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Das gelobte Land

Originaltitel: Ziemia obiecana
  • 1975
  • Not Rated
  • 2 Std. 50 Min.
IMDb-BEWERTUNG
7,8/10
4294
IHRE BEWERTUNG
Das gelobte Land (1975)
Drama

Füge eine Handlung in deiner Sprache hinzuThree friends hope to build a factory but their plans are quickly jeopardized by local politics and one of the partner's dangerous love affair.Three friends hope to build a factory but their plans are quickly jeopardized by local politics and one of the partner's dangerous love affair.Three friends hope to build a factory but their plans are quickly jeopardized by local politics and one of the partner's dangerous love affair.

  • Regie
    • Andrzej Wajda
  • Drehbuch
    • Wladyslaw Stanislaw Reymont
    • Andrzej Wajda
  • Hauptbesetzung
    • Daniel Olbrychski
    • Wojciech Pszoniak
    • Andrzej Seweryn
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    4294
    IHRE BEWERTUNG
    • Regie
      • Andrzej Wajda
    • Drehbuch
      • Wladyslaw Stanislaw Reymont
      • Andrzej Wajda
    • Hauptbesetzung
      • Daniel Olbrychski
      • Wojciech Pszoniak
      • Andrzej Seweryn
    • 18Benutzerrezensionen
    • 11Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 8 Gewinne & 1 Nominierung insgesamt

    Fotos170

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    Topbesetzung57

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    Daniel Olbrychski
    Daniel Olbrychski
    • Karol Borowiecki
    Wojciech Pszoniak
    Wojciech Pszoniak
    • Moryc Welt
    Andrzej Seweryn
    Andrzej Seweryn
    • Maks Baum
    Anna Nehrebecka
    Anna Nehrebecka
    • Anka Kurowska
    Tadeusz Bialoszczynski
    Tadeusz Bialoszczynski
    • Ojciec Karola - Karol's Father
    Bozena Dykiel
    Bozena Dykiel
    • Mada Müller
    Franciszek Pieczka
    Franciszek Pieczka
    • Müller
    Danuta Wodynska
    Danuta Wodynska
    • Müllerowa
    Marian Glinka
    Marian Glinka
    • Wilhelm Müller
    Andrzej Szalawski
    Andrzej Szalawski
    • Herman Bucholz
    Jadwiga Andrzejewska
    Jadwiga Andrzejewska
    • Bucholzowa
    Kalina Jedrusik
    Kalina Jedrusik
    • Lucy Zuckerowa
    Jerzy Nowak
    Jerzy Nowak
    • Zucker
    Stanislaw Igar
    Stanislaw Igar
    • Grünspan
    Kazimierz Opalinski
    Kazimierz Opalinski
    • Ojciec Maksa, Maks' Father
    Andrzej Lapicki
    Andrzej Lapicki
    • Trawinski
    Zbigniew Zapasiewicz
    Zbigniew Zapasiewicz
    • Kessler
    Piotr Fronczewski
    Piotr Fronczewski
    • Horn
    • Regie
      • Andrzej Wajda
    • Drehbuch
      • Wladyslaw Stanislaw Reymont
      • Andrzej Wajda
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen18

    7,84.2K
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    Empfohlene Bewertungen

    9Danusha_Goska

    Fast, Vivid, History and Passion

    "The Promised Land" is a visual feast, fast-paced, and every bit as ruthless as the cutthroat characters it depicts. The topic – the Industrial Revolution, and the characters – immoral greedy monsters – are ugly and mean, but Wajda's filmmaking is so virtuosic you watch just for the sheer craft, splendor, and runaway train of a plot. I find it hard to sit through movies where there are no sympathetic main characters and no possibility of a happy ending, but "The Promised Land" is addictively watchable. There's an orgy, a tiger, several mutilated bodies, fires, riots, history, and Wojciech Kilar's driving, award-winning score.

    Anyone interested in the Industrial Revolution should see this movie. Fans of Dickens' "Oliver Twist" and Gaskell's "North and South" really must see it. I wish I could require my students to watch it. Wajda was determined to get every detail correct. In the DVD's extra features, an assistant director discusses a scene of indigent paupers receiving charity food. Wajda's team discovered that the indigent were fed from long, metal tables with bowls built right into them. They rebuilt such a table just for this scene, lasting a few minutes. They had special wooden spoons made, and then weathered them by soaking them in oil. The paupers' rags were similarly weathered. There is a lengthy scene where Anna (Anna Nehrebecka), a country aristocrat, travels to the city. The camera follows Anna and lays out Lodz before her in all its gritty, noxious detail: smoking chimneys, workers' funerals, fighting men, the Jewish quarter. The scene looks like documentary footage of a late nineteenth-century industrial city.

    "The Promised Land" also takes the viewer into the mansions of Lodz, almost ridiculous in their sumptuousness, plunked down in so much filth, squalor, and despair. Ornate winding staircases, gilt-encrusted columns and ceiling murals lure on industrialists willing to wring every last penny from their desperate employees.

    "The Promised Land" depicts Lodz's emergence as a textile manufacturing hub. Three friends, one a Polish aristocrat, one a Jew, and one a German, strive to build their own factory. They have few resources and must do dirty things to make their dreams of unlimited wealth a reality. Blond Karol (Daniel Olbrychski) has the face of a cherub and the soul of a serial killer. His entire being is omnivorous greed. Moryc (Wojciech Pszoniak) cheats another Jew to get his stake. After doing so, he practically collapses from the strain, and then breaks the fourth wall, winking at the audience. He's just an actor playing a part, he reminds us, as they all are, playing any part they want to get their highest ideal: cash.

    The film also depicts workers and their plight. A dewy young mill hand is lured into prostitution. Others are consumed by the machines they work. Scenes of mutilated flesh are quite graphic, and yet not sensationalistic. This is the price poor people pay for bread, the film shows us. The camera does not linger. It keeps moving. Just like Lodz, just like men chasing cash, just like history.

    There are a few characters who aren't utterly despicable. They appear, make small squeaks of decency, self-respect, and dignity, and are crushed by the inevitable. There is a stunning scene that is quite different from anything else in the film. The film moves quickly and purposefully, but in this scene men meet in a small room to play classical music. The scene is not at all essential to the plot. It moves with atypical languor. The scene seems to say, "Yes, people in Lodz had souls." That reminder makes the surrounding greed-induced frenzy all the more disturbing.

    Some viewers protest "The Promised Land" as an anti-Semitic film, because of unpleasant Jewish characters. Indeed, there are unpleasant Jewish characters in the film. Virtually *every* character in the film is unpleasant – even the pretty, innocent child lured into prostitution. The film does not allow you to pity her, but implies that she was complicit in her own downfall. Further, every character is unpleasant in an ethnically- gender-, and socioeconomic-class-coded way. That is, the Polish peasants are unpleasant in a stereotypical way associated with peasants, the one priest is unpleasant in a way associated with priests. The men are bad men, the women are bad women. The priest is on screen for minutes only, but he leers at a pretty factory hand. Anna has a big heart, but she is ineffectual and not smart enough to see through Karol. Other women are whores or idiots. The Polish aristocrat aggressively sells out every high ideal his ancestors held dear. He desecrates an image of Poland's icon, the Black Madonna of Czestochowa. The Germans are either sadistic and autocratic or lumpen and dull. The Polish peasant who manages to rise above his station is an insufferable, loud-mouthed boor. This film isn't anti-Semitic; it is brutally misanthropic. It depicts people at their worst.

    Again, it is Wajda's virtuosic filmmaking that makes all this endurable. At a key moment, a rock flies through a window. That rock means much – the inevitable march of history that has brought industrialists high and might also bring them very, very low. Any other filmmaker would probably have handled the rock through a window as a crashing sound followed by a thud. Wajda films this scene with such skill and poetry that the rock becomes a character in the film. It demands, and gets, the viewer's full attention. Subsequent action is filmed *from the rock's point of view.* Poland is a small, distant, and much contested country. It's filmmaking like that that amply earned Wajda his honorary Academy Award.
    130640

    splendid

    Absolutely brilliant. Many regard this as Wajda's, and maybe even Poland's best ever film. Exciting, ceaselessly and unstoppably powerful, acted with herculean guile, fervour and passion. This is quite possibly the most exciting film I've ever seen. The drama, wit and ferocity of the bulk of the film build so, so effectively to its deafening crescendo, the music, the setting, the actors and the camera-work complementing and intertwining with each other in a way quite possibly unmatched in anything else I've seen. And another great think about it is its shameless, paradoxically both subtle and explicit POLITICAL content. This is Wajda's demonstration that however much he may be portrayed as a hero of Poland's rebellion against its socialist regime, he is at the same time sympathetic to the cause which drove Marxism, and hostile to the vulgarities of the interaction of man and money, the dehumanising, reifying assault with which rampant capitalism engages with the human psyche. If this is propaganda, then it is a heartfelt, stunningly effective damasking of the myth with which we all live today.

    By the way, I've only seen the re-released version, shorter than the original. Should i also see the longer 1974 version? I think the freshness and crispness of the cinematography in the more recent version might have added to the film.
    9XxEthanHuntxX

    The loss of Moral Values

    In a grandios and opulent fashion, Wajda epicly portrays the end of the romantic era, the loss of traditional values, and the rise of uncouth and dynamic industrial capitalism - the modern nation state leading to decadence and moral decline.
    10pipeoxide

    Classic. European. See this!

    This definitely may be Andrzej Wajda's most introspective and interesting film. The plot grabs you with its humour and depth while Wajda makes magic with the camera. The Kurowo scene with the poppy flowers is classic...the music calls on nostalgia. Of course, what makes "Ziemia Obiecana" so amazing are the performances. Olbrychski as the scrupleless, handsome Pole...Pszoniak as the hillarious, clever Jew...and (my favourite!) Seweryn as the baby-faced, love-struck German. Naturally, this is a social commentary, but it also reveals certain truths about the human psyche. And let's remember that Wajda was one of the most liberated of all the filmmakers of the Soviet bloc. Calling this propaganda doesn't do anyone justice. Cheers and see this beautiful film!!!
    8christian_chr

    Impressive piece of art

    Usually I tend to hold on to those movies where there are many things I can relate to, in other words modern realistic dramas.

    In this case, even if many situations in the film is dramatized incredible, its still a world that in some way did historical exist when Europe was early industrialized. A storyline of a very raw world these people lived in, with a very hard over dramatized personal directions of the actors: This is a typical East-European style of a movie, when it comes to directing and acting. Even if I was a bit put off by this over dramatization I was glued to the screen.

    This production is so well done in all aspects that you will be tussed around in your mind and almost put to trans like you did when you saw animated movies as a child.

    I disparead for many moments, and just fell into the movie, living in the story, something I seldom do nowadays.

    The entire concept of this movie is stunning. The technical quality is about the best I have ever seen and heard of a movie that is that old.

    The scenaries are completely mind blowing, considering that digital effects didn't exist 1975. Photography that is remarkable beautiful and for the time a fantastic sound engineering when it comes to recording and post.

    I watched this film on DVD screened by very good equipment, and It was shocking that that quality could be produced 1975.

    Respect for Polish film workers !

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Poland's official submission to the 1976's Oscar to the Best Foreign Language Film category.
    • Patzer
      In the train scene Mrs. Zucker laughs while her mouth indicates she's saying something to Borowiecki.
    • Zitate

      Karol Borowiecki: I have nothing, you have nothing, and he has nothing; that means together we have enough to start a factory.

    • Alternative Versionen
      On 21 May 1978 Public television aired the first episode of a mini-series which was based on the theatrical version. The television version contains four parts and is about 25 minutes longer than the version previously shown in cinemas across Poland. In October 2000 there was a new release of the movie in Polish cinemas. The new version is about 30 minutes shorter than the original one but while it doesn't contain some scenes from the original edition it also includes some scenes which was taken from the television version. The sound of the new version was digitally remastered.
    • Verbindungen
      Featured in Signiert: Andrzej Wajda (1989)

    Top-Auswahl

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    FAQ15

    • How long is The Promised Land?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 2. September 1976 (Ostdeutschland)
    • Herkunftsland
      • Polen
    • Sprachen
      • Polnisch
      • Deutsch
      • Jiddisch
      • Russisch
    • Auch bekannt als
      • The Promised Land
    • Drehorte
      • Palac Scheiblera, Łódź, Łódź, Polen
    • Produktionsfirma
      • Zespól Filmowy "X"
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    Box Office

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    • Budget
      • 31.300.000 PLN (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 50 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.66 : 1

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