Funny Lady

The 1968 film version of FUNNY GIRL was an absolute masterpiece, and as perfect as a musical-comedy film can be. A sequel to this classic was not something that was ever needed to be made, but since the original was so successful (FUNNY GIRL was the highest-grossing film of 1968) and well-loved, it was pretty obvious why producer Ray Stark wanted to make this follow-up so badly. It took awhile, but he eventually convinced Streisand to sign on and reprise her role as Fanny Brice, with Herbert Ross (who had staged the musical numbers in the original film and had directed Streisand in the box office hit THE OWL AND THE PUSSYCAT) set to direct. Although the film was generally well-received by most critics and proved to be another big box office hit, many fans of the sweet-natured original did not care for the slightly more harsh and cynical tone of this follow-up, and it has since fallen out of favor with many Streisand fans.

While no film could ever recapture the easy charm and beautiful sentiment of FUNNY GIRL, FUNNY LADY is highly entertaining when viewed on it's own terms. Streisand plays the now-hard-bitten Fanny with a depth and maturity that is very different from her characterization in the first film, but almost equally as stunning. Many viewers often complain that James Caan was badly miscast as Billy Rose. While Caan is physically wrong for the role of the short, unattractive Rose, he still comes across as oddly likable, and he has a nice comic chemistry with Streisand. Roddy McDowell is fun as Fanny's assistant, and veteran hoofer Ben Vereen brings down the house with a incredible, almost gravity-defying dance routine. Omar Shariff also returns for two very effective scenes as Nick Arnstein, the man Fanny will always love, but can't seem to live with.

Though Streisand is in terrific singing voice, the song score is a bit more hit-and-miss. The period standards that Streisand vividly performs (particularly the bittersweet "More Than You Know," the gospel-infused "Great Day," and the heart-wrenching "If I Love Again") are absolutely fantastic, however, the heavily-promoted original songs from Cabaret composers Kander and Ebb are a major disappointment. The intended show-stopper "How Lucky Can You Get" is fine number that is made memorable by Streisand's scorching performance, however, the remainder of the original songs ("Blind Date," "Let's Here It For Me") are pretty forgettable despite Streisand's impassioned vocals. Fortunately, these few mediocre numbers (and the rather predictable narrative) are flaws that are very easy to forgive. No, FUNNY LADY doesn't hold a candle to FUNNY GIRL, but the film remains a fun and enjoyable ride that should entertain those who loved the original.

This musical is just brutal. After the sensational soaring of FUNNY GIRL this bludgeoning sequel is what CARRY ON CLEO is to CLEOPATRA. Honestly, I thought Barbra was channeling Phil Silvers in TOP BANANA against James Caan still in Sonny Corleone mode. Or commode perhaps. The production values and the color is good but Barbra yakketyyakking at Caan's bemused head for 140 minutes just left me punch drunk. Ben Vereen leaping about and Roddy being wistful was sort of OK and some of the dance numbers were enjoyable in a cardboard way. I would actually like the see the reportedly cut scenes, especially James Caan singing "Does your chewing gum get stale on the bedpost overnight" (true) ...apparently he is playing it on a typewriter at the time, and whatever else they decided was 'not good enough' as opposed to what was already there. This even has a imitation 'Don't Rain On My Parade' number with planes trains and automobiles instead of a tug. Something this lady might have actually needed. Brutal. Clobbering. Thank God we weren't bulldozed with FUNNY GRANNY, but I guess there is still time.

Let's get the biggest question out of the way: Is FUNNY LADY as good as FUNNY GIRL? Of course not, but how many movies are? This is the lively follow-up to the 1968 masterpiece, that continues Fanny's (Streisand's) story after her divorce from Nick (Sharif) and her second marriage to producer Billy Rose (James Caan).

This film was a sure-fire hit back in '75. Made on a then-hefty budget of $7 million, FUNNY LADY went on to gross over $48 million in the United States alone. Streisand and Caan have a sparkling chemistry, and Sharif is charming. Also, Roddy McDowell is memorable in a supporting role as Bobby.

The screenplay, though familiar, is surprisingly crisp with some fresh comedy bits and a bittersweet conclusion. The music isn't anywhere near as good as the original's, but there are some nice numbers including the showstopper "How Lucky Can You Get?" and the soft "More Than You Know."

FUNNY LADY is a very good movie and great sequel. Although the original is the place to start, the Streisand-Caan chemistry will give fans a good fix. Enjoy!

My score: 7 out of 10.

FAN......TAS......TIC !

Well,not quite, but still very watchable. There's a sort of hollow feeling to the whole thing, but then I sort of think that adds new character to an already well told story. We'd have certainly been cheated if they tried to re-do "funny girl" all over again. I have played the soundtrack so many times and really have never felt cheated in any way. The sequel portrays Fanny Brice as more worldly and cynical. She couldn't have possibly remained the same naive, dewy-eyed girl portrayed in the first movie. I think, as sequels go, this is well done and enjoyable...but, a sequel nevertheless. A little less magic than the original, but enjoyable on several levels.

Barbra Streisand reprised her Oscar-winning role of Fanny Brice in 1975's FUNNY LADY, a big splashy musical that centers around Fanny at the height of her stardom and her stormy relationship with second husband, Billy Rose (James Caan). Much has been written about how unnecessary this sequel was and how it wasn't very factual regarding Fanny and Billy's marriage. First of all, Hollywood has always had sequel-itis. Any movie that makes a decent profit at the box office is going to have a sequel sooner or later. Second, as far as accuracy is concerned, does anyone really think FUNNY GIRL stuck to the facts? FUNNY GIRL was about as close to a factual biography of Fanny Brice as a Harlequin romance novel, but people loved it and Barbra won an Oscar. For what it is, FUNNY LADY is a very entertaining movie with a charismatic starring performance by Streisand as an older, wiser, and more savvy Fanny who is definitely in charge of her own life now...that is, until Nick Arnstein (Omar Sharif, in a gratuitous cameo)briefly re-enters her life. The film really focuses on Fanny's relationship with Rose, antagonistic at first but it does grow into a relationship based on mutual respect and affection, but not love or passion, which Fanny had with Nick. I love the scene where Billy proposes to Fanny because it's more like a business merger than a marriage proposal. These people are clearly not in love with each other but they are both lonely and need each other so they agree to a marriage they don't really want. The musical numbers, for the most part, are well-staged if not terribly original. There's a definite "been there done that" feel to some of the numbers. Fanny on stage in an empty theater belting out "How Lucky Can You Get?" reminded me of Fanny on stage in an empty theater belting out "I'm the Greatest Star." And many comparisons have been made to "Let's Hear it from Me" to "Don't Rain on my Parade", except that Fanny takes off in a plane instead of chasing a tugboat. Barbara shines in the "Big Day" production number and her take on two lovely ballads "Isn't this Better?" and "If I Love Again" is memorable. The score effectively combines songs from Fanny's era as well as new songs by John Kander and Fred Ebb (CABARET). Cann is charming as Billy Rose and Sharif has aged surprisingly well. Kudos also to Ben Vereen for his one-show-stopping number, "Clap Hands, Here Comes Charlie". Not historically accurate or terribly original, but FUNNY LADY is an entertaining musical with Barbra in top form and her fans will not be disappointed.