Füge eine Handlung in deiner Sprache hinzuMeet a mother and daughter, high-society dropouts, reclusive cousins of Jackie O., managing to thrive together amid the decay and disorder of their East Hampton, NY, mansion, making for an e... Alles lesenMeet a mother and daughter, high-society dropouts, reclusive cousins of Jackie O., managing to thrive together amid the decay and disorder of their East Hampton, NY, mansion, making for an eerily ramshackle echo of the American Camelot.Meet a mother and daughter, high-society dropouts, reclusive cousins of Jackie O., managing to thrive together amid the decay and disorder of their East Hampton, NY, mansion, making for an eerily ramshackle echo of the American Camelot.
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- 5 Gewinne & 1 Nominierung insgesamt
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- Self - Birthday Guest
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Plenty has been written and said about the Kennedy family, and Irish political dynasties, but far less is out there about the Bouvier (?) family... and these odd black sheep of the family make me want to know more. I had never heard of them. How is that possible? This documentary has been floating around for forty years, and is really mandatory viewing for anyone who is interested in either Kennedy, the Hamptons or mental illness.
"Big Edie" died in 1977 and "Little Edie" sold the house in 1979 for $220,000 to Sally Quinn and her husband, former Washington Post editor Ben Bradlee,[7] who promised to restore the dilapidated structure (the sale agreement forbade razing the house). "Little Edie" died in Florida in 2002 at the age of 84. According to a 2003 article in Town & Country, after their purchase, Quinn and Bradlee completely restored the house and grounds.
Edie never leaves the home or rarely sees anyone, yet she still has the rich, white woman's concern over her weight. It is hilarious to see her peering at the scale through binoculars. When you see pictures of the women as young beauties, it takes your breath away. Edie is still a beautiful woman, and her coquettish behavior at times makes her seem like a young lady.
The language is entirely witty and it is hilarious to see the two women go on and on. Favorite comments -
"France fell but Edie didn't. Edie never fell for anyone." "Why didn't you marry Getty?" "I'm a staunch character! S-T-A-U-N-C-H!" "Lost in a sea of green leaves. I'll never see that scarf again." "This is the revolutionary outfit." "You don't say luh-ove! You're not Czechoslovakian!" "All I need is to find this Libra man!"
The cats and racoons are a site to see, as is the faded mansion. A wonderful window into the world of two compelling characters, their lives, and their memories. Yes it is at times sad, but at the same time, these two are fabulous!
Although the Maysles and their fans (not to mention Edith and Edie themselves) bristle at the suggestion that this film is exploitative, this is exploitation in the truest sense of the word. Very little effort is every made to explain the Beales or how they came to the condition they were in - the Maysles approach seems to be to just turn the camera on and wait for Edith and Edie to say something outrageous. The sound, even on the Criterion re-release is poor and difficult to follow. Although I appreciate this film was made somewhat early in the history of documentary film, it's ironic to compare it to Geraldo Rivera's (!) far superior series on the sexual abuse of mentally retarded patients at Willowbrook State School in Staten Island from 1972, four years before Grey Gardens was shot.
To paraphrase a review in the New Yorker, there were many things Edith and Edie needed in their lives, and a documentary wasn't one of them.
As for Edith and Edie, the thing I kept thinking while watching the film was "where the hell is their family"? They were living in dangerous, unhealthy, unsafe conditions. How is it that Jackie O, married to one of the richest men on Earth (or the wealthy Bouvier family themselves) couldn't afford to get Edith and Edie a decent home? Or at the very least hire a part-time housekeeper or caregiver to come in and keep an eye on them both? It's shameful and a lasting disgrace to the entire Bouvier family.
Although this review may sound negative I would strongly recommend Grey Gardens to anyone who enjoys documentaries. Perhaps someday someone will come along and do a documentary about this documentary - bringing in the rich backstory (and afterstory) of the Beales and the whole subsection of Hamptons society in the 1970's.
Wusstest du schon
- WissenswertesAccording to a 2009 interview in the San Francisco Chronicle, Edith 'Little Edie' Bouvier Beale wore a beautiful red dress to the 1975 premiere of this film, only she wore it backwards, with the zipper in front.
- Zitate
Edith 'Little Edie' Bouvier Beale: But you see in dealing with me, the relatives didn't know that they were dealing with a staunch character and I tell you if there's anything worse than dealing with a staunch woman... S-T-A-U-N-C-H. There's nothing worse, I'm telling you. They don't weaken, no matter what.
- VerbindungenFeatured in Gilmore Girls: A Deep-Fried Korean Thanksgiving (2002)
- SoundtracksTea for Two
(uncredited)
Music by Vincent Youmans
Lyrics by Irving Caesar
Sung by Edith 'Little Edie' Bouvier Beale
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- Boz Bahçeler
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Box Office
- Bruttoertrag in den USA und Kanada
- 36.923 $
- Eröffnungswochenende in den USA und in Kanada
- 13.845 $
- 8. März 2015
- Weltweiter Bruttoertrag
- 39.854 $