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Nahaufnahmen

Originaltitel: Inserts
  • 1975
  • 18
  • 1 Std. 57 Min.
IMDb-BEWERTUNG
6,3/10
2702
IHRE BEWERTUNG
Richard Dreyfuss and Jessica Harper in Nahaufnahmen (1975)
A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.
trailer wiedergeben2:13
1 Video
57 Fotos
SatireSchwarze KomödieDramaKomödie

Ein junger, einst großer Hollywood-Filmregisseur weigert sich, den Wandel der Zeit in den frühen 1930er Jahren zu akzeptieren und beschränkt sich auf sein verfallenes Anwesen, um stumme Porn... Alles lesenEin junger, einst großer Hollywood-Filmregisseur weigert sich, den Wandel der Zeit in den frühen 1930er Jahren zu akzeptieren und beschränkt sich auf sein verfallenes Anwesen, um stumme Pornofilme zu drehen.Ein junger, einst großer Hollywood-Filmregisseur weigert sich, den Wandel der Zeit in den frühen 1930er Jahren zu akzeptieren und beschränkt sich auf sein verfallenes Anwesen, um stumme Pornofilme zu drehen.

  • Regie
    • John Byrum
  • Drehbuch
    • John Byrum
  • Hauptbesetzung
    • Richard Dreyfuss
    • Jessica Harper
    • Bob Hoskins
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    2702
    IHRE BEWERTUNG
    • Regie
      • John Byrum
    • Drehbuch
      • John Byrum
    • Hauptbesetzung
      • Richard Dreyfuss
      • Jessica Harper
      • Bob Hoskins
    • 40Benutzerrezensionen
    • 37Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 2:13
    Trailer

    Fotos57

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    Topbesetzung5

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    Richard Dreyfuss
    Richard Dreyfuss
    • Boy Wonder
    Jessica Harper
    Jessica Harper
    • Cathy Cake
    Bob Hoskins
    Bob Hoskins
    • Big Mac
    Veronica Cartwright
    Veronica Cartwright
    • Harlene
    Stephen Davies
    Stephen Davies
    • Rex, the Wonder Dog
    • Regie
      • John Byrum
    • Drehbuch
      • John Byrum
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen40

    6,32.7K
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    Empfohlene Bewertungen

    9rogerlmarcus-1

    Remarkable Movie within a Movie film

    Released after American Graffitti and before Jaws, a chance to catch Richard Dreyfuss in something that can be considered a legitimate art film, albeit with a bit of a bigger budget. Also amusing is Bob Hoskins in his role as Big Mac, making the same references to the upcoming onslaught of LA Freeways that served as a major plot device in his more well-known Eddie Valient role in "Who Framed Roger Rabbit".

    Rather graphic for its time in the portrayal of full frontal female nudity, with a glimpse of full frontal male nudity (although we are spared the sight of Richard Dreyfuss and/or Bob Hoskins in the buff), the entire film takes place in one setting, with plenty of camera tracking movements instead of rapid cutting.

    Jessica Harper as Cathy Cake is a wonderful character, and I am a bit surprised that her career was not more extensive. I wonder if this role hurt her marketability at all. Both Harper and Veronica Cartwright have plenty of scenes with casual nudity, and Dreyfuss is rarely seen without a whiskey bottle in hand.

    Its now available on DVD. Check it out if you can.

    As unique a "movie within a movie" film as you will ever see.
    9maeander

    The tag line is right.

    "A degenerate film with dignity" is the tag line for this comedy...and it is...a comedy. One thing many people might miss from this movie is the humor. At times it is bitter sweet and at times it is caustic. With characters like the mogul named "Big Mac", who wants to conquer the hamburger stand market, to the the porn actor called "Rex the Wonder Horse", who moonlights as an undertaker; what can you do but laugh.

    It is very much a filmed stage play taking place in one large room with only a handful of actors. Yet you will hardly notice it. True to it's time frame (Hollywood at the dawn of sound), it's stands up to it's own time (1970's) and today's (2000's). Currently the porn industry does almost as much business as main stream films ("What Price Hollywood?"). In fact, Porn generates more money than Country Music. How many country music channels are there? How many porn?

    You may never listen to the tune "Moonglow" in the same way again.

    Watching it as a bitter sweet comedy, you cannot but enjoy this film. I have only seen the 117 min. version and not the shortened one. Be warned if only the 99 min. version is available.

    It's difficult to find this movie. But if you get the chance, see it.
    KGB-Greece-Patras

    That was quite unique ! I like it!

    I think many reviewers have lost the point here. This is no excuse for porn, you guys. If you want porn, go get porn. And if you are put off by a film that entirely takes place in an apartment, stay away. But I think that this film is not one you get to see every day. Its special 'plot' and context could only create a unique film. So, its rare... where do we find it? I saw it on MGM, late at night...

    This is a pretty sophisticated film on making porn. Dreyfuss is excellent as the alcoholic director. All in all, you are likely to love it if you like smart, dialog based films, and of course if you're not offended by some nudity and decadence. But what did you expect? This guys is making porn films in his apartment!

    Provocative , a bit offensive , surprisingly shockin, yes, but unique and original as well. Note: this is no expoitation flick, even though some might view enjoy it as such...
    ubiquit2s

    Nearly 30 years later, it still sticks in the mind

    I first saw this film alone. The following night I took my friends, and that weekend I named my band after it. In Cambridge in 1977, this film became a small cult. The allusions to silent days were intriguing to a burgeoning film buff, with Clark Gable, that kid from Pathe, forever trying to get through the door, junkie reminiscences of Wally Reid, and many more nods and in-jokes that I would undoubtedly smile at now from knowledge, not ignorance.

    The performances were, as I recall, uniformly good, with Dreyfus - whom I had only seen previously in American Graffiti - a revelation. This was also the first big screen role I can remember from Bob Hoskins, and after her small but memorable role in Love and Death, Jessica Harper brought just the right degree of irritating sexiness to Cathy Cake.

    Annoyingly, despite the limitations of scale, and the occasional staginess, I don't think John Byrum has ever made a better film!
    7smatysia

    A decent, and different film

    I knew absolutely nothing about this film before viewing it recently. Richard Dreyfuss, is, of course a very famous actor, although this movie was near the beginning of his career. It is sexy, but the furor over X ratings back in the day was much overblown. (No pun intended) The MPAA made a big mistake using X as a rating, because the porn industry immediately invented XXX. NC-17 is a better idea, but it should maybe be used for things other than sex, such as graphic violence. It is weird you can't show much frontal nudity, even without graphic sex, but you can show dismemberment and disemboweling to teenagers all day long. Anyway, this was a nice, and quite odd character study, mainly in Dreyfuss' and Jessica Harper's roles. And the young Veronica Cartwright was interesting, too. A decent, and different film.

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    Handlung

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    • Wissenswertes
      Veronica Cartwright said in interviews and convention appearances that she considers her role of Harlene among her best acting work. She has quoted: "It was such a liberating experience to do that movie and it kicked off a lot of stuff for me. I was a waitress at that time and one day this guy says 'Excuse me, can I ask you a question? Aren't you in that movie Inserts?' and I go, 'yeah' and he says 'what the fuck are you doing here?!' I was earning a living! But I went home that night and thought, what was I doing there? So I quit my job the next day."
    • Patzer
      Sitting at piano, Boy Wonder plays song Moonglow, written in 1934. The movie takes place at least three or four years earlier (characters repeatedly talk about a then-unknown actor named Clark Gable, already a big star by time song was written).

      NOTE: "Moonglow" is not explicitly referenced as such, and is virtually identical to 1929's "Sweeter Than Sweet", so this may not be a goof.
    • Zitate

      Boy Wonder: The day Wally Reid died, I was having lunch with Griffith, Gish and Hayes. Somebody came in and told us what happened, and Gish started crying, right away. She said, "Poor Wally. Poor Wally. What am I going to do now?" Had to leave the table, she was crying so hard. Old Will Hays, of course, got up to go after her. She used to bring that out in people. And as he left, he turned to us and he shot this out like spit, and he said, "Good riddance. Good riddance to bad rubbish." After they were gone, Griffith turned to me, and he was smiling. I'd never seen that son of a gun look so happy in my life. You know what he said? He said, "God bless him. God bless that poor son of a bitch for not dying in the middle of my picture." And then he ate Lillian's dessert.

    • Crazy Credits
      The end credits are shown in black-and-white, against a backdrop of a silk cloth. It is also grainier and scratched in spots compared to the rest of the film. It is very reminiscent of the credits of vintage 30's melodramas.
    • Alternative Versionen
      Although the print submitted was the longer version, the original UK cinema release was cut by the BBFC to edit the pre-credits sequence and some footage from the sex scene between Harlene and Rex. The 1987 Warner video was uncut.
    • Verbindungen
      Featured in Playboy: The Story of X (1998)
    • Soundtracks
      Moonglow
      Written by Will Hudson, Edgar De Lange and Irving Mills

      Played by Joe Venuti and his orchestra

      recording courtesy of RCA records

    Top-Auswahl

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    FAQ14

    • How long is Inserts?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 19. Februar 1975 (Westdeutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Inserts
    • Drehorte
      • Lee International Studios, Kensal Road, Kensal Town, London, England, Vereinigtes Königreich(Interior of Boy Wonder's home)
    • Produktionsfirma
      • Film and General Productions
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    Box Office

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    • Budget
      • 350.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 57 Min.(117 min)
    • Farbe
      • Color
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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