Nevada Pass

Breakheart Pass is a wicked tough, badass Charles Bronson action vehicle steeped in the macho charm on the 1970's, and filled with ever changing photography as a train hurtles across the Nevada and Idaho mountains during a snowy winter. Onboard is John Deakins (Bronson), a dangerous outlaw being transported as prisoner to a remote, well guarded fort somewhere deep in the wilderness. Deakins isn't who he seems though, and neither is anyone else onboard for that matter. When a murder occurs, he takes it upon himself to wage a bloody crusade on everyone else in order to find the truth about what's going on, and the truth about their frozen voyage. Bronson is nails tough, doing some deliriously sketchy stunts and engaging in blessedly R rated, pretty intense violence for 70's standards. The cast is stacked, other passengers include Ed Lauren, David Huddleston, Richard Crenna, Charles Durning and Ben Johnson as the ruthless federal marshal in charge of Deakin's transport. A rock solid genre picture, thrilling, decked out in western production design and filled with savage, bullet ridden, bone breaking set pieces.

Alistair MacLean spent most of his novelist days writing wartime suspensers or twisting, turning thrillers. The one book that he wrote which doesn't fit either of those descriptions is Breakheart Pass, a western set aboard a train. This film version of it is surprisingly enjoyable, and features the added bonus of an expressive, colourful characterisation by Charles Bronson.

The train is travelling to a fort in the Wild West with medical supplies to cure an outbreak of a nasty disease. However, some of the soldiers aboard the train are mysteriously disappearing, and anyone who's ever seen a film like this will figure out straight away that there's a murderer on board. Furthermore, the train must make its journey across hostile Red Indian terrain, where a fearsome ambush or a sabotaged stretch of track is only a spear throw away.

Bronson plays a mysterious outlaw who is held prisoner on the train, though there are plenty of clues that he may not be exactly who he says he is. Other well delineated characters are played by Richard Crenna, Jill Ireland, Archie Moore (yes, the boxer!), and Ed Lauter. One truly amazing sequence involves a rooftop scuffle between Bronson and Moore.... indeed most people who have ever seen the film remember it for that sequence more than any other. All things considered, Breakheart Pass is one of the better adaptations of a MacLean novel, admittedly not quite in the same league as Fear is the Key or Where Eagles Dare, but definitely worth seeking out, especially on DVD.

The movie is a little too long, the plot isn't the greatest, and it "drags" here and there, but all the actors are excellent - Richard Crenna and Ben Johnson in particular. Charles Bronson does what he does best - be Charles Bronson. It has good stunts, and plenty of action - what you expect from a Western. To me the main item of interest is that Yakima Canutt, the first great movie stuntman, and later a great stunt coordinator, was the 2nd unit director. It was his last movie. He died the next year - 1976. He started in silent movies, worked with John Wayne on many occasions, and staged the chariot race in the nine-Oscar winning "Ben Hur." It's fitting that his last movie was a Western.

Based on Alistair MacLean's novel about a troop train transporting soldiers and medical supplies to a plague ridden fort, that is threatened by hijackers and other secrets from various characters like the territorial governor, doctor, and a mysterious prisoner.

Featuring a fine cast that includes Charles Bronson, Richard Crenna, Jill Ireland, Charles Durning, and Ed Lauter, this suspenseful and action filled western thriller(directed by Tom Gries) is great fun all the way, and also has a twist laden plot to keep the viewer guessing.

Some graphic violence at times, but intelligently done, and beautifully filmed on real snowy locations. If you love trains, you can't miss this one!

Alistair MacLean has always been one of my favorite authors, dating back to my high-school days in the mid-'60s. He has written many outstanding books, and many films have been made from them. Too many times, however, the title is the only thing that remains the same.

Not in this case, however. Either MacLean himself was involved with this film, or the director actually read the book first before starting, as this film is faithful to the book. A rarity indeed.