IMDb-BEWERTUNG
6,2/10
932
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuHennessy is an Irishman who believes in peace, but who has had connections to the I.R.A. After his family is killed he plots revenge, setting out to assassinate Queen Elizabeth II.Hennessy is an Irishman who believes in peace, but who has had connections to the I.R.A. After his family is killed he plots revenge, setting out to assassinate Queen Elizabeth II.Hennessy is an Irishman who believes in peace, but who has had connections to the I.R.A. After his family is killed he plots revenge, setting out to assassinate Queen Elizabeth II.
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Rod Steiger is "Hennessy" in this 1975 drama also starring Lee Remick, Trevor Howard, Richard Johnson and Eric Porter.
Hennessy is an explosives expert living in Belfast who no longer believes in violence, even to the point of refusing to supply the IRA with explosives. He soon reverts to his former opinions when his beloved wife and child are killed in crossfire between the British army and rioters.
From that point on, his agenda is his own, and he heads for London with the idea of blowing up the whole of Parliament when the Queen and her family come to address the body.
Hennessy seeks out the widow (Remick) of an IRA agent and hits her up for a place to stay while he steals gelignite, practices impersonating a member of Parliament he has zeroed in on and arranges to have the bomb made.
Both the IRA and the British Special Branch are on to him, and both want him stopped - the IRA because it realizes what the backlash will mean.
Given recent times, this drama takes on a timeliness it did not have when it was first released and probably got lost among the plethora of international espionage films.
Rod Steiger is always a surprise, as he could overact with the best of them (The Big Knife) or underplay beautifully, as he does here. His Hennessy is dead inside and quietly determined to achieve his goal via an intricate plot.
Beautiful Lee Remick is wasted star power here but lovely nonetheless as a lonely widow who has already lost someone to the cause and wants nothing to do with it.
Richard Johnson is terrifying as Hollis, a rogue member of the Special Branch who doesn't care who he beats to a pulp and whose property he destroys to get the information he needs.
Trevor Howard, as his boss, gives his role a measured dignity and coolheadedness - and with Hollis on his team, he needs it.
All in all, very absorbing.
Hennessy is an explosives expert living in Belfast who no longer believes in violence, even to the point of refusing to supply the IRA with explosives. He soon reverts to his former opinions when his beloved wife and child are killed in crossfire between the British army and rioters.
From that point on, his agenda is his own, and he heads for London with the idea of blowing up the whole of Parliament when the Queen and her family come to address the body.
Hennessy seeks out the widow (Remick) of an IRA agent and hits her up for a place to stay while he steals gelignite, practices impersonating a member of Parliament he has zeroed in on and arranges to have the bomb made.
Both the IRA and the British Special Branch are on to him, and both want him stopped - the IRA because it realizes what the backlash will mean.
Given recent times, this drama takes on a timeliness it did not have when it was first released and probably got lost among the plethora of international espionage films.
Rod Steiger is always a surprise, as he could overact with the best of them (The Big Knife) or underplay beautifully, as he does here. His Hennessy is dead inside and quietly determined to achieve his goal via an intricate plot.
Beautiful Lee Remick is wasted star power here but lovely nonetheless as a lonely widow who has already lost someone to the cause and wants nothing to do with it.
Richard Johnson is terrifying as Hollis, a rogue member of the Special Branch who doesn't care who he beats to a pulp and whose property he destroys to get the information he needs.
Trevor Howard, as his boss, gives his role a measured dignity and coolheadedness - and with Hollis on his team, he needs it.
All in all, very absorbing.
My father-in-law, Les Hammond, did the sound on this film, and I remember at the time him telling me that he did not think this film would be released on general release because the authorities thought it would be looked upon as some sort of bible for terrorism. We went to see it a long time after it's release, and I'm pleased to say that it was an eye opener. The storyline was good, the acting was excellent (the accents were difficult but you can't have everything). I'm a great fan of Rod Stiger and he did not let anyone down in this film. Les Hammond is still in rude health and will be celebrating his 100th birthday on 6th June 2008.
Nearby half a century before the Queen co-starred with Daniel Craig she supported Rod Steiger in this ambitious A. I. P. Production that rather recklessly opened a can of worms by combining The Troubles with the Royal Family.
Whatever. It works perfectly well experienced simply as a gripping thriller building up to a climax as dramatic as that of 'The Day of the Jackal' with a showy part for Steiger in the tortured title role and is well acted by a good cast - most of them adopting Irish brogues - of whom one, Richard Johnson, actually supplied the original story.
Whatever. It works perfectly well experienced simply as a gripping thriller building up to a climax as dramatic as that of 'The Day of the Jackal' with a showy part for Steiger in the tortured title role and is well acted by a good cast - most of them adopting Irish brogues - of whom one, Richard Johnson, actually supplied the original story.
Back in 1975, when this controversial political thriller was released, critics were quick to call it "implausible", "unbelievable" and "far-fetched". But since then, the western world has had a few wake-up calls. The 9/11 terrorist attacks; the Madrid bombings; hunt-campaigners breaking into Parliament and hurling powder pellets onto the Prime Minister; the suicide bombings on the London Underground.... to name but a few. In retrospect, Hennessy may have been made at a time when the top-brass of Britsh and American governments and armies thought themselves invulnerable, but looking at it from a modern perspective this is a chillingly possible tale. It is not even slightly far-fetched or implausible.... this is a genuinely unsettling, suspenseful and thought-provoking thriller.
Northern Irish explosive expert Niall Hennessy (Rod Steiger) lives a peaceful life in Belfast with his wife and daughter. He has IRA contacts, including the dangerous and wanted Tobin (Eric Porter), but Hennessy repeatedly refuses to get involved in their violent activities, even refusing to provide them with small amounts of gelignite. However, one day during a street riot the British Army inadvertently open fire on the rioters, and in the confusion Hennessy's wife and child are killed. Distraught, Hennessy heads for London with the aim of revisiting his loss on the English capital. His unthinkable plot is to blow up the Royal Family and the members of parliament in the House of Peers. Fearing a backlash and an influx of extra soldiers in Belfast, Tobin sets out to stop Hennessy. Also, Special Branch detective Inspector Hollis (Richard Johnson - who also came up with the film's story) races against time to prevent Hennessy's explosive scheme.
As in The Day Of The Jackal, the audience knows from the outset that Hennessy's horrifying plot is doomed to fail.... but also like The Day Of The Jackal, this film still generates terrific excitement. Hennessy, as essayed by the excellent Rod Steiger (in one of his most subtle, least hammy roles), is a very sympathetic figure and it is only because his revenge plot is so terrible that we do not want him to succeed. Hollis, the cop out to stop him, is very convincingly played by Richard Johnson, and there are further notable performances from Lee Remick as the widow of a one-time IRA saboteur and Trevor Howard as Hollis's over-confident, under-cautious superior. Director Don Sharp, whose films are usually mediocre at best, is in uncommonly good form, serving up a thriller of considerable tension and topicality. In today's vulnerable society, films of this kind remind us of the perilous position we're in at the mercy of embittered extremists.... and Hennessy is one of the best of its type.
Northern Irish explosive expert Niall Hennessy (Rod Steiger) lives a peaceful life in Belfast with his wife and daughter. He has IRA contacts, including the dangerous and wanted Tobin (Eric Porter), but Hennessy repeatedly refuses to get involved in their violent activities, even refusing to provide them with small amounts of gelignite. However, one day during a street riot the British Army inadvertently open fire on the rioters, and in the confusion Hennessy's wife and child are killed. Distraught, Hennessy heads for London with the aim of revisiting his loss on the English capital. His unthinkable plot is to blow up the Royal Family and the members of parliament in the House of Peers. Fearing a backlash and an influx of extra soldiers in Belfast, Tobin sets out to stop Hennessy. Also, Special Branch detective Inspector Hollis (Richard Johnson - who also came up with the film's story) races against time to prevent Hennessy's explosive scheme.
As in The Day Of The Jackal, the audience knows from the outset that Hennessy's horrifying plot is doomed to fail.... but also like The Day Of The Jackal, this film still generates terrific excitement. Hennessy, as essayed by the excellent Rod Steiger (in one of his most subtle, least hammy roles), is a very sympathetic figure and it is only because his revenge plot is so terrible that we do not want him to succeed. Hollis, the cop out to stop him, is very convincingly played by Richard Johnson, and there are further notable performances from Lee Remick as the widow of a one-time IRA saboteur and Trevor Howard as Hollis's over-confident, under-cautious superior. Director Don Sharp, whose films are usually mediocre at best, is in uncommonly good form, serving up a thriller of considerable tension and topicality. In today's vulnerable society, films of this kind remind us of the perilous position we're in at the mercy of embittered extremists.... and Hennessy is one of the best of its type.
Maltin is an idiot for saying that the plot is unbelievable. It is in fact all too believable. Rod Steiger shows his versatility by playing an Irishman who impersonates an Englishman. Lee Remick is delectable as usual and English fans will applaud the inclusion of Eric Porter
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- WissenswertesThe movie had a difficult time getting shown in England. When the movie was first submitted to the British movie review board, it was rejected because it appeared that Queen Elizabeth II was acting in the movie. Producer Samuel Z. Arkoff managed to get the board's approval by adding a disclaimer at the beginning of the movie stating that the Royal Family had not participated in the making of the movie and that Queen Elizabeth's appearance was done using newsreel footage. Then English distributor EMI, which was the distributor of Arkoff's movies in England, stated to the press that that they were "a defender of the palace" and refused to handle the movie. The J. Arthur Rank Organisation, the other major movie distributor in England, also joined the boycott for the same reason. Ultimately, the movie only played in a few theaters in England.
- PatzerAt the end of the initial shooting scene, in Belfast, a train goes past in the background. It is clearly a dark blue British Rail DMU with the white double arrow symbol of BR. But Northern Ireland Railways (NIR) was not part of British Rail in 1975. NIR DMUs at the time would have been two-tone red and white or blue and white.
- Crazy CreditsThis motion picture incorporates extracts from a news film of The Queen at a State Opening of Parliament which, when photographed, was not intended for use in a fictional context. The Directors of Hennessy Film Productions, Ltd. would therefore like to make it clear that the Royal Family took no part in the making of this film.
- VerbindungenReferenced in The Starlets (1977)
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