Nobody ist der Größte

I've watched this movie in German and with many Terrence Hill movies, the German translation might often deviate heavily from its original script. It's incredibly cheaply produced - the explosions and action sequences aside - which you can see almost everywhere. I don't know, if that's usual for Terrence Hill movies, but I almost lost it in the end, where "Nobody" holds his final speech but the camera never shows his face, all while constantly panning over the other character's faces, yet only showing "Nobody's" hands. Also its very slapstick-heavy, which often falls flat with me.

I might recommend this, if you like Terrence Hill movies, but for others this isn't really worth watching.

Bit of a disappointment this one, although it was always bound to be too good to be true.

Just think of it! A spaghetti western directed by the great Damiano Damini (A Bullet for the General) and the greater Sergio Leoni, starring legendary actors Patrick McGoohan and Klaus Kinski, with music by Ennio Morriconne. How could it go wrong?

Well let's start...

The opening sequence at least (directed by Leone) is brilliant and promises a terrific film. A promise that is not kept. The sequence has little or no bearing on the rest of the film, an action comedy about the conning of a racist cavalry Major (McGoohan) out of three hundred thousand dollars and the love triangle between the three con-artists, led by Terence Hill.

There seems to be something about most Italian comedy that simply doesn't work when playing to a British or American audience and here it is the same. Most of the film is buffoonery that falls flat, made increasingly worse by the decision to give most of the co-stars silly voices in the dubbing room. Klaus Kinski comes off the worst in his tiny cameo, looking great, out-acting everyone on the screen, but sounding like an ancient hillbilly. Miou-Miou's squeaky toddler voice is unbearable.

McGoohan too sounds bizarre, somewhere between an English toff and WC Fields (all the stranger still, because the voice is actually his).

The music tends towards the comical of course, and as such is not in Morricone's best work.

However, there are some diamonds among the rough. McGoohan's performance is great, in spite of the voice.Terence Hill makes a fairly engaging lead, whose description of a duel is a classic moment for spaghetti westerns. The climax too, an energetic chase, accompanied to Morriconne's reworking of Beethoven's Fur Elise, ending with a tremendous explosion that leaves McGoohan covered in white dust atop his horse like an imposing alabaster statue (worth the admission price alone) is evidence that there is some real talent at work here.

In a perfect world, A Genius would be the very best of the spaghetti westerns. As it stands, it is a failure that I'm very pleased to have seen.

"A Genius, Two Friends, and an Idiot" also titled "Trinity Is Back Again" is a Western satire with a bemusing premise , there is plenty of action in the movie , guaranteeing shootouts , fights or stunts every few minutes ; however , being regularly directed by Damiano Damiani . It's an improbable blending of standard Western , tongue-in-cheek , silly humor , Comic-book and realized in Spaghetti/Fagioli/Trinity(Terence Hill-Bud Spencer) style . It deals with an expert conman named Joe Thanks (Terence Hill) who remembers the character ¨Nobody¨ from ¨Il Mio Nome e Nessuno¨ or ¨My name is Nobody¨ by Tonino Valeri . Joe teams up with Mestizo Bill Locomotiva (Canadian singer , Robert Charlebois) and naive Lucy (Moiu Miou) to rob a lot of money from a nasty Army officer . Joe is a genius with several qualities as ubiquity , controlling space and time and fast gun . As three rogues set out to steal $300,000 from an Indian-hating cavalry major Cabot (miscast Patrick McGoohan) supported by his Sergeant Milton (Raimund Harmstorf) . Their elaborate scheme is full of disguises , treason , and pursuits , but Joe along with half-breed Steamengine Bill always seem to know what they are doing . The two gunmen using his wits , break all the rules and kicking virtually every cliché in the pants carry out their objectives .

Spaghetti/Schnitzel/Paté Western parody co-produced by Italy/Germany/France , it is packed with ridiculous situations , noisy action , exaggerated roles and lots of silly humor .This is a surprisingly low-key Spaghetti Western in which three diverse characters joining forces to rob a cache of money . This amusing as well as absurd picture contains a funny plot , action Western , shootouts and bits of campy and embarrassing humor . During filming took place a distress , parts of the original camera negative were stolen , so the film makers had no choice but to assemble many scenes from alternate takes , until today the original negative has not been found It displays an entertaining screenplay written by usual Ernesto Gastaldi , but shot by a filmmaker with no sense of humor . Amiable but sometimes lumbering Western satire goes on and on about the same premise , as a lot of minutes are superfluous ,it has half hour of excess , as it packs overblown jokes and antics and some moments turns out to be dull and tiring . This overlong film mingles slapdash, silly scenes , chases , double-crosses and it's fast moving and embarrassing .There appears customary Spaghetti actors such as Benito Stefanelli , Mario Brega , Raimund Harmstorf , Reno Girone , Rik Battaglia , and of course Klaus Kinski . The musician Ennio Morricone , composes a jolly soundtrack with catching leitmotif and well conducted. Colorful cinematography plenty of barren outdoors , sunny landscapes under a glimmer sun , stunningly photographed by Giuseppe Ruzzolini on location in Monument Valley , Utah , a favorite place habitually used by John Ford and also Sergio Leone , here producer . This was a failed farewell in Western genre from Sergio Leone , and ordinary secondary actors as Mario Brega and Klaus Kinski as a grumpy gunfighter who is ridiculed by the genius Terence Hill .

The motion picture was middlingly directed by Damiano Damiani and lavishly produced by Fulvio Morsella and Sergio Leone . Damiani's so-so direction is regularly crafted, here he's mostly cynical and humorous and less inclined toward violence and too much action especially on its ending part . Damiano is an expert on all kind of genres as Drama (¨Arthur's island¨ , ¨The Most Beautiful Wife" , ¨The witch¨ , and ¨Empty canvas¨ based on the Alberto Moravia novel) , Terror (Amytiville 2 : the possession) , Historical (¨The Inquiry¨) , Spaghetti Western (¨Trinity is back again¨and the prestigious ¨A bullet for the General¨ again with Klaus Kinski) . Damiani was specialized on crime-thriller-Subgenre or Italian cop thriller (¨Confessions of a Police captain¨ , ¨How to kill a judge¨, ¨The case is closed , forget it¨, "Goodbye e amen" , ¨Mafia¨, "I Am Afraid" and ¨Warning¨ starred by Martin Balsam) . Rating : Average , 5 . Only for Terence Hill fans .

I purchased this PAL DVD (my Macintosh computer plays the format) and a region- free, NTSC/PAL DVD player (connected to a regular NTSC tv) so I, NOT THE STUDIOS, can choose what I want. The PAL disc was the only version I found available, and I will submit DVD info when I find time. Look for the widescreen/ letterboxed format (which "Genius" is), instead of the horrid pan and scan, because letterboxed (or matted) is what the director intended viewers to see! Please keep an open mind about spaghetti westerns. Sometimes viewers comment with such harsh criticism that it can turn someone away when they should be prompted to look for a title in the genre they are interested in. I've suddenly grown a fascination in macaroni that I'm finding movies that I've never been interested in before. I swore on Clint/Eli/Cleef/ Leone/Ennio flicks yet didn't notice people like Nero and Milian. And now I'm discovering not to be so hard on my boy Terence Hill. Okay, so he doesn't take it so seriously. At first, that's what turned me away from his flicks. It wasn't Eastwood enough. But geez, what a kick you can get from "Genious." Initially I didn't care for Ennio's music, but it seeps into you. And there's something about the camera placement and movements that draw me into the film, which was just the right length -- not too long or short. The funny moments and comments throughout, plus the explosion (a very real and powerful one) somewhere in the flick made me decide on 8 stars. I judge these the same way as kung fu action. It can be so easy to pick apart and be literal, but these generally are simply pasta and lo mein noodle- type movies. Just enjoy sucking it into your system. You'll love getting full, and soon you'll want another helping.

This should have been a great film, but after the superb intro (which I think is directed by Leone) the film pretty much falls out of your mind after seeing it.

Whith Leone involved, I did expect a great film and the intro did meet my expectations but the rest of the film is quite poor. I am a big fan of spaghetti westerns but this film falls because it is so messy. It is a ripoff from "My Name is Nobody" and "Trinity", with some more serious elements (such as the intro), paired together with a scrappy plot.

I am not a big fan of Terrence Hill and this movie did not make me change my mind about him. The character he plays in this movie is pretty much a copy of the one he played in "My Name is Nobody" except the fact that he did a good job in that movie. He is not bad, but his acting gets boring (maybe he was tired of playing the same role in every film?). Klaus Kinski is good as always. The film does look great though, and does not have that b-film feeling to it like so many other spaghetti westerns.

I don't hate this movie, but it did not meet my high expectations. Watching it without expectations, I can imagine that this flick works as great entertainment for the spaghetti western fan. And remember, the score by Morricone, the intro and the performance of Kinski are reasons alone to watch this movie.