable characters. The three of them together are so different yet all three are like people I'm sure each viewer has met so it's easy to connect with them and it makes the film all the more fun when we go on this adventure.

The film, of course, benefits from the brilliant John Williams score, which is perhaps the most memorable in film history. Bruce, the name given to the shark, caused most of the problems during filming but you wouldn't know that by just watching the picture. The look of the shark is incredible and Spielberg certainly made the right decision of keeping it hidden and just revealing bits and pieces as the movie went along. The first glimpse in the pond is hauntingly shocking and each sighting just grows more and more tension. The director also knows how to build suspense without us seeing the shark as we're constantly viewing objects floating (the dock, the barrels) to imply that the creature is there.

What's even more amazing is that this film scared people so badly that they refused to go into the water yet the most suspenseful scene is probably the now legendary speech by Shaw about his time on the USS Indianapolis. It goes without saying but the three leads are all terrific in their roles and I really can't think of too many movies that have as many memorable characters as the ones here. We also get strong supporting work from Murray Hamilton as the Mayor and Lorraine Gary as Brody's wife.

For me this ranks as one of the greatest adventures ever captured on film because everyone involved makes it feel so real. When the men get on the boat to go after the shark you feel as if you're really there. When the camera is underwater given a POV shot of the shark, you feel as if you're in the water. The final death scene in the movie also just happens to be one of the most terrifying ever captured on film and it might even be the most brutal. The movie is a true masterpiece of suspense and I think it would be fair that nothing has come close to this in the past 35 years. Like PSYCHO, we've had a lot of rips of imitations but nothing has come close to the same power and it's doubtful anything ever will.

Jaws is very much a spiritual child of Moby Dick, with a Great White Shark inserted in place of a giant white whale.

The hunting of the shark means something different for each of the three main male leads. For Brody, killing the shark would mean ensuring the safety of his children (the relationship between parents and their children being a strong running theme in nearly all of Spielberg's films). For Hooper, the shark is just another shark. It's his job to study them and provide his expertise. That's it. Then there's Quint, a Captain Ahab like figure whose obsession places him in a fit of blind fury. To him, all sharks are the same and killing this one would operate as ultimate revenge.

And like Moby Dick, Jaws is a perfectly told straightforward story depicting believable human beings and observing human behavior. Part of the joy of Jaws is watching these characters interact with each other in ways that make them seem truly alive and real, which only serves to make the threat of the shark even more threatening. We also have the land scenes of the first half that expose the stakes at the same time as it depicts the conflict between Brody and the mayor who wants to keep the beach open.

And of course, the film is marvelously constructed by Spielberg. Much is made of the way he directs the scenes of suspense, but there's also very intelligent decisions being made in non-action scenes. Many shots burned into my eyes are something as simple as a quiet moment between a father and his son who is innocently ignorant of the danger at hand.

I saw this movie again after a few decades. There are a lot of movies from past eras that don't hold up over time, but this one does. It's just as suspenseful as it was in 1975. But the best reason to watch it is Robert Shaw's performance. You hardly ever see those type of personalities in movies anymore.

This is the movie that started it all. I'm not talking about the Hollywood blockbuster, or the insane madness that sent thousands of misunderstood Great Whites to their deaths, I'm talking about the beginning of my interest in movies. This is the movie that did it. I couldn't tell you how old I was when I first saw it, but I do remember this is the movie I made my parents rent time and time again when we went to the video store. This is the movie that drove my parents and some of my friends nuts while I watched it day after day after day when my mom gave it to me for Christmas. This is the movie that made me want to turn a real interest in the movies from just a hobby and into a career. For that, I owe Spielberg, Benchley, Scheider, Shaw, Dreyfuss, Williams, Fields and everyone else a sincere and heart-felt thank you. I own this movie on every format in which it is available. I love it that much. I've probably seen it between 200 and 300 times. I guess you can say it is an obsession. A sick obsession. The plot, the pacing, the editing, the score, the acting, and, oh yes, the shark. Who cares that is fake? By the time we finally get to see it, do we care? Truly, a more suspenseful movie was never made. Several come close, but none quite reaches the primal level the JAWS does. No other film so effectively taps into our fear of the unknown, and then gives it a riveting score to boot. No other movie grips us so strongly with heart stopping suspense that we find ourselves nearly falling off our seats. And no other movie leaves us feeling so spent and wasted after a viewing. And the reason for all the fear, suspense and emotional withdrawal is not top-notch special effects. It was the mid-70's. You can barely apply top -notch to anything of that era. The reason the movie does all that to us is that it is a great story. It is filled with real people, who have real jobs, and who have real fears. And who must now confront a real shark. Can you think of anything more terrifying that getting on a rickety, leaky boat to kill a 25-foot shark when you already have a paralyzing fear of the water? I can't. And Martin Brody sure can't. And so, no matter what ranking JAWS may get on AFI's list of the 100 greatest movies, or TV Guides list of the top 50 movies, or any list for that matter, JAWS will always come in number one on mine. Steven, Peter, Roy, Robert, Richard, John, and Verna -- thank you. Not for just giving me a sense of direction in my life, not for just making me want to be a screenwriter, but also for making a movie that still thrills me as much now when I watch it as when it did when I saw it for the very first time.

Reputationally-speaking, "Jaws" will forever be known for two things: director Steven Spielberg's unique "shark-eye view" camera work and building of suspense, and composer John Williams' two note "attack" motif that became as iconic as any piece of music ever created. Perhaps those two aspects alone would have been enough to make "Jaws" an iconic film--who knows. But the fact is, this 1975 effort is about so much more than just suspense/horror. It is one of the most well-rounded, complete movies ever made.

For a very basic overview, "Jaws" tells the story of the coastal town of Amity, which suddenly and inexplicably becomes the hunting grounds for a rogue Great White shark. Sheriff Brody (Roy Scheider) wants to close down the beaches until further notice, but is opposed every step of the way by city official Vaughn (Murray Hamilton), who worries about the potential loss of tourist business. When the attacks continue, however, Brody enlists the help of shark expert Hooper (Richard Dreyfuss) and grizzled boatsman Quint (Robert Shaw) to help hunt down the giant predator.

As stated, the general premise and music here are well-known. But what always strikes me with each "Jaws" re-watch is how much it is a human drama as opposed to a horror piece driven by a villain (the shark, in this case).

The first half of "Jaws" takes place almost entirely "on land", if you will, and focuses more on the politics of fear and commerce than anything supernatural or scary. If there are ever any doubts as to whether that material holds up, they can easily be put to rest after viewing the film through a pandemic context. Substitute "global contagious disease" for "mindless, unstoppable shark" and it's as relevant today as ever.

The second half leans more towards "adventure sea chase", and is buoyed by ocean scenes that, despite being filmed 45+ years ago now, do not seen old or outdated in the least. Masterful cinematography almost always holds up, and Spielberg's behind-the-camera decisions certainly do here as well. Even then though, in the midst of a brutal and thrilling chase, Spielberg stops the action for a touching scene in which the three seaman bond over song and shared experiences.

In order to fully exhibit such depth of character, great acting is required--and given here in spades. "Jaws" features a collection of unique characters that are always a joy to revisit. Scheider as the "why-won't- anyone-listen-to-me!" sheriff lets viewers relate to the story in a much more personal aspect, while Dreyfuss' Hooper is insightful, hilarious, and provides some of the best dialogue of the whole show. Of course, Shaw as Quint is singularly iconic, juxtaposing jocularity and complexity perfectly within his single character.

Perhaps the greatest compliment I can give "Jaws" is that every time I see it, I can't help but be swept away in all its winning aspects. Whether it be the drama, emotion, music, thrills, adventure, visuals, acting, or just overall heart of the piece, there is not a single scene wasted or underutilized. I have absolutely no doubt that it will remain just as visceral of an experience going forward as it was for those sitting in the theaters in 1975.