Asterix erobert Rom

Most of the by now many Astérix adaptions are based on the comic albums, this film has its own script - maybe that's why it works better than the other ones. The story is much more fantastic and postmodern than usual and most of the gags center more on sight than on wordplay - which is a good thing for a movie. The comics are full of clever wit but that's hard to translate on screen. There's also much satire here; I especially liked the bureaucratic hellhouse. Some of the 12 labours are obviously better than others but that's OK too, the story is episodic enough anyway. The animation is just OK, a far cry from Disney or Miyazaki standards, but basically it does its job.

I've been laughing at "The Twelve Tasks of Asterix" for about 20 years now. Early on, I laughed hardest at the slapstick comedy segments. Now, I laugh hardest at the history-based jokes and sly sexual references. So you see, like all the best children's entertainment, this can be enjoyed on several different levels - some for the kiddies, some for the adults.

(The slapstick comedy is still cool to my adult self, by the way. Nothing beats watching an unruly mob of Gaulish villagers tear through a phalanx of hapless Roman dudes...)

The plot is very episodic, centering around the efforts of wily Asterix and oafish Obelix to perform twelve tasks and, if successful, become gods in the eyes of the Romans. Inevitably, some of the tasks are more interesting than others. The best one is set in the Place That Sends You Mad, a spot-on satire of bureaucracy and red tape. Probably the lamest task involves alligators and an invisible string, but even that's okay.

The animators did an excellent job capturing the style of the Asterix comic books. Oddly enough, though, the quality of the drawing is variable. Sometimes the characters look quite rough and sketchy, and other times the lines are much cleaner. However, the task set in the Beast's cave is undeniably very well-animated and even a bit creepy.

The ending is outrageous, and therefore brilliant. It brings the Asterix saga to a satisfying close (of course, the little guy's adventures continue in various formats). Speaking of the ending, pay especially close attention to Caius Tiddleus's cup when he's getting tickled by the priestess in the closing moments. It's a good, naughty sight gag.

This movie was my first exposure to Asterix, and thus I have a soft spot for it. Sentiment aside, though, I do think it's easily the best of the Asterix films, and is only rivaled by the very best comic adventures. Hey, I honestly haven't got tired of it during these twenty-odd years of occasional viewing - that's about the best endorsement I can give a film!

I'm mostly a rather introvert person. When a comedy makes me smile it has succeeded, when it makes me chuckle it is a rousing success. The climax of this film made me fall from my cinema seat laughing.

This film is not based on any of the Asterix comic books as most of the Asterix films. Asterix faces 12 tasks, one more daunting than the other (I can't remember why, it was over 20 years ago), building up to the last one, the most difficult of the lot. Do not, under any circumstances, including hurricanes and invading Mongolic hordes, leave the cinema before that scene!

The best Asterix film at the time of its release and certainly one of the best overall. "Twelve Tasks" was always a favorite of mine and watching it now, close to 20 years later, it's still as funny and imaginative as it ever was.

As an Asterix movie it's a bit of an anomaly. It isn't based on any of the comic-books (are they graphic novels?) and doesn't follow any of the continuity or logic of any of the other stories. But since it's by René Goscinny and Albert Uderzo themselves you could hardly call it unofficial.

Julius Caesar calls a truce with the village and says that Gaul can rule Rome if they can win Twelve impossible tasks in the vein of Hercules a few thousand years ago. If they fail, they must surrender to Caesar. But with Asterix and Obelix as their chosen champions do you really think they will fail? The plot lends itself to lots of visual humor and irreverent satire. How can a kid's animated movie have this much depth and wit and still be relatively unknown in the wider world of Toy Stories and Ups? It's insane.

Definitely a great treat for Asterix fans and the perfect way to introduce new people to the franchise.

The best of the several movie adventures of Asterix, Obelix, Vitalstatistix and Co., our heroes are given a series of increasingly difficult tasks by Caesar, with the future of the village at stake - ranging from crossing a ravine by an invisible bridge ("Which you do not see over there") through avoiding the lures of the sirens, combating a champion javelin thrower and getting a permit for the next task (something that will strike a chord in anyone who's ever had to face red tape) to facing a celestial challenge by a god who asks them to... actually, that last one is so funny you have to see it for yourself.

There is a book out, but it's the adaptation of the movie, making "The Twelve Tasks Of Asterix" the only one to date actually written for the screen first. Perhaps the makers of the later animated movies and the live-action ones could take the hint? (Or is adapting them properly beyond 'em?) Sheer pleasure throughout, with moments that still make me laugh years after seeing it and some surprisingly strong satire, all the movies should have been like this. Right, let's tie up the bard and bring on the boar...