Mitgiftjäger

'The Fortune' is a crime comedy, centred around the dubious exploits of two 1920s conmen, promisingly played by Jack Nicholson and Warren Beatty. Their job is to cheat a wealthy woman out of her fortune, and the film starts off positively. The film's song, 'I Must Be Dreaming', is quite enjoyable, and I was glad to see Nichols reuse it in the credits at the end. Unfortunately, it all goes downhill from the hopeful first scene. The premise was interesting, but it may have been performed better if the film was more serious. It felt a little like a rom-com, road movie version of 'The Great Gatsby', and the effect wasn't very good. The script was a little off at times, and I think that, in places, Beatty failed to remain on Nicholson's level during their usually fun exchanges. There were a few genuinely funny scenes, but I don't think there were enough of them to justify watching this. Other scenes degenerated into mind- numbing silliness, almost to the point where the viewer forgets the plot or the premise of 'The Fortune'. Overall, I was quite disappointed with this film. Nicholson, as ever, delivered a great performance, but I don't think that 'The Fortune' operated along the right lines. It could have channelled the atmosphere of 'McCabe & Mrs. Miller', or been a serious Prohibition crime film, but its direction steered it into becoming a very mediocre comedy.

During the 1920's, the Mann-Act criminalizes transporting women across State lines for immoral purposes. Nicky Wilson (Warren Beatty) and Oscar Sullivan (Jack Nicholson) are inept con-artists trying to take rich heiress Fredericka Quintessa Bigard (Stockard Channing). She falls for Nicky but he's already married. Oscar marries Freddie in order to run away to L.A. across state lines. Her father threatens to disown her. The boys fight over her for her money.

This movie threw me. I expected good characters, and good acting from a Mike Nichols movie but he adds a screwball element to his comedy this time. I didn't see it coming. It takes me a little time to get used to it. I'm shaken by Oscar suddenly walking the wing on the plane. I don't think it's Nichols' strong suit. It's a lot of wacky screwball comedy that don't really generate laughs. The energy isn't there. He needs quicker edits and sharper gags. His brand of comedy isn't quite that. At its core, there are the three great actors and they shine.

Mike Nichols' last good film that I'm sure bombed at the time. Stockard Channing almost steals the show as the young heiress, Warren Beatty is perfectly cast, and Nicholson is hilarious without doing much (great hair). There were a lot of good films in the 70's and this should have been included on most lists.

A 7 out of 10. Best performance = Jack Nicholson. There are scenes that fall flat, but the ones that work make it worthwhile. Great costumes and art-set direction as well. It's hard to imagine these two actors (Beatty & Nicholson) playing the characters they did in REDS six years later after playing these buffoons. Give it a shot.

When I read about "Silkwood" in a movie encyclopedia, the caption said that Mike Nichols's career had come to a halt eight years earlier with "The Fortune". Watching the latter, I laughed but also felt like the movie was a little bit low for the director of "The Graduate" and "Catch-22". Portraying uptight Warren Beatty and over-conspicuous Jack Nicholson transporting Stockard Channing to California for what were deemed immoral purposes by the Mann Act in the 1920s, it seems like much of the flick consists of Beatty getting angry at Nicholson for not taking their predicament too seriously. But the last twenty minutes were a hoot, I will say that.

So, this may be Mike Nichols's only movie that you sit around in your underwear and watch. I gotta pity the characters for having a landlady like the one portrayed in the movie. Also starring Scatman Crothers (that's right, the cook from "The Shining") and a very young Christopher Guest.

Ramshackle farce with a few funny moments, mainly thanks to Nicholson's largely inspired comedic work, but little else. Mike Nichols is adept at coasting along on clever scripts,but he's clearly unable to salvage wayward material like this. In particular, the running gag which comprises the last half hour or so of the film wears incredibly thin. Beatty and Channing seem to be trying,to little avail, while Nicholson walks away with the film. He's particularly adroit in the first 20 minutes,before the film gets lost in it's own series of ambling vignettes. Still can't hold a candle to the old W.C. Fields or Laurel & Hardy films. Watch one of those instead.