Im Auftrag des Drachen

Let's face it, folks, either you go for Clint Eastwood's kind of almost pure machismo (or whatever comes closest to him as a living, walking bad-ass), or you feel unnerved or turned off or just tune in for a few minutes here and there. I go for it, as it's one of those things that makes Clint what he is; he's intelligent about being a star, as his figure and persona are rarely changed much, so there's a consistency (Jack Nicholson may be a more versatile actor, maybe even better overall in his craft, but he'd have to go in a steel cage with Eastwood to see who'd be the best 70s star). The Eiger Sanction isn't any great shakes as compared to Clint at his best in the 70s- it's no High Plains Drifter or Dirty Harry or even Play Misty for Me- but it's a helluva lot of fun, and probably one of the better pictures done on the danger of mountain climbing.

Is the plot generic? Yes and no. Yes because we have seen this many times, with the ex-assassin pulled in for one more job and then finding a way to secure his retirement package with the deal and with not-surprisingly exciting (or sometimes not exciting) results. And yes, we've seen stuff like the guy's "girl" who comes in and plays a role, more or less, as the voice of reason, in this case Jemimma Black (yes, the name is basically blaxsploitation in mainstream clothing). Hell, there's even the doggone twist (yes, there's a doggone here) about who the killer actually is, and it's the sort that is handled this time with some degree of interest not so much in how it's revealed but what's done with it by the actors and the outcome of the climb.

But there's a lot more wit and fun in the script than one might give Eastwood and his writers credit for. It's tailor-made for someone like Clint, who plays this 'Doctor' of assassin time turned art history like it's nothing. He probably doesn't have much difference here in term of delivery of lines or sarcasm or the knack for beating the crap of the bad dude at the nick of time than Dirty Harry. Which is just as well; we need an anchor with the plot's likely pit-falls, with co-star Kennedy the only normal one among the possibly shifty characters (save for whoever plays Dragon, which is also filmed appropriately creepy and near originally). And it's the combo of humor ("Screw Marlon Brando!") and the suspense that arrives in that final act on the Eiger that makes the picture work. It's not entirely superbly directed- you can tell Eastwood is still working his way through doing certain techniques and frankly can't film a love scene at all- but for what it's worth, it's good, under-looked stuff in the cannon, perfect for a 'sick day' viewing. 7.5/10

Clint Eastwood stars as a former government assassin turned art teacher who is blackmailed into coming out of his retirement to pull off a difficult last job. A former colleague has been murdered. Eastwood will climb the Eiger face and kill the assassin along the way. The only problem is he isn't sure which of the three other climbers is his target.

'The Eiger Sanction' is very much a product of the 1970's, and comes from a difficult grey area of Eastwood's career. He was transitioning between Westerns and Dirty Harry and films like 'The Eiger Sanction' got lost in the mix. On the surface the film is a spy thriller, or a gorgeously shot mountain climbing/survival film. I think it doesn't get enough credit for being very tongue in cheek. It gently pokes fun at both Eastwood and 70's action movies -- Clint giving a female student a playful pat on the rump, the foxy brown flight attendant/girlfriend, and of course "damn that Brando" when Clint's Native American trainer pushes him too hard. Throw in the promiscuity and the way homosexuality is dealt with (rival gay hit-man with the little dog) and the film runs pretty nicely as a satire.

'The Eiger Sanction' is really about the third act though where the climbing takes place. Brilliantly photographed, I didn't find much not to enjoy about this film. Quite possibly the best climbing film that I've ever seen and it is certainly superior to things like 'Cliff Hanger' or 'Vertical Limit' -- which owe a great deal to 'The Eiger Sanction.' Clint Eastwood has acted in better movies and he's directed better movies. That said, this one is an unpolished gem and worth taking a look at if the opportunity arises.

Sort of an Americanized James Bond where government assassin Clint Eastwood travels to different locales fighting killing and boinking (not always in that order). It's got colorful characters, beautiful women, and a cartoon villain that would be right at home in a Roger Moore Bond flick. Gorgeous Vonetta McGee is reason alone to see this. Lots of pretty ladies in this film but she's on a whole other level.

Like most of Eastwood's 70s movies it's got plenty of grit and machismo. Certainly not one for the pearl clutchers. This is also one of those movies where you are reminded of what's missing in so many of today's movies. No I'm not talking about the politically incorrect stuff. That's another conversation. I'm talking about things like pacing and stuntwork and filming on location even if it might be slightly dangerous. Everything is faster and faker and more sanitized now. But I'll get off my soapbox before I start printing pamphlets. In closing, The Eiger Sanction is far from Eastwood's best but it is a good watch. Also I really love that jeep.

Shot on location in the Alps and Zion National Park, the cinematography is first class. This is great large-screen fare.

While not without their hokey apects, the many climbing scenes and story are much more realistic than those of "K2", "Clifhanger", or God-help-us "Vertical Limit".

The spy part of the story certainly has some plot holes, and I purchased a copy of "The Eiger Sanction" by Trevanian just to get some of them straightened out, and got quite a surprise. The movie is much, much more faithful to the original book than the vast majority of Hollywood adaptations. Those holes in the story - well, they're right there in the book, too. Practically the only significant differences between the two are the relationship between Johathon and Wormwood, the final status of Johnathon and Jemima's relationship, and the fact that C2 is - in the novel - so totally inept as an intelligence organization as to be completely unbeliveable, this is somewhat glossed over in the movie. Frankly the differences in all three situations are argueably done better in the movie.

I heard a lot of mixed reviews on this film, but I saw it anyway. And to tell you the truth, I quite liked it. It isn't Clint Eastwood's best film by a long-shot, but it is far from his worst either. It is sluggishly paced, it is routine in the story in places and the villains are to say the least very strange and over-the-top. However, the cinematography and editing are very good and do justice to the amazing scenery and backgrounds. John Williams's score while not his best is excellent, and there is some decent dialogue and direction. The acting is good enough, Eastwood is not exactly on top-form but to be honest his role doesn't really require that. The real joys are George Kennedy, who I actually think gives one of his better performances here, and Thayor David whose character is over-the-top but David is quite enjoyable. Overall, it is good, better than I was expecting. Maybe not a Clint Eastwood classic, but definitely worth the look. 7/10 Bethany Cox