Eine Katze jagt die Maus

I found a copy of this film, released on video in 1981. The film has not been re-issued on any other format. The film should be restored, with a director commentary. The film has one of the most clever plots ever to be displayed on film. I certainly do not want to spoil the plot for any interested viewer, so I will say little in the plot. The scene where the detectives are trying to time driving from Paris to the countryside is a gem. Brialy and Aumount are at their best. This film is just as enjoyable as another Lelouch film "Robert et Robert" which is also very hard to find, but still out there. Hopefully criterion or anchor bay will restore these classics and make them available for future movie going generations.

This is the most ridiculous movie I ever saw. It supposed to be a detective story but not a single episode in it can stand a simple scrutiny. The events are so implausible that the movie often looks like a parody. There are many French detective stories with a script that has more holes than a fisherman's net. However, this one is the worst.

The commissioner Lechat and his colleague Pierre Chemin are in charge of the investigation of the death of Mr. Richard. At the first sight it looks like a fake suicide. Besides some important paintings have disappeared. Immediately Mrs. Richard become the main suspect. Is her alibi true ? So we have the scene in which Lachat and Chemin are timing the transfer from Paris to the villa in the countryside and also the return from the villa to Paris.

But this film is also a comedy ; the story of the relationship between Lechat and Mrs. Richard, the commissioner says Mrs. Richard that he is sure that she killed her husband, but at the same time he doesn't want to send her to jail. Some characters are framing Mrs Richard,we don't understand why, but little by little Lechat and Chemin understand for example the kidnapping of Mrs. Richard.

I enjoyed this film , especially the performances of Serge Reggiani, Philippe Léotard and Michèle Morgan: but Jean-Pierre Aumont, Valérie Lagrange, Michel Pereylon, Christine Laurent , Philippe Labro Arlette Emmery, Erik Colin and Yves Alonso made good performances.

The Cat and the Mouse is classic thriller with many twists. Like its star Michele Morgan in her last feature role, it has survived the test of time wonderfully. The film oozes style and realism whilst never appearing to do too much or be too self-conscious. Some of the scenes and camera shots used by Lelouch have long been stolen by American and Hong Kong cinema but they still feel fresh and effective.

The two lead, Regianni from Casque D'Or and Morgan from Port of Shadows are both right on point, they play their role with sobriety and panache. The film is captivating from beginning to end. Throughout this extensive investigation, Lelouch paints a realistic portrayal of humanity and temptation, from all levels of society.

Police Commissioner Serge Reggiani is called in on a most peculiar case: Jean-Pierre Aumont, one of the richest men in France, has killed himself at home. At the same time, thieves have stolen very valuable paintings from his house. Aumont's widow, Michèle Morgan, is the natural suspect, but she was seeing a movie at the time, and no matter how he and his assistant, Philippe Léotard, try, they can't make the timelines match.

We follow Reggiani for two years, his taking bribes, his training his dog to attack on command, his relationship with his daughter, whom he marries off to Leotard, his forced retirement to a farm, where he works on a book about the case. At the same time, he develops feelings for Mlle. Morgan, and because he is no longer a cop, he just wants to solve the case, with no sense he has to bring her to justice.

Eventually he does figure out what happened, but that's just ubiquitous background to this movie by Claude Lelouch. Once again, the director has taken a leisurely view of his story, with all the details of life, few of which connect save through Reggiani, filling in the characters in great detail, like some detailed mosaic that leads to a life. It lacks the sense of inevitability, of fate, that some of his better known movies thrive on, but it's certain very watchable.