Ein junger, einst großer Hollywood-Filmregisseur weigert sich, den Wandel der Zeit in den frühen 1930er Jahren zu akzeptieren und beschränkt sich auf sein verfallenes Anwesen, um stumme Porn... Alles lesenEin junger, einst großer Hollywood-Filmregisseur weigert sich, den Wandel der Zeit in den frühen 1930er Jahren zu akzeptieren und beschränkt sich auf sein verfallenes Anwesen, um stumme Pornofilme zu drehen.Ein junger, einst großer Hollywood-Filmregisseur weigert sich, den Wandel der Zeit in den frühen 1930er Jahren zu akzeptieren und beschränkt sich auf sein verfallenes Anwesen, um stumme Pornofilme zu drehen.
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Rather graphic for its time in the portrayal of full frontal female nudity, with a glimpse of full frontal male nudity (although we are spared the sight of Richard Dreyfuss and/or Bob Hoskins in the buff), the entire film takes place in one setting, with plenty of camera tracking movements instead of rapid cutting.
Jessica Harper as Cathy Cake is a wonderful character, and I am a bit surprised that her career was not more extensive. I wonder if this role hurt her marketability at all. Both Harper and Veronica Cartwright have plenty of scenes with casual nudity, and Dreyfuss is rarely seen without a whiskey bottle in hand.
Its now available on DVD. Check it out if you can.
As unique a "movie within a movie" film as you will ever see.
It is very much a filmed stage play taking place in one large room with only a handful of actors. Yet you will hardly notice it. True to it's time frame (Hollywood at the dawn of sound), it's stands up to it's own time (1970's) and today's (2000's). Currently the porn industry does almost as much business as main stream films ("What Price Hollywood?"). In fact, Porn generates more money than Country Music. How many country music channels are there? How many porn?
You may never listen to the tune "Moonglow" in the same way again.
Watching it as a bitter sweet comedy, you cannot but enjoy this film. I have only seen the 117 min. version and not the shortened one. Be warned if only the 99 min. version is available.
It's difficult to find this movie. But if you get the chance, see it.
This is a pretty sophisticated film on making porn. Dreyfuss is excellent as the alcoholic director. All in all, you are likely to love it if you like smart, dialog based films, and of course if you're not offended by some nudity and decadence. But what did you expect? This guys is making porn films in his apartment!
Provocative , a bit offensive , surprisingly shockin, yes, but unique and original as well. Note: this is no expoitation flick, even though some might view enjoy it as such...
The performances were, as I recall, uniformly good, with Dreyfus - whom I had only seen previously in American Graffiti - a revelation. This was also the first big screen role I can remember from Bob Hoskins, and after her small but memorable role in Love and Death, Jessica Harper brought just the right degree of irritating sexiness to Cathy Cake.
Annoyingly, despite the limitations of scale, and the occasional staginess, I don't think John Byrum has ever made a better film!
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- WissenswertesVeronica Cartwright said in interviews and convention appearances that she considers her role of Harlene among her best acting work. She has quoted: "It was such a liberating experience to do that movie and it kicked off a lot of stuff for me. I was a waitress at that time and one day this guy says 'Excuse me, can I ask you a question? Aren't you in that movie Inserts?' and I go, 'yeah' and he says 'what the fuck are you doing here?!' I was earning a living! But I went home that night and thought, what was I doing there? So I quit my job the next day."
- PatzerSitting at piano, Boy Wonder plays song Moonglow, written in 1934. The movie takes place at least three or four years earlier (characters repeatedly talk about a then-unknown actor named Clark Gable, already a big star by time song was written).
NOTE: "Moonglow" is not explicitly referenced as such, and is virtually identical to 1929's "Sweeter Than Sweet", so this may not be a goof.
- Zitate
Boy Wonder: The day Wally Reid died, I was having lunch with Griffith, Gish and Hayes. Somebody came in and told us what happened, and Gish started crying, right away. She said, "Poor Wally. Poor Wally. What am I going to do now?" Had to leave the table, she was crying so hard. Old Will Hays, of course, got up to go after her. She used to bring that out in people. And as he left, he turned to us and he shot this out like spit, and he said, "Good riddance. Good riddance to bad rubbish." After they were gone, Griffith turned to me, and he was smiling. I'd never seen that son of a gun look so happy in my life. You know what he said? He said, "God bless him. God bless that poor son of a bitch for not dying in the middle of my picture." And then he ate Lillian's dessert.
- Crazy CreditsThe end credits are shown in black-and-white, against a backdrop of a silk cloth. It is also grainier and scratched in spots compared to the rest of the film. It is very reminiscent of the credits of vintage 30's melodramas.
- Alternative VersionenAlthough the print submitted was the longer version, the original UK cinema release was cut by the BBFC to edit the pre-credits sequence and some footage from the sex scene between Harlene and Rex. The 1987 Warner video was uncut.
- VerbindungenFeatured in Playboy: The Story of X (1998)
- SoundtracksMoonglow
Written by Will Hudson, Edgar De Lange and Irving Mills
Played by Joe Venuti and his orchestra
recording courtesy of RCA records
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Inserts
- Drehorte
- Lee International Studios, Kensal Road, Kensal Town, London, England, Vereinigtes Königreich(Interior of Boy Wonder's home)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 350.000 $ (geschätzt)
- Laufzeit
- 1 Std. 57 Min.(117 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1