Eine Frau unter Einfluß

Freewheeling Cassavetes study of a marriage.

I think its a misreading to conclude that either one of the main characters is "crazy". Clearly Mabel has what you could call a borderline manic personality, but there's little evidence that she is unable to look after herself or her kids. The fact that she gets committed says less about her condition than about the position of women in the society Cassavetes is depicting. There is no sign that the visiting kids are in any danger - their father freaks out only because Mabel's behaviour falls outside his view of the conventional housewife. Nick on the other hand is not considered "crazy" despite physically attacking several people and getting his kids drunk, because men are allowed a lot more licence. In the end he is as trapped by the social pressures on him as Mabel is, except his frustration is turned outwards, hers inwards.

When the family are alone there is no problem, Nick's difficulties arise when Mabel is unable to fit the social role assigned to her - notably it is his mother who drives him to have Mabel committed. The "influence" Mabel is under turns out not to be alcohol as we first expect but patriarchy expressed via Nick, and society's limited and limiting expectations of women and of people in general. Put Mabel in a San Francisco commune 6 years earlier and she would look normal.

A word on the acting. Having known people with rather more serious cases of manic depression I can testify that Gena Rowlands' acting is actually rather understated. Falk meanwhile is a revelation to those who know him only from Colombo - his portrayal of the inarticulate, confused, occasionally violent but still very loving Nick is perfect - he just IS this guy.

Incidentally, you can see where Scorsese took many of the ideas for his most personal films from (notably "Mean Streets" which apparently he made after Cassavetes criticised "Boxcar Bertha") although he tidied them up and made them commercial. He even copied Cassevetes' lead here by putting his own mother in "Goodfellas".

"Dad ... will you stand up for me?"

Oh my goodness, Gena Rowland in this. She's brilliant. Peter Falk too. I love how Cassavetes just immersed us into their lives and let us gradually understand their issues through their behavior, instead of explaining everything in that tidy way of conventional Hollywood. We see Rowland's character acting awkwardly, oblivious to social cues, or dissociating from reality entirely, but we also see a caring person being crushed by pressure, and cowed by her husband. We see Falk's character being patient and understanding of his wife's idiosyncrasies, and we also see him prone to violent outbursts, and piss-poor parenting. He regularly defaults to trying to yell and force things, like when he bellows "We're having a good time!" after dragging his kids and a co-worker out to a beach. The kids' instinctive reaction to what's going around them is heartbreaking, like when the adorable little girl runs to the other man on the beach, or they all try to protect their mom after she's been released from the mental hospital.

What's remarkable is that none of these characters has been transformed over the course of the story, though the viewer might be in some small way, after having witnessed such powerful performances of vulnerable, flawed characters. What an interesting title too. What is Rowlands' character under the influence of? Not alcohol, as the opening scene might suggest. A condition that threatens her sanity? Her domineering husband? The pressures of society to be a good wife and mother? How telling is that early on she says to her husband "Tell me what you want me to - how you want me to be," and that late in the film he tries to command her by saying "Be yourself!" when it seems that when she is being herself, she isn't accepted as "normal" by her husband or his co-workers. Meanwhile, the husband's erratic, dangerous behavior is par for the course, unquestioned, and certainly not about to be shipped off for ECT. There is thus a certain feminism at the bottom of this film which is fascinating, in light of such an unlikely protagonist.

In a world where you must be what you are told, bring up the children, do the washing, be controlled, cook for all your husband's mates, when he's just cancelled last night's date, is it any wonder, that you'd cave in, crash and fold!!!

Gena Rowlands is absolutely spectacular as the put upon mother who has her mental health, that's already walking a fine line between breakdown, depression and dissatisfaction, absolutely trashed and destroyed by her unsympathetic, insensitive and cruel partner, exquisitely performed by Peter Falk. A far from uncommon story of yesteryear that plays forward today and inevitably tomorrow. Leaves you wondering how on earth did that lady not win an Oscar!

A Woman Under the Influence is an emotionally packed film that is centered around a capricious yet troubled housewife named Mabel. Mother to three young children and wife to her loving but volatile husband Nick, Mabel's mind is consumed with gaining acceptance and being reassured by those who surround her. Her psychological ability to keep up with normal everyday situations eventually reaches full capacity and she struggles to maintain emotional and mental competency.

Director Cassavetes intentionally chooses not to grant clemency to the viewer. Imagine walking in late to an opera that's in it's third act – that almost seems like what Cassavetes does to the audience – introducing his depiction of a distressed family while they're in mid flight. Gena Rowlands' portrayal of the likable but frail Mabel is nothing short of incredible, and Peter Falk gives an equally remarkable performance as Mabel's husband Nick. This film is not for the weak-hearted nor for those seeking traditional entertainment. It's distinctive approach to such an emotional journey will undoubtedly impede many viewer's enjoyment - but for those who appreciate unique cinema and realism, it doesn't get much better than this.

Everyone views movies differently. I for one didn't think we were meant to wonder who was crazier Mabel or her husband. Cassavetes makes a strong, bold (and rarely voiced) point...it is the husband! Mabel loved her children, loved to dance and sing and for that she was committed. Her "unidentified mental illness" seems to intensify when her husband mistreated her and was physically or verbally violent...in my opinion going a bit crazy after someone slaps you is probably healthier and saner than being polite, demure, and rational.

Mabel loves life, shows her love without apology, and is severely punished for it. Everyone else in the movie struggles to calm everyone down and avoid showing too much emotion. While this may be more socially acceptable it isn't sane or even healthy. Humans are emotional beings...I for one say Brava! Mabel.

I think the director tips his hand and proves his point when Mabel's character comes home from the institution. She hasn't seen her children, husband, and family for 6 months and people assault her, some she has never even met, before she even leaves the car. When she does get inside the safety of her own home the people who put her away and told to forget the past greet her with small talk and politeness! Then when she finally sees her children after being told to "wait a minute" she says to herself that she wants to remain calm and show "no emotions." It seems obvious that this is a perfectly acceptable time to be emotional but fresh from the institution she know being normal doesn't allow you to be emotional. Emotions are scary, messy, and inconvenient and I for one am thrilled that John Cassavetes didn't shy away from them.

This movie is a true original.