IMDb-BEWERTUNG
6,2/10
6165
IHRE BEWERTUNG
Drei Schurken wollten einem Indianer hassenden Kavallerie-Major 300.000 Dollar rauben.Drei Schurken wollten einem Indianer hassenden Kavallerie-Major 300.000 Dollar rauben.Drei Schurken wollten einem Indianer hassenden Kavallerie-Major 300.000 Dollar rauben.
- Auszeichnungen
- 1 wins total
Rik Battaglia
- Captain
- (as Rick Battaglia)
Fernando Cerulli
- Her husband
- (as Ferdinando Cerulli)
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While many people claim that "A Genius, Two Partners, and a Dupe" is a sequel to "My Name Is Nobody", it really isn't - Terence Hill's character here has a different name, and it's taking place before the events of MNIN. Sequel or not, what we have here is a very disappointing spaghetti western, one of the last that was made. For the longest time, there simply isn't any plot to be found. And when the plot DOES start, it unfolds in a very confusing manner. Klaus Kinski fans will be let down by the fact that he only appears for a few minutes. (He only seems to be in the film enough so that the movie could get German funding - the movie is an Italian, French, and German co-production.) Terence Hill is charming as ever, there is a great score by Ennio Morricone, and the scenery is fantastic, so the movie isn't a complete loss. Still, I would only recommend this to spaghetti western enthusiasts - and even they might find this tough to sit through.
Bit of a disappointment this one, although it was always bound to be too good to be true.
Just think of it! A spaghetti western directed by the great Damiano Damini (A Bullet for the General) and the greater Sergio Leoni, starring legendary actors Patrick McGoohan and Klaus Kinski, with music by Ennio Morriconne. How could it go wrong?
Well let's start...
The opening sequence at least (directed by Leone) is brilliant and promises a terrific film. A promise that is not kept. The sequence has little or no bearing on the rest of the film, an action comedy about the conning of a racist cavalry Major (McGoohan) out of three hundred thousand dollars and the love triangle between the three con-artists, led by Terence Hill.
There seems to be something about most Italian comedy that simply doesn't work when playing to a British or American audience and here it is the same. Most of the film is buffoonery that falls flat, made increasingly worse by the decision to give most of the co-stars silly voices in the dubbing room. Klaus Kinski comes off the worst in his tiny cameo, looking great, out-acting everyone on the screen, but sounding like an ancient hillbilly. Miou-Miou's squeaky toddler voice is unbearable.
McGoohan too sounds bizarre, somewhere between an English toff and WC Fields (all the stranger still, because the voice is actually his).
The music tends towards the comical of course, and as such is not in Morricone's best work.
However, there are some diamonds among the rough. McGoohan's performance is great, in spite of the voice.Terence Hill makes a fairly engaging lead, whose description of a duel is a classic moment for spaghetti westerns. The climax too, an energetic chase, accompanied to Morriconne's reworking of Beethoven's Fur Elise, ending with a tremendous explosion that leaves McGoohan covered in white dust atop his horse like an imposing alabaster statue (worth the admission price alone) is evidence that there is some real talent at work here.
In a perfect world, A Genius would be the very best of the spaghetti westerns. As it stands, it is a failure that I'm very pleased to have seen.
Just think of it! A spaghetti western directed by the great Damiano Damini (A Bullet for the General) and the greater Sergio Leoni, starring legendary actors Patrick McGoohan and Klaus Kinski, with music by Ennio Morriconne. How could it go wrong?
Well let's start...
The opening sequence at least (directed by Leone) is brilliant and promises a terrific film. A promise that is not kept. The sequence has little or no bearing on the rest of the film, an action comedy about the conning of a racist cavalry Major (McGoohan) out of three hundred thousand dollars and the love triangle between the three con-artists, led by Terence Hill.
There seems to be something about most Italian comedy that simply doesn't work when playing to a British or American audience and here it is the same. Most of the film is buffoonery that falls flat, made increasingly worse by the decision to give most of the co-stars silly voices in the dubbing room. Klaus Kinski comes off the worst in his tiny cameo, looking great, out-acting everyone on the screen, but sounding like an ancient hillbilly. Miou-Miou's squeaky toddler voice is unbearable.
McGoohan too sounds bizarre, somewhere between an English toff and WC Fields (all the stranger still, because the voice is actually his).
The music tends towards the comical of course, and as such is not in Morricone's best work.
However, there are some diamonds among the rough. McGoohan's performance is great, in spite of the voice.Terence Hill makes a fairly engaging lead, whose description of a duel is a classic moment for spaghetti westerns. The climax too, an energetic chase, accompanied to Morriconne's reworking of Beethoven's Fur Elise, ending with a tremendous explosion that leaves McGoohan covered in white dust atop his horse like an imposing alabaster statue (worth the admission price alone) is evidence that there is some real talent at work here.
In a perfect world, A Genius would be the very best of the spaghetti westerns. As it stands, it is a failure that I'm very pleased to have seen.
This Terence Hill film is quite strange!Supposed to be a sequel to My Name Is Nobody,it's a spoof on the old west!Not very family friendly,it has it's good parts!Terence Hill really makes the movie.It would have been better if his partner Bud Spencer starred with him.The first scene is directed by the great Sergio Leone.What's wrong with it is not the plot(a great plot),but the supporting cast,and how it doesn't make much of an impact,like My Name Is Nobody did so well.Great music from Ennio Morricone,though not very western sounding.In the end,Sergio Leone,was not impressed and took his name off the film and never did another western!
This should have been a great film, but after the superb intro (which I think is directed by Leone) the film pretty much falls out of your mind after seeing it.
Whith Leone involved, I did expect a great film and the intro did meet my expectations but the rest of the film is quite poor. I am a big fan of spaghetti westerns but this film falls because it is so messy. It is a ripoff from "My Name is Nobody" and "Trinity", with some more serious elements (such as the intro), paired together with a scrappy plot.
I am not a big fan of Terrence Hill and this movie did not make me change my mind about him. The character he plays in this movie is pretty much a copy of the one he played in "My Name is Nobody" except the fact that he did a good job in that movie. He is not bad, but his acting gets boring (maybe he was tired of playing the same role in every film?). Klaus Kinski is good as always. The film does look great though, and does not have that b-film feeling to it like so many other spaghetti westerns.
I don't hate this movie, but it did not meet my high expectations. Watching it without expectations, I can imagine that this flick works as great entertainment for the spaghetti western fan. And remember, the score by Morricone, the intro and the performance of Kinski are reasons alone to watch this movie.
Whith Leone involved, I did expect a great film and the intro did meet my expectations but the rest of the film is quite poor. I am a big fan of spaghetti westerns but this film falls because it is so messy. It is a ripoff from "My Name is Nobody" and "Trinity", with some more serious elements (such as the intro), paired together with a scrappy plot.
I am not a big fan of Terrence Hill and this movie did not make me change my mind about him. The character he plays in this movie is pretty much a copy of the one he played in "My Name is Nobody" except the fact that he did a good job in that movie. He is not bad, but his acting gets boring (maybe he was tired of playing the same role in every film?). Klaus Kinski is good as always. The film does look great though, and does not have that b-film feeling to it like so many other spaghetti westerns.
I don't hate this movie, but it did not meet my high expectations. Watching it without expectations, I can imagine that this flick works as great entertainment for the spaghetti western fan. And remember, the score by Morricone, the intro and the performance of Kinski are reasons alone to watch this movie.
I've watched this movie in German and with many Terrence Hill movies, the German translation might often deviate heavily from its original script.
It's incredibly cheaply produced - the explosions and action sequences aside - which you can see almost everywhere. I don't know, if that's usual for Terrence Hill movies, but I almost lost it in the end, where "Nobody" holds his final speech but the camera never shows his face, all while constantly panning over the other character's faces, yet only showing "Nobody's" hands.
Also its very slapstick-heavy, which often falls flat with me.
I might recommend this, if you like Terrence Hill movies, but for others this isn't really worth watching.
I might recommend this, if you like Terrence Hill movies, but for others this isn't really worth watching.
Wusstest du schon
- WissenswertesThis is the last western Sergio Leone worked on.
- PatzerWhen Major Cabot brings Bill and Lucy to the cell, they go through a room with flags which are supposed to be the state flags of the United States. If you watch closely you can see the flags of the European Union and of East Germany.
- Zitate
Doc Foster: [to Joe] In a few moments you'll be the deadest man that ever lived!
- Alternative VersionenMost DVD versions (including Paramount's German release) are missing the last shot of the opening scene directly before the credits as well as the final shot of Monument Valley. The credits roll over the shot of Monument Valley in the uncut version whereas the cut version shows the credits over a black screen. The Paramount DVD does however include a reference to a threesome that most other versions are missing.
- VerbindungenFeatured in Klaus Kinski - Ich bin kein Schauspieler (2000)
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- 3.500.000.000 ITL (geschätzt)
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