In Celebration

This film reminds me of the Monty Python sketch featuring old Yorkshireman trying to complete as to who had the worst childhood. This film consists of the brothers of the family bickering with each other and their parents. Yawn.

The great Lindsay Anderson adapts another play for film.

Quite interesting, well acted (a then quite young Alan Bates, Brian Cox, Bill Owen among others) study of dysfunctional working class English family where the three sons have become educated and moved up in the world, but are still stuck in the wounds of their childhood.

The production still feels very stagy, and some of the writing is too theatrical for film, but much of the play is moving and nicely complex; finding ways to combine the personal and the political.

It does feel a bit dated -- from a time when breaking away from living the life your parents expected was still a more radical idea.

If you are looking for some of the wonderful off kilter charm of Lindsey Anderson's other films, you might be disappointed with this. If you are able to respond to great filmed theater along the lines of "Glengarry Glen Ross," "Long Day's Journey Into Night," Olivier's "Othello" and indeed the American Film Theater's great movie "The Homecoming", you may go all the way with this one, which I found a deeply moving experience.

Storey's play has some odd parallels to Pinter's "Homecoming" (a comic horror story of family that is perhaps the best of the brief life of the American Film Theater series) and perhaps primed by that film

I was sort of waiting for something bitter or freakish to occur for about the first half. But it is Storey's purpose to illustrate that even among families of great love and decency, dark secrets and bitter resentments can brew.

The film brings much humor and intensity to the subject. It's a thing of beauty. Critically

the affection Storey has for his characters never slips into sentimentality. This movie was a

big discovery for me. Give it a shot and see what you think.

This is old school acting so redolent of the British stage during its 'angry young man' heyday. Bolam simmers throughout and does more with a body posture than other modern actors do with a facial expression; Cox ruminates throughout, a beautiful portrayal of a soul in torment; and Bates gesticulates, explodes and with sheer energy of purpose drives this drama. This is acting of the highest order. Yes it's stagey - it was written for the stage! But Anderson takes us up close and personal mirroring the claustrophobia of the subject matter - a family crippled by the past and barely able to cover the cracks. The director makes us feel like we are part of the room and it is uncomfortable but compulsive viewing.

A very slow and extremely tedious film about a Yorkshire family reuniting up north to celebrate their parents anniversary.

Unfortunately, it's not filmed in Yorkshire, and there's not a real Yorkshire accent to be heard anywhere! Even old 'Compo' couldn't convince anyone he was a Yorkshireman... maybe because he was actually a southerner!

Strangely the classic film "Brassed Off" is a better portrayal of Yorkshire folk in an old mining village, and one of the stars was Scottish!

There are brief moments of good acting from the all star cast, but they are few and far between in this bore of a movie.